Robots on Palm Leaves

As many of you will know, the Carl Brandon Society is currently running a fund raiser called Con Or Bust, the aim of which is to helps fans of color/non-white fans attend SFF conventions. Well, I have just been alerted to a seriously cool item that is up for auction. It is a beautifully intricate palm-leaf engraving by Sri Pachanana Moharana.

Palm-leaf engraving is a traditional art from from the state of Odisha on India’s east coast. The designs are based on mythological themes, but this particular engraving has some rather unusual figures on it: robots. The engraving was originally created for an illustration for short story called “The Nayagarh Incident”. It is the original work that is being auctioned. To see pictures of it, and bid, go here.

All of which reminds me that the Translation Awards fundraiser is entering its final week. Currently there are 28 prizes and 36 donors, so your chances of winning a prize are still very good indeed. Did I mention that we have prizes donated by Miéville, George R.R. Martin and Cory Doctorow?

A Musical Hugo Recommendation

I don’t pay as much attention as I should to Kate Bush lyrics, despite Paul Cornell’s eager evangelizing of her SFnal credentials. My thanks, therefore, to Ian McDonald, for pointing out to me that my favorite song off 50 Words for Snow is in fact a time travel story.

Music has always been eligible for the Hugos. In 1971 Paul Kantner was nominated in Best Dramatic Presentation for the concept album, Blows Against the Empire, which he made with Grace Slick and other musicians who would eventually form Jefferson Starship. A Firesign Theater recording also made the ballot, and that’s one of the years in which No Award won that category. I suspect a certain amount of fannish grumpiness.

Anyway, these days, most music would appear to belong in DBP: Short. That’s more the case for “Snowed in at Wheeler Street” because it is a duet performed by Kate and Elton John. They are, I suspect, both people who would love to get a nomination, though I doubt that either would be able to turn up in Chicago. I note that Kate named her record company Fish People, which suggests that she too has been reading books full of dead names.

There’s no official video for the song as yet, but several people have uploaded their own efforts to YouTube. This one is the best. As befits something that travels through time, it has mainly railway stations rather than airports, but I think you’ll be able to see why this song means a lot to me. And trains are rather appropriate, of course.

Anyway, here it is, enjoy, and if you like it please consider nominating it. “Snowed in at Wheeler Street”, Kate Bush & Elton John (Fish People).

I don’t want to lose you…

…again.

The Odds Are Good

This is a reminder about the Translation Awards fund raiser. Right now there are 24 prizes on offer, and only 19 people have made donations. So your chances of winning a prize are pretty darn good. There are more prizes waiting to be released as well. It’s worth a small donation. Details here.

I Get Honoured

This morning my email in box contained a message from Tansy Rayner Roberts suggesting that I might like to listen to the new Galactic Suburbia podcast because I am on the Honours List for their new award.

Wow, so I am! You can listen to the show here, but if you don’t have time for that here is the short version.

The award is for “activism and/or communication that advances the feminist conversation in the field of speculative fiction” in the year of eligibility.

Honours List

Carrie Goldman and her daughter Katie, for sharing their story about how Katie was bullied at school for liking Star Wars, and opening up a massive worldwide conversation about gender binaries and gender-related bullying among very young children.

Cheryl Morgan for Female Invisibility Bingo, associated blogging and podcasting, and basically fighting the good fight

Helen Merrick, for the rewrite of the Feminism article on the SF Encyclopedia.

Jim C Hines for “Jane C Hines” and associated blogging, raising awareness of feminist issues in the SF/Fantasy publishing field.

Julia Rios, Kirstyn McDermott and Ian Mond for episode 11 of the Outer Alliance podcast (The Writer and the Critic special episode).

L. Timmel Duchamp – for continuing to raise issues of importance on the Ambling Down the Aqueduct blog and various Aqueduct Press projects

Michelle Lee for the blog post “A 7-year-old girl responds to DC Comics’ sexed-up reboot of Starfire”.

Winner

Nicola Griffith – for the Russ Pledge, and associated blogging.

The winner will receive a Deepings Doll hand-painted figurine of a suffragette with a Galactic Suburbia placard.

