The Bowie & Prince Panel

Jareth
There’s not a lot to report from this panel as we didn’t really have a reading list. However, there are a few things I want to mention.

Firstly I opened up with Amanda Palmer and Jherek Bischoff, because what better way to start an SF&F convention panel on Bowie than with Neil Gaiman performing the countdown from “Space Oddity”. I’m very fond of the Strung Out On Heaven album, but it wasn’t until I was listening to a music documentary this morning that I realized that on “Space Oddity” Jherek had done with strings what Bowie had originally done with a Mellotron. On the 1969 recording it had been played by a young session musician called Rick Wakeman. (Wakeman also played piano on a number of other huge pop hits, including Bowie’s “Life on Mars” and Cat Stevens’ “Morning has broken”.)

As I was the only member of the panel who had grown up in the UK, I probably had more of a connection to Bowie than most, but Cat surprised me by revealing that her step-mother was a huge Bowie fan.

For Cat and Suzanne much of their connection to Bowie came through fantasy rather than science fiction. Labyrinth seems to have been a very important film for lots of people. I can quite understand why.

Cat, having grown up in the US, was invaluable when it came to discussion of Prince. The UK barely bats an eyelid at the sort of thing the Purple One got up to. He didn’t even get banned from Radio 1, though he did have to make a small change to the lyrics of “Sexy Mother Fucker”. The USA, on the other hand, went into full scale moral panic over “Darling Nikki”.

Bowie did so many SF concept albums that we had no trouble finding things to talk about. Cat said that parts of Blackstar sounded like a story she might have written. Hopefully one day she will be able to do it. Prince only did one SF concept album: Art Official Age, which is a “sleeper awakes” story (and features Lianne La Havas as the doctor). After the panel, Iia Simes reminded me (and I had indeed forgotten) that Prince wrote the music for Tim Burton’s 1989 movie, Batman.

As both Cat and I noted, Prince may not have written much SF, but everyone agreed that he must be an alien.

I ended the panel by going a little off topic because there is a recording artist who has managed to combine the legacies of Prince and Bowie. Prince played on some of her early work, and that work involved the creation of a character every bit as vivid as Ziggy Stardust. Take a bow, Janelle Monáe Robinson, a.k.a. Cyndi Mayweather.

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Finally, for those of you who have no idea what I meant when I said that Cat and I re-created the famous Bowie/Ronson hug from “Starman”, here are Ziggy and the Spiders in that famous Top of the Pops performance. Everyone sing along now.

Finncon 2016 Masquerade

These are the official photos from the Finncon 2016 Masquerade. The first four pictures are from the juniors competition. I’m missing one of the kids as he missed the photoshoot, and some of the names of the adults and their characters. Hopefully someone can help me out.

My thanks again to the Guests of Honour for being wonderful judges, and especially to Jasper Fforde for coming up with silly prizes to give people, and to Cat Valente for her encyclopedic knowledge of video games. Thanks also to all of the sponsors who donated prizes.

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Trans Panel Reading List

Suzanne may have some additions to this at some point. These are the books that I can remember us mentioning:

  • Lizard Radio — Pat Schmatz
  • Who Killed Sherlock Holmes — Paul Cornell
  • Gideon Smith and the Mask of the Ripper — David Barnett
  • The Rhapsody of Blood series — Roz Kaveney
  • Luna: New Moon — Ian McDonald
  • Every Heart a Doorway — Seannan McGuire
  • Karen Memory — Elizabeth Bear
  • Eon & Eona — Alison Goodman
  • “Coral Bones” in Monstrous Little Voices — Foz Meadows

There was a question about intersex characters in response to which we mentioned the following:

  • Ilario — Mary Gentle — great on intersex, but essentially contrasts “valid” intersex identities with “invalid” trans identities
  • Pantomime and Shadowplay — Laura Lam — shock reveal and use of circus freak symbolism
  • 2312 — Kim Stanley Robinson — most characters are intersex but this is not explored very deeply

I film/TV we mentioned Sense8, which is on Netflix, and Julie Taymor’s version of The Tempest. I completely mangled the cast on that. It has Helen Mirren as Prospera; Russell Brand is in it, but he plays Trinculo.

