WSFS Business Meeting Follow-Up

Kevin has posted his thoughts about the Saturday meeting here, and the video of the meeting is available here.

I’d also like to draw your attention to this post by Aiglet, the person who submitted this year’s YA Hugo motion.

Of course you should pay no attention to that. As everyone knows, we women are so fluffy-headed and illogical that we are incapable of understanding when we are being oppressed. We need a man to tell us that. And because we are incapable of speaking for ourselves, we need a man to speak for us. That’s the way of the world, right?

Croatia Trip Wrap

I think I have everything processed now. There is a con report available here, complete with photos of the event.

I should, of course, give huge thanks to everyone involved. To Mihaela, Bernard & Iggy, and to Milena, Marko & family for their hospitality; to Mirko for driving me around; to Igor and his committee for Liburnicon; to Jacqueline Carey who graciously allowed me to share the limelight with her; to Irena and to Žarko who also looked after me at various times; and to SFera for welcoming me to their meeting. I will have news related to discussions there in due course. The whole trip was amazing.

On the subject of SFera, I should note that, despite the club having lots of women members, and being mostly run by women, one of the discussions we had was about whether US writers would refuse to attend their cons due to concerns about sexual harassment. I’ve heard similar fears voiced in Finland. The problem is that what is deemed socially acceptable in a culture can depend very much on cultural attitudes to nudity, and on cultural attitudes to personal space. Finns are used to seeing close relatives and friends naked. Croatians are more touchy-feely than the British and Americans. I tried to reassure them that John Scalzi is a sensible fellow, and will take such things into account.

A potentially more serious issue is that many Croatians still smoke. I was OK with that, partly because it was their homes and their country; and partly because a few days of smoke exposure in Croatia will have minimal effect on my health compared to growing up in 20th Century Britain. Other people may be less tolerant.

Anyway, I had a wonderful time, and hope to be back sometime soon. I also hope to be able to introduce many of you to my Croatian friends at Worldcon and Eurocon next year (and maybe even at Eastercon).

Meanwhile, here are some photos.

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WSFS Business – The Main Event

Today’s WSFS Business Meeting ended up being a fairly quiet event, as far as I can see from Twitter and from Rachel Acks’ live blog. That’s because a lot of the controversial business was dealt with yesterday. Here are some highlights.

The motion to make electronic publications opt-out rather than opt-in and will go to London for ratification. This is good, because it will help keep the price of Supporting Memberships down.

The various motions about whether you can have one set of WSFS voting rights without another were debated, but were eventually referred to a committee to try to sort out some sensible language. That should be interesting, because the people who are strongly against splitting up rights tend to also be the people who are strongly against the concept of WSFS membership (as opposed to membership of individual Worldcons). I may have to write about that in more detail later. Anyway, the good thing is, as Tero noted on Twitter, that the knee-jerk idea that we must take action in a hurry just in case something bad happens has been voted down.

The WSFS Accountability Act, which seeks to improve accountability for Worldcon surpluses, has been passed with much simplified language and goes to London for ratification.

The Fan Artist motion was passed, but that’s misleading because it was amended so heavily in the process that it does none of the things that the original proposers really wanted. As I suspected, people complained about having to compare apples to oranges. There were also suggestions that some of the activities that were to be included are already covered by other categories. All that we have left are clarifications that art displayed at conventions does qualify (even though that’s not really “public”), and that the art must be non-professional (whatever that means). I suspect this may end up being known as the anti-Randall Munroe amendment.

The amendments to change the voting requirements for eligibility extensions from a 3/4 majority to a 2/3 majority passed fairly easily, mainly because every other requirement for a super-majority is the Constitution is set at 2/3. Vincent Docherty’s suggestion to make the main Eligibility Extension for non-US publications permanent was much more hotly debated. As I said yesterday, I would be happy to keep making the case for it each year but, despite opposition from many of the big guns in US SMOFdom, Vincent won the debate by 49-32, so that also goes forward to London for ratification.