I am, of course, deeply honoured to be included on that list, and I’m delighted to see Nicola recognized for the fabulous work that she has done. Thank you, ladies! 🙂

Tansy’s email ended with a request for suggestions for nominees for next year’s award. Obviously it is a bit early in the year right now, but I’d like to suggest that the Galactic Suburbanites keep an eye on what Maura McHugh. writes. I also think that there’s a very good chance that they will find next year’s winner here.

Congratulations, Genevieve!

I see from Locus that the winner for this year’s Crawford Award for a first fantasy book has been announced. And the winner is: Genevieve Valentine for Mechanique, which I reviewed here. I am very happy about this, though all of the books on the short list are very interesting and well worth a look.

You will see from the announcement that I had a small part to play in the selection of the short list and winners. My thanks as ever to Gary K. Wolfe, who administers the award, and my fellow members of the advisory group who make the task of selecting the books very enjoyable.

Congratulations are also due to Paula Guran who edited Mechanique, and to Sean Wallace, the publisher.

You can buy ebook editions of Mechanique from the Wizard’s Tower bookstore.

In Search of Editors

Something else arising from my Coode Street appearance is Jonathan Strahan’s idea of giving a Hugo to the editor of the winner of the Best Novel, rather than having an Editor: Long Form category. That’s not going to happen any time soon, but it does give us a way of looking for Editor candidates. What I want to do is start compiling a list of Best Novel contenders, and find out who edited them. You can all help with this, both by suggesting suitable novels and tracking down who edited them. Here’s a start. Please let me know if I’ve got any of these wrong.

  • Embassytown (China Miéville) – Julie A Crisp
  • Among Others (Jo Walton) – Patrick Nielsen Hayden*
  • A Dance with Dragons (George RR Martin) – Anne Groell
  • The Islanders (Chris Priest) – Simon Spanton?
  • Fuzzy Nation (John Scalzi) – Patrick Nielsen Hayden*
  • Mechanique (Genevieve Valentine) – Paula Guran
  • God’s War (Kameron Hurley) – Jeremy Lassen, David Pomerico
  • Of Blood and Honey (Stina Leicht) – Jeremy Lassen
  • Planesrunner (Ian McDonald) – Lou Anders
  • The Kingdom of the Gods (NK Jemisin) – Devi Pillai
  • Deathless (Catherynne M. Valente) – Liz Gorinsky
  • Leviathan Wakes (James SA Corey) – Dongwon Song
  • This Shared Dream (Kathleen Ann Goonan) – David Hartwell*
  • Clockwork Rocket (Greg Egan) – Jeremy Lassen
  • Vortex (Robert Charles Wilson) – Teresa Nielsen Hayden
  • Rule 34 (Charles Stross) – Ginjer Buchanan?
  • Osama (Lavie Tidhar) – Peter Crowther?
  • The Quantum Thief (Hannu Rajaniemi) – Simon Spanton
  • Zoo City (Lauren Beukes) – Marc Gascoigne

* Patrick and David are both past winners who have since declined nomination. Patrick says in comments below that he’s happy to accept nomination again this time. David hasn’t been on the ballot for a while and I’m guessing he’d much rather win for NYRSF.

You might also want to consider Darren Nash for his work on the SF Encyclopedia and the Gollancz ebook project.

Update: Added Zoo City which, like The Quantum Thief, is eligible again under the first US publication rule.

I Get Podcast

Last night I was a guest on episode #85 of the fabulous Coode Street Podcast. Jonathan got it online while I was asleep. I listened to it this morning and it isn’t too embarrassing. I wasn’t at my sharpest, as we recorded it between 23:00 and midnight my time and I’d had a busy day, but I really must stop saying “um” so much. Also there’s one mistake in there that I spotted as I was saying it but was too tired to think of a graceful way out of.

Most of the conversation is about the Hugos — Gary and Jonathan have me down as their resident expert on rules matters, though I did have to check with Kevin at one point.

During the discussion, Jonathan came up with one very interesting idea. He suggested that instead of having an Editor: Long Form category, the editor of the winning Novel would get a trophy alongside the author. There’s a lot of merit in that idea — in particular it would share the glory around a lot, and shine a spotlight on a bunch of people that we never hear about. Of course there would then be arguments that the editors of the winning short fiction, related work and graphic story should get trophies too, which probably means it would never happen. However, one thing we can do is identify who edited some of the highly fancied novels from 2011. I’ll get back to that during the week.