You can find Suzanne’s books here, and my short story here. I also have an academic paper on the history of trans themes in SF here. Most of the books mentioned in that didn’t get mentioned in the Finncon panel and we were looking mainly at new stuff.

One fairly new story we didn’t mention is “The Girl-Thing Who Went Out for Sushi” by Pat Cadigan, which you can find in Edge of Infinity (Jonathan Strahan, ed.). Pat is in the process of writing a novel based on that story.

The books I mentioned that I have seen recommended but have not read are:

  • The Fifth Season — NK Jemisin
  • Full Fathom Five — Max Gladstone
  • Wake of Vultures — Lila Bowen

If you have any other recently-published recommendations I would love to hear them as I have an essay to write for this.

Updates:

1. On the plane on the way home I finished reading An Accident of Stars by Foz Meadows. I can now add that to the list of recommended books. You don’t find out that one of the supporting characters is trans until the second half of the book, but the way the reveal is done is very well handled. The book is only the first one in a series, but I have a lot of confidence in Foz continuing to gets things right.

2. Vaarna’s comment below has reminded me of two things I should have linked to. First there is Vee’s article in The Gay YA, which is mainly about things to avoid when writing trans characters. Also there’s one by me in Strange Horizons on how to write better trans characters.

3. I also forgot links for my two friends from Bath. Fox Benwell’s author page (still under the old name until the publishers do new editions) is here. You can also find him on Twitter. And the website for Ray Gunn & Starburst, scripted by ‘Olly Rose, is here.

Fairy Tales Panel Reading List

Here as promised is my reading list from the “Sex ‘n’ Drugs ‘n’ Puss in Boots” panel. Cat and Anne may want to add to it as some point, and feel free to add your own recommendations in comments.

First up, here is the poem by Charles Perrault that I read to open the panel. It is from his popularization of Little Red Riding Hood.

Little girls, this seems to say,
Never stop upon your way,
Never trust a stranger-friend;
No one knows how it will end.
As you’re pretty so be wise;
Wolves may lurk in every guise.
Handsome they may be, and kind,
Gay, and charming — nevermind!
Now, as then, ‘tis simple truth
— Sweetest tongue has sharpest tooth!

And now, here are some books and stories:

  • Catherynne M Valente — Six Gun Snow White, Deathless, Speak Easy
  • Sarah Pinborough — Poison, Charm, Beauty
  • Robin McKinley — Beauty, Donkeyskin
  • Salla Simukka — As Red As Blood, As White As Snow, As Black As Ebony
  • Angela Carter — The Bloody Chamber, A Company of Wolves
  • Helen Oyeyemi — Mr. Fox
  • Malinda Lo –- Ash
  • Sheri Tepper –- Beauty
  • Genevieve Valentine –- The Girls at the Kingfisher Club
  • Neil Gaiman -– The Sleeper and the Spindle
  • Linda Medley -– Castle Waiting (graphic novel)
  • Joan Vinge –- The Snow Queen
  • Margo Lanagan -– Tender Morsels
  • Greg Frost –- Fitcher’s Brides
  • Kate Forsyth -– Bitter Greens
  • Tanith Lee –- White as Snow
  • Holly Black –- The Darkest Part of the Forest
  • Naomi Novik –- Uprooted
  • Ellen Kushner –- Thomas the Rhymer
  • Patrick Ness –- The Crane Wife
  • Karen Lord –- Redemption in Indigo
  • Anne Sexton — Transformations
  • Christine Heppermann –- Poisoned Apples
  • Bill Willingham — Fables (multi-volume graphic novel series)

Ellen Datlow and Terri Windling have produced many anthologies of fairy tale based short stories, including the following:

  • Snow White, Blood Red
  • Black Thorn, White Rose
  • Ruby Slippers, Golden Tears
  • Black Swan, White Raven
  • Silver Birch, Blood Moon
  • Black Heart, Ivory Bones
  • A Wolf at the Door
  • The Green Man
  • My Swan Sister
  • The Faery Reel
  • The Coyote Road
  • Troll’s Eye View
  • The Beastly Bride

We also mentioned the TV series, Once Upon a Time, and Grimm.