At the end of the meeting a new piece of business was introduced. This would remove the regional restrictions on membership of the Mark Protection Committee. I am somewhat suspicious about this. The MPC is the only permanent committee that WSFS has that has any power. It was, if you remember, the committee that had me flung off the Hugo Award Marketing Committee (the HAMC is subservient to the MPC). I have a sneaking suspicion that certain people are trying to change the rules of elections to the MPC so that it will be easier to take it over. Of course I could be wrong. I shall see what Kevin has to say. In any case, it too will be up for ratification in London, so if it is a problem it can be dealt with then.

All in all it was a pretty good day. Well done fandom.

YA Hugo Follow-Up

Kevin has posted his own thoughts about the Preliminary Business meeting here.

He has also posted video of the whole of the meeting here. Most of the debate on the YA Hugo is in Part I. I’m interested to see who the five people who vociferously opposed the Eligibility Extension were.

I also suggest that you read this post by the person responsible for moving the YA Hugo motion. You’ll probably see lots of posts over the next few days complaining about how Evil SMOFs used trickery and cheating to kill off the YA Hugo. Given the way things have gone this year, it would not surprise me to see Kevin fingered as the ringleader of those Evil SMOFs.

Obviously I wasn’t there, so I have to rely mainly on other people’s reports of what went on, but I do know Don Eastlake fairly well. He’s by no means a boring conservative. Indeed, as far as I know he is the only person ever to have chaired the Business Meeting and won Best In Show at the Worldcon Masquerade. But, as Kevin notes, he does tend to run the meeting more quickly, with less explanation, than Kevin does. That makes him popular with the regulars, who tend to think that Kevin wastes their time, but it makes things harder for newbies.

What effectively happened here was a primitive form of representative democracy. Kevin, as someone who is well versed in how the BM works, acted on behalf of Aiglet and others to help them get what they wanted out of the meeting.

WSFS is very proud of being a participatory democracy rather than a representative democracy, and given the way that modern national politics work I can see why people have little trust in their elected representatives. But equally, the larger a community becomes, and the more sophisticated its governing processes, the harder it becomes for ordinary people to play a full part in the decision-making process. Consequently, other forms of democracy become necessary.

There is no right answer to how WSFS should be governed. Democracy is a messy business, and no system will suit everyone. However, I do think we need to think carefully about how best to involve more people in decision-making. In the meantime we’ll be reliant on people like Kevin voluntarily helping newcomers through the process.

WSFS Business – The Preliminary Meeting

Today at Worldcon the Preliminary Business Meeting took place. This is the one that sorts out the agenda for the main meeting tomorrow. It is important because of a procedure called Objection to Consideration (OTC) through which motions deemed frivolous or a waste of time can be removed from the agenda entirely. Some resolutions, including the Hugo Award Eligibility Extension, can also be discussed as they do not involve actual amendments to the WSFS Constitution.

Kevin kept up a tweet stream throughout, but that’s hard to follow so I recommend this live blog of the meeting by Rachel Acks. She’s clearly partial, but she has most of the salient issues covered very clearly. Here are the highlights.

The motion to remove some of the fan categories had a 16 ton OTC dropped upon it, as I rather suspected it would. It was silly and a bit spiteful.

The same fate befell the “Very Short Form Dramatic Presentation” proposal. I suspect this is mainly because people expected it to become dominated by trailers for the same films that end up in Long Form.

A new motion, that I hadn’t seem come in, to expand Fan Artist to cover more types of art, will get debate time. My initial impression is that anything that can improve interest in this category is good, though I’m sure people will complain about having to compare apples to oranges.

The Hugo Award Eligibility Extension was passed almost unanimously. I’m very pleased about this because it means that WSFS has finally accepted that the Extension is about works from all over the world, not a special sop to UK-published works. It also acknowledges that, thanks to population sizes, the majority of voters will probably be US-based every year for a while yet.