The other thing we talk about is the Translation Awards, for which Gary is the President of the Board of Directors, and Kevin & I have also been involved. The reason we did that is that the awards have just started another fund raiser, so that they can give financial prizes to more translators and non-English-speaking writers. There’s an amazing selection of prizes on offer. You can see them here, and I expect more to be added in the coming weeks. If you want to know what works are up for the prizes this year, you can find them here.

Pimpage Season Opens

Nominations for the 2012 Hugo Awards are now open, and my Twitter feed is starting to fill up with people listing their eligible work. People do have until March 11th to cast their ballots, and history suggests that the vast majority of them will wait until the last few days to do so. Partly that’s prevarication, but also people will still be frantically reading, so I guess it may help to get your book in the queue. If your intention is simply to remind people that your work is out there, however, you might as well wait until March.

There is one deadline before then, however. If you were not a member of last year’s Worldcon (Renovation), and are not yet a member of Chicon 7, then you must buy at least a Supporting Membership of Chicon 7 by the end of January. It’s only $50, and you’ll get the Voter Packet.

The things that was exercising people on Twitter this morning is the fact that Chicon 7 is using its right to add a one-off Hugo category to trial Best Fancast. This is a new category for fan-created audio and video that was proposed last year but needs ratification before it comes into effect as an official category.

The problem with this is that, until the constitutional change is ratified, podcasts are still eligible for Best Fanzine, and may still get nominated there. This is going to provide a major headache for the Hugo Administration Committee. It would, in my view, be quite wrong of them to move all podcast nominations for Best Fanzine to Best Fancast, because people who object to the Fancast category may with the make a statement with their nominations. What they may do is move nominations from the category where a work gets least votes and combine them with nominations in the category where it gets most votes. It would work like this:

Suppose, Notes from Coode Street got 20 nominations in Best Fanzine and 24 in Best Fancast. That means that 20 nominations from Best Fanzine can potentially be added to the 24 for Best Fancast. However, if a voter has nominated the work in both categories then their vote won’t be moved. Also, if a voter’s ballot already has 5 nominations in the Best Fancast category then their vote can’t be moved.

Of course the Admins could take the view that Fanzines and Fancasts are wholly different things, and that therefore nominations cannot be combined in this way. This is what happened in 2005 when Best Website was trialed. Emerald City managed to get on the ballot in both categories, which angered a lot of people.

So it is all a bit unclear, and I think needlessly unclear. I don’t think that there is any doubt that Best Fancast is a viable category. What’s at issue is whether podcasts are sufficiently distinguishable from fanzines to make having two categories necessary and desirable. What happens in the case of SF Signal, which has podcasts and a blog? What would happen if a podcast published a transcript of the audio and put it on efanzines.com? Trialing the category isn’t going to solve those issues, though I guess it may highlight them.

Kevin and I have already been asked if we’ll do another podcast talking through these issues. We probably will, but I think we’ll wait until February to see if anything else contentious pops up.

SFAW Back Online

I’m delighted to be able to report that Science Fiction Awards Watch is at last back up and running. The new owner, Steve Davidson, ran into a whole bunch of technical issues that I didn’t have time to help him with, but things are looking pretty good now. There will still be wrinkles, but Steve and I will work through those in the coming weeks and hopefully the site will be bigger and better in future. You should check out Steve’s introductory post here.

If ever I needed any proof that I have done the right thing with the site, all I could want is in the Feedburner stats. The number of subscribers more than trebled the day Steve put it online, and has been climbing steadily since then. Steve has an audience, and I don’t. I’m delighted that the site is getting so much more attention.

Honouring Dead Authors

I have been following the debate over the World Fantasy Award trophy with some interest. For those of you who have managed to miss it, the story started with this blog post from Nnedi Okorafor, and discussion has ranged far and wide, including on the latest episode of the Coode Street Podcast.

I don’t particularly want to comment on the issue of Lovecraft and racism. I think Nnedi has dealt with the issue very well and I don’t have much to add beyond noting that the Lovecraft bust used as a World Fantasy trophy is spectacularly ugly, and I too am pretty sure that Gahan Wilson did that deliberately with Lovercaft’s nature in mind. I like the fact that it is ugly, and that it is rather reminiscent of an Easter Island head.