Jasper Fforde has also done fairy tale re-tellings in his Nursery Crime series, though they are rather different projects that the subjects of the panel.

My thanks to Cat Valente and Anne Leinonen for being great panelists. Nina, I hope you feel better soon, and that I managed to do justice to your original idea.

Almost Perfect Day

Well that went very well.

Suzanne and I had a really big audience for the trans panel, and a lot of great feedback afterwards.

I did get to some programming. Jasper was his usual highly amusing self. The results of the global audience reaction study of the Hobbit movies were very interesting, but I should refrain from commenting on that until I have the actual data or a proper paper to refer you to.

Then it was time for the Bowie and Prince panel. We played a bit of music as we were waiting for people to file in. That turned into an impromptu audience sing-along for “Starman”. Cat and I recreated the Bowie/Ronson hug. I am so pleased we did that panel.

I got a bit of time to myself after that, quite a bit of which was spent interviewing Cat for the Ujima show and Salon Futura. Then it was time for Closing Ceremonies. Another Finncon successfully completed. Irma and I had dinner with Ian Watson and his Spanish wife, Cristina, who are still waiting for their luggage to arrive.

However, we ere not quite done; there was the small matter of the dead dog party. As is traditional, we headed out into the country to a cabin by a lake. There was sauna. As is also traditional, I provided some excellent malt whisky. (Bowmore Black Rock for anyone who is interested.) The weather was beautiful and the lake water not entirely freezing. Even I managed to swim quite a bit. This being Finland, there was a fair amount of casual nakedness.

The photo below was taken at around 11:30pm, by which time the lake water had cooled off quite a bit. As you can see, the Finns were still keen on swimming, and there was an impromptu water polo game going on using a Death Star beachball. (Cat proudly told me that she’d helped blow up the Death Star). Eeva-Liisa regaled us with stories of her youth as a keen high board diver. Everyone marveled at the weather.

DeadDog

The day wasn’t quite perfect. Kevin wasn’t here, Iceland lost the football, and I am covered in mosquito bites, but days like this remind me why I keep coming back to Finland.

Finncon in Progress

We are here, we are having a convention. That means things are very busy for me. Yesterday I had one hour off between 11:00am and 11:00pm. There was time for dinner during that, but it was a working dinner judging the masquerade. Today is going to be busy too. That’s my excuse for the lack of bloggage.

Here later there will be:

  • A reading list post from the Sex ‘n’ Drugs ‘n’ Puss in Boots panel
  • A reading list from the Trans Representation panel
  • Masquerade photos

There may be other stuff too. In other news: Cat Valente gets more awesome by the day, Jasper Fforde is wowing the Finns as I knew he would, and Anne Leinonen has deservedly acquired a group of angels devoted to her. I’ve managed to miss everything Eeva-Liisa Tenhunen is doing, mainly because it is in Finnish, but she’s absolutely deserving of the Fan GoH slot. And the guest scholar, Raffaella Baccolini, is very smart and lots of fun so I’m delighted to have got to meet her.

More tomorrow. I have panel prep to do.

Train to Helsinki

One of the things that was different on this trip to Helsinki is that the train from the airport is now in service. As a service to Worldcon members, and a gift to Kevin, here is a brief report.

Helsinki airport has two terminals linked by an underground tunnel. Just like the Heathrow Express, their train leaves from a station located in the tunnel. All trains go to Helsinki, but as the route is a loop you may need to get a train going the right way if you want the convention center stop.

Helsinki has an Oyster-style travel card. Travel from the airport to Helsinki is a 2-Zone journey. Travel between Helsinki central and the convention center is single-zone. You don’t have to touch out, which is why you have to select the journey type. Fares vary a bit dependent on how you buy the ticket, and anyway may be different next year, but they seem reasonable (unless you are paying in GBP which may be worthless by next year).

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The trains are comfortable, quiet and roomy. There is plenty of space for luggage. There are power points at the seats if you need them (EU plugs, obviously).

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I didn’t time the trip properly, but it was about half an hour. The train does make several stops along the way. It appears to be usable as a commuter service as well as for the airport. Here it is stood in Helsinki station.

HTrain1

The final stop before Helsinki is Pasila, where the convention center is. You can’t miss the place: it is huge and the train stops right next to it. They are currently hosting a Jehovah’s Witness convention.