There was a daft proposal to add an Eligibility Extension to the Retro Hugos. London is running 1939 Retros, so an extension would have included works published outside of the US prior to 1939 1938, and published in the US in 1939 1938. Given that the purpose of the extension to is allow US voters time to read the works, and that they will have had 75 years to do so, I fail to understand what different more time would make.

Then again, the intention became obvious with the next motion. You see, The Hobbit was published in the UK in 1938 1937. An extension would have allowed it to be included in the 1939 Retro Hugos. A special plea to have it included anyway was also rejected. If we are going to have Retro Hugos (which I am increasingly thinking was a Very Bad Idea) then can we at least keep to the works published in the year in question and not add works from other years just because they are very popular?

There were also a whole bunch of suggestions for making eligibility extensions easier, including one that would make the main one a permanent feature rather than having to be voted on every year. Given that is passes almost unanimously every year, I can see people not wanting to waste time on it, but equally I’m happy to argue for it every year if necessary.

And now for the one contentious part of the meeting: the YA Hugo.

At the start of the meeting the proposer of that motion asked to withdraw it. I think that was a sensible move, because the motion as it stood would have failed, and would have further soured people on the whole idea of a YA Hugo. Unfortunately you can’t withdraw a motion once it has been submitted without unanimous consent, and someone insisted on having a debate. I don’t know whether that was an overly enthusiastic supporter, or someone trying to stir up trouble, but the effect was trouble all the same.

Because the motion had to be debated, and because the mover wanted it removed, the only thing to do was to raise an OTC. Given that the maker of the motion didn’t want it debated, and it was unpopular anyway, it didn’t surprise me that the OTC passed. But of course Twitter was then full of people complaining about how the Evil SMOFs had stomped on the YA Hugo yet again, and ignoring the context of what had gone on in the meeting.

Towards the end of the meeting, as Rachel explains, Kevin moved to create a committee to study the issue of the YA Hugo and report back next year. This is a very promising development, because it provides a venue for the supporters of the motion and sympathetic BM regulars to get together and thrash out something that has a chance of getting passed. Kevin and I have both volunteered to be on the committee. It will need some work, and compromise on both sides, but I’m hopeful that we can come up with something that is going to get young people involved in the Hugos.

If you are interested in being involved in the YA Hugo Committee, let me know and I will pass your name on to the appropriate people. Ideally you need to do so tomorrow, though I suspect that there will be means of adding people later.

Those were the main highlights from today. The video of the meeting should be online in a day or so. I was also pleased to hear Kevin note that there was a very big turnout. The more people get involved, the better the BM will be able to reflect the wishes of fandom at large, rather than just the few people willing to go to meetings.

Liburnicon: The Urban Fantasy Panel

This is a brief write-up of the Urban Fantasy panel at Liburnicon, which featured Jacqueline Carey and myself. I’m doing this mainly for the benefit of the Croatian fans who attended, because we mentioned an awful lot of authors and no one was taking notes. Hopefully others will find it interesting.

I note that we did not attempt to define Urban Fantasy. Farah Mendlesohn attended an Urban Fantasy panel at Dragon*Con today and she tweeted that when the panel was asked for a definition they fell about laughing. I can see why. Rather than attempt to state definitively what Urban Fantasy is, Jacqueline and I attempted to look at the range of things that could be described as Urban Fantasy.

On an historical note, I mentioned that Dracula could be seen as an Urban Fantasy novel. It is set in 1893 and was published in 1897, so Stoker was clearly writing contemporary fiction for his time. However, it might be disqualified on the grounds that it is Horror. See below for discussion of the difference between Urban Fantasy and Horror.

We then looked at the origins of the term Urban Fantasy in the 1980s with the work of Charles de Lint (the Newford stories) and Emma Bull (particularly War for the Oaks). These books use fairy mythology, don’t have a crime novel plot, and have a strong musical element to them. For further information about The Flash Girls, the folk duo that Emma formed with Lorraine Garland, see here.