Lovecraft on Easter Island

(image from The Lovecraftsman)

I have, however, been pondering how social attitudes change, and what I’d think if I ever won a trophy that was named after someone who was rampantly transphobic. The thing is that if you go back far enough then pretty much everyone was transphobic. Did Hugo Gernsback despise trans people? Probably, if someone had told him about such things. Would Verne or Wells be disgusted by me? Quite likely. Joanna Russ at least had the good grace to apologize later in life. I’m still waiting for an apology from Mary Gentle, but that doesn’t stop me loving most of her books.

One the one hand, hardly any of the authors whose work I admire had said anything bad about trans people, because there are so few of us that we didn’t come to the notice of most people until recently. On the other hand social attitudes have been such that, prior to the turn of the century, trans people were almost universally despised, so the chances are that anyone who was alive at the time was prejudiced against us.

Then again, if you go back far enough (and it doesn’t have to be that much further) then most white people had some fairly racist attitudes. The difference with Lovecraft was that he was spectacularly racist (and misogynist, and anti-Semitic, and so on), and made his feelings known in his writing. I’m not sure how I’d feel if I won an award whose trophy was a bust of Julie Bindel.

So I guess I’m still a bit confused about it. I can quite see where Nnedi is coming from. Equally I think that women, Jews and now People of Color winning the World Fantasy Award would have exploded Lovecraft’s brain. Hopefully it is also exploding the brains of people who still think like him. Goodness only knows what he would have made of me, but I’d like to continue to have the opportunity to do more brain exploding. If World Fantasy does decide to change the trophy, I shall still treasure my Howie pin and occasionally talk to it to remind HPL just how wrong he was.

A Horse Designed By Popular Vote

It is a well known saying that a camel is a horse designed by a committee. But what would happen if you put the design up for popular vote, and allowed people to mix and match individual design elements as they saw fit? It would have to have wings, because wings are cool, and it would probably be a carnivore. You’d end up with something like a hippogriff, but probably with tiger fur.

Currently the members of the British Fantasy Society are voting on new rules for their awards, and they have been designed in just this manner. The system as recommended is almost certain to result in more embarrassment, and unnecessary controversy, but it is being proudly trumpeted as a triumph for democracy so no one is allowed to complain. I don’t particularly blame the voters. They were given a dreadful questionnaire that encouraged them to think piecemeal about the rules and made no attempt to explain how and why different design elements might be used, or what their effects might be.

Still, there you go. At least I can write the BFS off as one more fan organization that there is no point wasting my time trying to help.

Spectrum Awards

The short list and winner of the Best Novel category of the Gaylactic Spectrum Awards (for works published in 2010) have been announced. The short list contains three books that I am proud to have in stock. They are:

  • Bob the Book by David Pratt (Chelsea Street Editions) — A story about a gay book, who gets separated from his partner and interacts with other books and people as he tries to find him.
  • A Book of Tongues by Gemma Files (ChiZine Publications) — Weird Western with lots of action, magic, crime, and a gay couple at the center of it all.
  • The Wolf at the Door by Jameson Currier (Chelsea Street Editions) — New Orleans, ghosts, and a gay hero blended into scary story with wit and sentiment.

I don’t have the winner, Under the Poppy by Kathe Koja, but you can find out all about it on The Writer and the Critic, and you can buy it from Weightless Books.

The full results are available on the Outer Alliance blog.

Finlandia Prize

The Finlandia is Finland’s version of the Booker. Obviously the field is smaller, as there are a lot fewer Finns than members of the Commonwealth, but on the other hand the Finns don’t arbitrarily ignore some works because of their content. Johanna Sinisalo’s Not Before Sundown (Troll in the US) won the Finlandia as well as the Tiptree.

This year’s short list doesn’t include anyone I know, but it is notable for being all female. I have some hopes for this book:

Laura Gustafsson broke in to the list with her first novel Huorasatu (“Whorestory”), which was earlier seen as a play. The author rewrites ancient myths as she charts out the prehistory of women and constructs the perfect world.

Can any of my Finnish readers tell me more about it? It sounds rather like a Cat Valente novel.