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All-gender toilet. Could do with better signage but otherwise pretty good.

And On A Happier Note

The annual conference of the National LGBT Police Network will be taking place at the Guildhall in London on July 15th. I got the schedule through last night, so I guess it is now official that I am one of the guest speakers. The theme of the conference this year is religion. My friend, Surat Shaan Knan will be speaking too. My talk will be all about trans people and religion through the ages.

One of the things that is much better now than in 1978 when that Tom Robinson song was first released is that there are now LGBT+ groups in police forces around the country, and they are actively working for a more understanding and integrated society.

Registration for PopSex 2016 Open

The blurb says:

The second annual Sex and Sexualities in Popular Culture: Feminist Perspectives symposium is returning to the Bristol Watershed in September 2016. Following an exciting inaugural symposium in 2015, this year’s event will continue our tradition of offering a safe, inclusive space for postgraduate students and creative practitioners to meet peers, share work and learn from each other.

For full details, and to book a place, see here.

I’ll be giving a talk. I haven’t quite settled on a title yet, but it will be something to do with trans women as sex objects in the media.

Finncon Program

The program for this year’s Finncon has been announced. You can find it here. I am on two program items:

Sunday July 3rd, 11:00-12:00
Trans representation in Science Fiction and Fantasy
Cheryl Morgan & Suzanne van Rooyen
Trans people are everywhere in the media these days, but are they in science fiction and fantasy? And if they are, do they look anything like real trans people, or do authors get things just as wrong as the newspapers? Our panel discusses the good, the bad and the hilariously wrong of trans representation.

Sunday July 3rd, 14:00-15:00
Music in Science Fiction and Fantasy
Catherynne M. Valente, J. Pekka Mäkelä, Suzanne van Rooyen, Cheryl Morgan (chair)
I’m waiting on an OK from the panel for the description, but I can tell you that this is going to be a David Bowie and Prince retrospective.

A Day in Hay

As I mentioned earlier, I spent yesterday at the Hay Festival. It was the first time I have been, mainly because you need a car to get there and until recently I haven’t had one. Of course having a car means that there are other distractions.

The shortest route to Hay from where I am is over the Severn Bridge, turn left at Newport and from Abergaveny head up through the Brecon Beacons via Crickhowell and Talgarth. It is beautiful country, and I wish I had had time to stop and take lots of pictures.

crickhowell
Crickhowell

I will say, though, that it would have been much easier if I had a SatNav system. Hay is not well signposted. In fact as far as the road system goes it seems that the only acceptable way to get to and from the town is via Hereford. That way the signs are HUGE! Any other route and they are practically non-existent.

Part of this may be due to the fact that Hay is very much a border town. Indeed, there is a Welcome to England sign within the town boundary. There may be some confusion in highways departments as to whether the Festival is an English thing or a Welsh one. Thankfully that confusion was not reflected inside the Festival where evidence of its Welshness could be found everywhere.

Beulah Devaney wrote an article for The Independent this year about how elitist Hay is. She’s right, most of the programme was of little or no interest to me. I can’t imagine Hay having someone like me involved the way Cheltenham did. Then again, Hay is necessarily elitist. You can’t even get there by train, and to enjoy it properly you really need to stay in the area for several days. I’m willing to bet that the cost of accommodation goes through the roof during the Festival. People do actually camp, which doubtless helps with the cost, but personally I am allergic to camping.

So no, Beulah, if we want accessible literary festivals, the first thing to do is to not have them in Hay. There are plenty of others we can target. Hay, I think, can be safely left to go its own way.

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The Festival site, with the Brecon Beacons in the background.

Why was I there, then? Well to start with I wanted to see the famous Town of Books. That was a complete failure because the main Festival site is in a field on the outskirts of town. I never got into the town itself, except driving through on my way home.

I also went to see Kate Adair. I hadn’t seen her since Trans Pride in Brighton last year and it was good to catch up. I’m really pleased to see her career in TV taking off. It is amazing that BBC Scotland has given her the ability to make shows about trans people herself. They seem to be only available on social media and in community TV in Scotland, but they still have that BBC tag on them which makes a world of difference. Sadly I’ll be a bit too old by the time Kate gets to be a big name BBC producer, so she won’t be able to help me make my trans history documentary series, but hopefully she’ll do it with someone else.