After the panel someone asked me if I could recommend some other writers who are like Charles de Lint. I could not think of anyone at the time, and still can’t. The various suggestions I got from the hive mind on Twitter didn’t seem very close to me. I’ll try again here. Any suggestions?

Next up came the 1990s and the rise of the vampire slayer: both Buffy and Anita Blake, who appear to have been invented in parallel. Incidentally, Laurell K. Hamilton books are all over the newsagents in Croatia, but it is the Merry Gentry series, not the Anita Blake books. I have no idea why.

The phenomenal success of the vampire slayers brought us a whole slew of similar material. The books featured “kiss ass” heroines, paranormal creatures usually found in horror novels, and crime novel plots. Other writers whose works have some similarity to Laurell K. Hamilton include: Jacqueline Carey’s Santa Olivia, Patricia Briggs, Kelley Armstrong, Kim Harrison, C.E. Murphy, T.A. Pratt.

Mention of Tim Pratt and his cunning disguise led us to discussion as to whether Urban Fantasy was only “for women”. We noted that writers such as Jim Butcher (Dresden Files) and Mike Carey (Felix Castor) produce books very similar in style to the women writers, but often don’t get recognized as Urban Fantasy because the writers are not men and the lead characters not female. We also established that although Jacqueline has a brother called Mike he is not the same Mike Carey who wrote the X-Men and produced the fabulous The Unwritten and the Felix Castor novels.

I also addressed the issue of the supposed characteristics of Urban Fantasy heroines. Tim is reported to have said of Marla that she is, “an ass-kicking sorcerer who doesn’t wear a leather catsuit, doesn’t suffer from low self-esteem, doesn’t wallow in angst, and is almost always absolutely certain she’s right… even when she’s dead wrong.” However, I noted that Felix Castor also suffers from low self-esteem and wallows in angst. I suggested that what is going on here is not necessarily belittling of a female heroine, but giving urban fantasy characters weaknesses in the same way that Stan Lee gave his superheroes weaknesses to make them more interesting than Superman. Jacqueline added that there is a lot of similarity between and Urban Fantasy and Superhero stories: both involve lead characters with super powers in an urban setting.

Jacqueline asked whether stories set in small towns, such as Santa Olivia, count as Urban Fantasy, or if the books have to be set in big cities. I suspect that the distinction is lost on non-US readers.

Finally we went on to discuss other fantasy stories in an urban setting that might appeal to Urban Fantasy readers. These are the ones I can remember.

Nalo Hopkinson’s Toronto stories: Brown Girl in the Ring and Sister Mine (which are unrelated except by the setting).

Gwenda Bond’s YA novels: Blackwood and The Woken Gods (two very different novels).

Emma Newman’s Split Worlds books: Between Two Thorns, By Any Other Name and All Is Fair (the latter not yet published).

Liz William’s Inspector Chen series (though the later books tend to be set almost entirely in the fantasy worlds, not in Singapore 3).

Nene Ormes’ books, which are set in Malmö and feature creatures from Swedish folklore (and are written in Swedish).

Tate Hallaway’s Precinct 13. (And for that matter, as Tate is also Lyda Morehouse, the AngeLINK books would probably be marketed as Urban Fantasy today as they contain angels.)

The Engelsfors Trilogy by Sara B. Elfgren and Mats Strandberg: Chosen, Fire and a third book currently in copy edit. They are YA, set in Sweden but available in English translation.

Lou Morgan’s Blood & Feathers books.

I’m sure that there are lots more, and people are welcome to add their own suggestions in comments.

There was time for questions from the audience, and the best one was the person who asked me to distinguish between Urban Fantasy and Horror. This led me to giving a quick precis of the basic ideas of Farah’s Rhetorics of Fantasy. I suggested that Urban Fantasy is usually set in a Secondary World, albeit one very similar to our own, in which magic works and paranormal creatures exist. In contrast Horror is a form of Intrusion Fantasy in which the fantastical element is not normal in the world of the book, and is expelled from that world at the end of the book.