Also of note is the fact that there is a “Junior Finlandia” for YA books. This year one of the nominees is Routasisarukset by my good friend Anne Leinonen and her writing buddy, Eija Lappalainen. Tero describes the book as “the first in a series of novels set in a dystopian 24th century”, and Irma tells me that the book reminds her of Le Guin. I’m keeping my fingers crossed for them, both in the prize, and at the book fairs next year as this is the sort of recognition that helps sell translations.

Impac Squee

SF Awards Watch is in the process of being transferred to the new owners, so I can’t post there at the moment. I do, however, want to squee over the long list for the 2012 Impac Prize. This is one of the richest literary prizes in the world, worth a staggering €100,000 to the winner. But although the prize is judged by the usual types of suspect, the long list is put together by librarians. This year 147 nominations came from 122 cities and 45 countries worldwide. 34 are titles in translation, spanning 18 languages. And look at some of the books they have picked:

  • Island Beneath the Sea, Isabel Allende (tr. Margaret Sayers Peden)
  • Ship Breaker, Paolo Bacigalupi
  • Zoo City, Lauren Beukes
  • Mocking Jay, Suzanne Collins
  • The Passage, Justin Cronin
  • Under Heaven, Guy Gavriel Kay
  • Under the Poppy, Kathe Koja
  • The Dervish House, Ian McDonald
  • Kraken, China Mieville
  • Who Fears Death, Nnedi Okorafor
  • Birdbrain, Johanna Sinisalo (tr. David Hackston)

There are probably other SF/F/H books on the list too, I’m by no means familiar with them all. Thank you, librarians of the world.

An Award of Their Own

Oh dear. The UK’s literary establishment is upset at the Booker Prize. Of course it hasn’t let any awful science fiction books onto the lists or anything like that. But it may well have been guilty of honouring the occasional historical novel, or even crime fiction. There has even been a suggestion that the Booker jury are looking for book that are “readable”, which is a code word meaning “will appeal to the general public.” This will not do. So we are to have a brand new award especially for books that are about middle-aged literary professors from Hampstead who have unhappy marriages and undertake disastrous affairs with pretty young students. It will be called the Literary Prize, because only books it takes notice of will be properly literary.

Yeah, I know, sarcasm is unbecoming. And the critics do have a point. There is a suspicion that the main objective of the Booker is now not to reward quality writing, but to sell books. And if it is to do that, well, can you say “dumbing down”?

Personally, however, I think it is nice that the literary folks have a prize of their own. Perhaps they’ll start running conventions as well, so that they have a special place to go where they can meet other people with similar interests to themselves. I bet they already have fanzines.

BFS: More Progress

We have a new update from Graham Joyce on the BFS website. It fixes the date and place of the EGM at 6.00pm on Friday 9 December at The Mugs Place, under Tower Bridge in London. There’s an Open Evening scheduled for 7:30pm in the same location, so presumably they think the EGM won’t take long.

On the subject of awards, Graham says he has received a lot of input, and:

I will sift, consult and explore all ideas. I will then form a small working-group to come back with a recommendation. Any new system will be honour-bound to deal with the current Fantasy-Horror imbalance.

Hmm.

Meanwhile, on the BFS Forums, Lee Harris has announced that he will stand for the post of Chair. And Paul Cornell says he’ll be standing for the post of Awards Administrator.

BFS: We Have Progress

Two bits of news about the BFS affair came in yesterday afternoon while I was on my way to Bristol.

Firstly the 2012 FantasyCon in Corby, which was to have been run by Dave Howe and Sam Stone, will now not take place. No decision has yet been made about an alternative.

Secondly Graham Joyce has been appointed acting chair of the organization. He has an official statement online here.

Reaction to Graham’s appointment has been very positive in my corner of the blogosphere. He is a very well respected writer, and while he does do mainly the sort of dark fantasy and horror that is traditional BFS fare, he’s with big publishers and is a past winner of the World Fantasy Award. That gives him the same level of authority with the outside world as Steve Jones.

The key part of Graham’s statement is this:

I will charge the committee with a priority agenda, which will include overhauling the Awards system; identifying and recommending new committee members; ensuring that proper records of meetings, decisions and accounts are transparent to all members of the society; and seeking to enfranchise a wider “Fantasy” base for the Society. [my emphasis]

Ironically that wider involvement the sort of thing that Dave Howe was trying to do, for example by adding the “media” categories to the awards. I suspect that some hardliners may not be happy.