The other reason I was there was because it was archaeology day. There were actually two talks I was interested in seeing. The first was Paul G. Bahn, who is an expert in prehistoric art. That’s primarily cave paintings to you and me, but is also much more as I discovered. To start with ice age people did a lot of art outside. The reason that we only know their cave paintings is that paintings on rocks outside of caves tend not to last as well.

Of course there are people creating rock art today, and one of the reasons why we know so much about how cave paintings were done is that we can go to Australia and ask people how they do it. This is a tradition with a history of tens of thousands of years, and by some miracle European colonialism hasn’t wiped it out.

Probably this most spectacular thing in Paul’s talk was this:

tuc-daudoubert-bisonClay sculptures of bison from the Tuc d’Audoubert cave in France, made around 13,500 BCE.

After Paul it was on to the main event, a talk by Professor Sir Barry Cunliffe, who is the foremost archaeologist in Britain. I have been reading his books, and watching him on TV, for decades. His new book is about the history of Eurasia and looks at how civilization developed in that vast land mass. This is very much history on a grand scale, but it is also of interest to me because the narrative touches briefly on things relevant to my world.

Sir Barry’s primary thesis is that Eurasia developed civilization rapidly because the major transport routes (the Silk Roads, the Mediterranean) run within regions that are ecologically similar (i.e. east-west, rather than north-south as is the case in the Americas or Africa). That wasn’t quite what I wanted to hear, because I’m actually looking for links between Mesopotamia and India, but I was delighted to find right in the first chapter mention of trading links between the civilizations of the Fertile Crescent and those of the Indus Valley. Sir Barry’s book also contains mention of this:

buddahA statue of the Buddah found in Kabul, which is remarkable because he is wearing clothing that looks distinctly Greek or Roman in style.

I should note, by the way, that I am not specifically looking for evidence of cultural diffusion. When I do talks about trans history people tend to ask me about links between people like the galli of ancient Rome and modern day hijra. There are a lot of similarities. It is possible that the Indus civilization picked up religious ideas from Mesopotamia. But then there are the quariwarmi of the Inca empire, and to claim they got the idea from Sumer takes us totally into von Daniken territory. I want to be able to talk about what is known, not make some imperialist point.

I wish I could have stayed longer. The Michael Palin talk was, of course, sold out. Billy Bragg, on the other hand, was a definite possibility. Fortunately for me I have the memories of the Concrete Castle gig in Bridgwater years ago, when I got close to a personal Billy Bragg concert, so I’m OK about missing him.

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The locals are unfazed by all of the bookish excitement.

Fringe, Dead Sherlock & Writing as a Woman

Last night’s BristolCon Fringe was really good. The podcasts will be available in due course, but you can hear Paul Cornell read from Who Killed Sherlock Holmes? at his previous Fringe appearance in March last year.

Martyn Waites chose to read from one of the stories he had written under his Tania Carver pen name. Naturally I was interested to know how writing as a woman worked for him. After all, we hear endless stories of how women in SF&F have to hide their gender in order to get published, or because they fear that their books will be ignored otherwise.

Again Martyn’s full explanation of the story will be in the podcast, but I wanted to highlight a few things here. First up, the whole thing came about somewhat by accident. His editor was bemoaning the lack of a hard-edged British female crime writer and Martyn, being a former actor and wise to the ways of freelancing, immediately said, “I can do that, gis a job”.

The important point, however, is that it worked. Tania’s first book was heavily promoted and became a best seller. The question is, why? How does this sort of thing work in crime but not in SF&F?

Martyn has some ideas. I do too. One thing that particularly fascinated me was Martyn’s assertion that women like gory crime stories. So why is there this impression that they would not like equally gory fantasy?

On the spot I came up with a panel idea for BristolCon. Obviously the idea has to be approved by MEG and pass the audience interest test, and participants have to agree, but hopefully we can make it work. I’d want to chair it, and have Martyn on the panel. I’d also want Sarah Pinborough who is one of this year’s Guests of Honour and a purveyor of gory horror tales, and Sarah Hilary who is turning out to be exactly the sort of crime writer that Martyn’s editor was looking for when they invented Tania. I think the panel also needs a publisher representative, and probably a male one for panel parity reasons. Any volunteers?