Anyway, we shall see what happens. I’m pleased to see more people say that they are signing up to give Graham a chance. I’d be happy to help if I can, and Tom Hunter has been very positive too. Hopefully other people who spend their time promoting books will offer their time too.

Graham’s statement promises an Extraordinary General Meeting for December, when a new chair will be elected, so we have a timescale for action too. Let’s get to it.

BFS: Which Way Forward?

The BFS affair continues to rumble on. Pádraig Ó Méalóid has a good post about how these things seem to someone outside of the BFS community. Pádraig makes the point that we’ll all be tarred by this, which echoes the point I made in my original post about all fan-run awards suffering. In comments on Pádraig’s post, Juliet McKenna notes that the scandal has made it all the way to the pages of the Sunday Express. Ouch!

Also yesterday the news broke that David Howe had tendered his resignation as Chairman of the British Fantasy Society. It would not surprise me to learn that a few other members of the BFS committee were going as well. Some of them have been sounding pretty burned out for a long time.

This, presumably, will cause some major soul searching within the organization. Where does it go from here? It could, for example, rename itself as the British Horror Society and hope that the wider world goes away. Alternatively it could try to engage more with fantasy fans and writers. There are a lot of very successful fantasy writers in the UK, and I suspect that some of them, and their publishers, would like an organization called the British Fantasy Society to pay some attention to what they do. A likely result of that, however, is that the old interest in horror will become something of a minority pursuit within the BFS.

Mike Shevdon has suggested that the BFS have separate awards for fantasy and horror, which might seem a good middle ground, but is also likely to doom the society to endless arguments over the dividing line between the two. It is OK for, say, the Locus staff to have a working definition of what they mean by specific genres as far as awards are concerned; it is quite another for a fan organization to assume that there is a universal definition that will work for all of its members.

The key point here, though, is that if people want things to get better (and I accept that right now there’s no agreement on what “better” means) then they have to get involved. The BFS won’t change simply because people are shouting at it. The only way it will change is if a significant proportion of those people who are unhappy at what went on join up and help rebuild the society. I saw Tom Hunter on Twitter yesterday calling for people to do this. I wasn’t going to renew my membership, which expired at the end of September, but seeing as there is a possibility for change I have paid up. How about the rest of you? Please note, time and effort may be required as well as money.

Update: More interesting comment here from Simon Morden.

BFS – Still Rumbling

Quite a few people on Twitter today have pointed to this post by Nicholas Whyte which, amongst other things, uses reviews on GoodReads as a comparison to the Best Novel result. That’s a very good way to show how disputes like this must seem to outsiders. Other commenters have expressed surprise that the British Fantasy Awards tend to be dominated by horror fiction.

Of course things have been that way for a long time. The World Fantasy Awards have a strong leaning towards horror as well. The David Gemmell Awards were started in part because of a perceived lack of awards for epic fantasy.

You can get another view on this through the Karl Edward Wagner Special Award. The award rules say:

The Award may go to someone who has made an important contribution to the genre throughout his/her lifetime; or it may go to the organisers of a special event or publication that took place in the relevant year.

Steve Jones complains:

In recent years the BFS Committee has decided to also use it as a Life Achievement award

That certainly appears to be within the spirit of the rules to me, but Steve is upset that the award was used in this way. Apparently the FantasyCon committee and the BFS had a big dust-up over it.

It seems to me that very few living writers who are as deserving of a lifetime achievement award for fantasy as Sir Terry Pratchett, though I can think of some possibilities. Perhaps by “the genre” some people mean just “horror and dark fantasy”. But the point here is that this is an example of Dave Howe and his friends looking outside of the usual BFS group, and Steve Jones opposing that. Steve makes the same complaint about the award going to someone who didn’t attend the convention as he makes about the winners of the media awards.

So I think it is a mistake to this of this as a conflict between an in-group and someone with a wider view. I think it is actually a conflict between two rival factions within the BFS.

I suspect also that there are people who are horrified that the Hugos go to people like Paolo Bacigalupi, China Miéville and Connie Willis rather than to people who write Star Wars novels, because the latter sell much better. We need to be careful when we complain that award results don’t reflect popular tastes.