Bath Ruby, A Very Different Software Conference

I spent today in the Assembly Rooms at Bath. There was a definite air of eccentricity in having a software conference in such a stately, Georgian venue, but if you are going to hold a conference in Bath, why not?

I was at Bath Ruby because I had been asked to present a talk on Trans*Code. It was only going to be a 5-minute lightning talk. I expected most of the day to be given over to tech stuff. I was very wrong. My how software conferences have changed.

It didn’t seem that way at the start. There were around 500 people at the conference. The vast majority were young, white and male. I think the women marginally outnumbered the people of color (though of course some were in both categories), but if you removed the sponsor representatives, who were probably not tech staff, the numbers might have tipped the other way. I may well have been the oldest person there.

Then the conference started, and the very first piece of admin mentioned in the welcome session was the Code of Conduct, which mentions Gender Identity. That set the tone for the rest of the day. Now sure there were technical talks, but there were other things too. There was a talk about how to get involved in open source projects. There was a talk about getting fired — how employees can cope with it, how employers can do it better. And there was a talk about unconscious gender bias. A longer version of this talk.

Which was awesome. (And there’s lots more good stuff from Janet Crawford here.)

I don’t suppose that all tech conferences are like this these days. However, the Python community and the Ruby community seem to be very progressive. It is very heartwarming.

My talk seemed to go down well. People listened respectfully, and applauded when I was done. A few people came and thanked me afterwards. Job well done, I think.

And the tech stuff? I got to see the best tech presentation I have ever seen in my life (except possibly the one where Kevin Roche had us moving individual atoms with his software). Sonic Pi is a seriously cool thing. And it is bundled free with every Raspberry Pi computer.

Conventions: Do Not Do This

Hello world, it is me. Have you missed me?

The LGBT History Month thing in Bristol is over, though I still have the Manchester event to attend. Bristol seemed to go rather well, if I say so myself. But then I have been involved in running Worldcons, I know how to do this stuff. Other people, it seems, have a lot to learn about conventions. On my way home I checked Twitter and found this utterly horrific tale of one person’s experience as a Guest of Honor at a convention in the States.

I have seen some pretty bad treatment of GoHs in my time, most famously George RR Martin at the 2003 Worldcon. However, I can’t recall anything as bad as this. It kind of makes me wish that I was still doing Emerald City so that I could have a good rant where lots of con-runners would read it. I guess that Mike Glyer will be all over it.

Please folks, do not do this. Abusing GoHs makes us all look bad, and that makes it much harder for everyone else to run a good convention.

On Adding Diversity to Events

Last night I spotted a tweet from Juliet McKenna linking to this article about the pressure on people to do things for free. Although the article is ostensibly about the tech industry, much of what it says applies to publishing too. The current discussion in the UK about paying authors to appear at literature festivals is an obvious connection.

And yeah, I relate to it. Almost everything I do outside the day job I am expected to do for free. And, as I noted to friends on Twitter the other day, I can’t even do things for “exposure” the way authors can. I am expected to do things for “the good of the community” and not take any credit for it, because taking credit would be exploiting the community for my own selfish ends.

But I’m not here to whine. I’m here to talk about one specific point that the article makes. It says, “We know that not paying speakers and not covering speaker expenses causes events to become less diverse.”

Now that’s true, and the article links to this lovely X-Men-themed post to make the point. However, it is very easy to come away from that thinking that paying speakers will make your event more diverse. In fact it might get you into even more trouble. Here’s why.

Once you get to the point of paying speakers, you start having serious budget issues. You have to get that money from somewhere, and that somewhere probably means your attendees. The only way you can get people to pay more to come to an event is to put on speakers that the public will pay a lot of money to see. That means having speakers who are famous, which in turn leads to having more straight cis white men, and paying them more than you pay the other speakers. Before you know it, you end up like UK literary festivals and are spending all of your money on celebrities and politicians who haven’t even written the books with their names on the cover.

So no, paying speakers alone will not make your event more diverse. The only way to do that is to have a specific policy to implement diversity by encouraging the sort of speakers you want to attend, and helping them financially if they need it. And you have to be prepared to swallow the drop in attendance and revenue that may bring. Because when it comes down to it, this is the real problem.

https://twitter.com/tadethompson/status/692073206321123328

Help San José in 2018 Choose Prospective Guests of Honor

Worldcons have often been criticized for overlooking potential candidates for Guest of Honor because those making the decision don’t have a broad enough knowledge of the whole field (books, movies, TV, art, comics, you name it, in every country). To counteract this the San José in 2018 team is asking for suggestions for potential Guests of Honor, should they win their bid to host Worldcon.

Worldcon’s Guest of Honor appointments function as a sort of lifetime achievement award for contributors to SF & F literature, arts and the community. SJ in 2018 asks people to send guest recommendations to goh@sjin2018.org, and to include in their recommendation how the candidate meets the basic criteria for consideration and why they think the candidate should be honored.

Recommendations will be accepted through December 15, 2015.

The traditional criteria for Worldcon Guest of Honor consideration are:

  • An established career, usually considered to be 30 years from entry into the field.
  • Current relevance, usually considered to be current activity and notability. In the case of writers, availability of their back catalog in print/distribution is an excellent yardstick.
  • No prior recognition as a Worldcon Guest of Honor (for past guests, see here).

For full details see the SFSFC website.

It’s World Fantasy Outrage Season (Again)

Today has been pretty much swallowed by the Tara Hudson case, and looks set to continue that way. I’ll update when I can. In the meantime here’s some SF&F content for you.

Last weekend something called the Women’s Freedom Conference was taking place. It looked like a really great event, especially in the support it was giving to trans women of color. But it used the hashtag #WFC2015, which I kept reading as World Fantasy Convention. It was very confusing.

Of course WFC is generally on Hallowe’en weekend, so it will be starting in a few days time. Sadly it doesn’t look anywhere near as much fun. Last night Natalie Luhrs raised the alarm over this year’s WFC’s harassment policy. Outrage ensued, including this magnificent rant from John Scalzi.

Well at least I don’t have to worry about boycotting WFC this year. It’s in the USA, so I can’t go. But it is somehow comforting to see the outrage continuing without me. Were it up to me, my protest would be to have the most amazing cosplay all weekend.

It’s Not Your Lawn

On Friday Kevin got a bit grumpy with old-time fans who assume that announcements about Worldcon should cater only to Worldcon regulars. Quite right too. If you want a community — any community — to grow and prosper, then you have to encourage new people to get involved. And you won’t get that if all of your communications assume a high level of insider knowledge. The Helsinki Worldcon campaign was a breath of fresh air in the way that it has encouraged new people to become part of the WSFS community. I very much hope that the San José bid continues that process.

San José WorldCon Bid News

On Saturday, having watched the Wales rugby match at Temple Meads, I jumped straight on a train home so that I would be in time for a meeting in California. Skype does strange things to our lives. That meeting was of the Board of SFSFC, the parent corporation of the San José in 2018 WorldCon Bid, and its purpose was to appoint a prospective Chair who will run the convention should we win the bid.

Some of you may remember that (my) Kevin was Co-Chair of the last San José Worldcon. There’s no way he was doing it again. He has his Get Out of Worldcon Free Card now. However, we did end up with a Kevin. Kevin Roche, to be precise.

Many of you will know Kevin R as a brilliant costumer and masquerade organizer. He was Master of Ceremonies at the masquerade in Spokane this year. He’s also an experienced convention chair, including being co-chair of Westercon 66 in Sacramento in 2013. Also, he and his husband, Andrew Trembley, ran some of the best parties I have ever been to. Oh, and he has a great job too. Some of his science presentations at conventions involve playing with kit that allows you to move individual atoms around via a computer interface.

Of course there is a long way to go yet. We are running against New Orleans, which is one of my favorite tourist destinations. But should San José win I am sure that Kevin (Roche) will be a great con chair.

The official press release is on the SFSFC website. Anyone interested in the minutiae of WSFS politics should pop over to Kevin (Standlee)’s LiveJournal and comment there.