World Fantasy Programming

Programming invitations for this year’s World Fantasy have been going out, and this has resulted in a certain amount of venting on Twitter.

A couple of days ago author Tom Pollock enquired about panel parity, and was told that WFC does not do that. Wanting panel parity was apparently sufficient to disqualify Pollock from programming, though it wasn’t clear whether this was a punishment being imposed on him or simply that the con wouldn’t be running any panels with more than one woman on them.

Further information came to light today when Kameron Hurley was offered this program item:

The Next Generation: Broads with Swords. Once upon a time the heroic fantasy genre was—with a few notable exceptions such as C.L. Moore and Leigh Brackett—the sole domain of male writers like Robert E. Howard, John Jakes and Michael Moorcock. Those days are long gone, and it seems that more & more women writers are having their heroines suit up in chain-mail and wield a broadsword. Who are these new writers embracing a once male-dominated field & how are their books any different from their literary predecessors?

So that explains everything. All of the girl cooties will be safely contained in a panel especially for girlies, whose panel description neatly erases the existence of many of the women writers who will be at the convention.

I note that the 2004 WFC had a theme of “Women in Fantasy”. Nine years later that has all been forgotten.

Meanwhile I also got a programming invitation. I was rather surprised by this. What did they think I was qualified to talk about? This:

The Next Generation We’re All Bloggers Now. Being a columnist or a critic used to be a skill, combining knowledge and the ability to write with insightful observations. These days it seems that everybody has an opinion and evolving technology has given us numerous platforms through which to make our views known. Have we degraded the true art of criticism to a point where it has lost all value?

It did not escape my notice that I was being asked to be on a panel that starts from the assumption that the thing I first became famous for has been a disaster for the field. It rather reminded me of the days when conventions would ask me to be on “Online fanzines, threat or menace?” panels.

I shall be asking John Clute for some input before the panel. Given that this morning we were having a conversation about how being published online can free you from the tyranny of word limits (and if you are laughing, just look at how little space most printed reviews get) I suspect he won’t be any happier with the panel’s assumptions than I am.

I may also write an online review of the convention. It is a long time since Torcon 3 and I’m worried that I might be out of practice of using my skill, skill and expertise to provide insightful observations on the subject of con-running.

Rijeka

As I mentioned this morning, the day began with a spectacular and prolonged thunder storm that put paid to Liburnicon’s plans for a pirate cruise around the islands. I’m sorry to have missed the trip, and in particular the colony of Griffon Vultures on the island of Cres, but there were plenty of other things to see. I ended up spending a lot of the day in the large city of Rijeka which is just along the coast from Opatija.

Under its Italian name of Fiume, the city was, with Trieste, one of the major ports of the Austro-Hungarian empire. It has an excellent deep-water port which now serves container ships. And, of course, there is a local fan group. We met up with them in a pub. This one.

Prior to WWI, the US maintained a consulate in Rijeka, and one of the diplomats who held the job was one Fiorello La Guardia, better known to the world as a Mayor of New York. Rijeka is very proud of this connection. The pub is in the building where he lived, and is named after him.

Given the connection with New York, the pub serves a lot of cocktails. Currently they are promoting a Tyrolean specialty which is similar to a Mojito but is made with elderflower cordial. Traditionally it is only made around this time of year when the elderflowers are available, which is why it is getting promoted.

The name of this cocktail is Hugo.

So yes, I attended a meeting of a Croatian SF group, a few days before Worldcon, and the outside of the venue was festooned with posters proclaiming, “It’s Hugo Time!”.

Liburnicon – Day 2

Yesterday we went to the beach. Personally I did not end up on the con beach. Mihaela and Bernard turned up, and we took Iggy to a beach a few km along the coast. There are lots of such places. Tiny villages clinging to the edge of precipitous mountains with a small cove that allows access to the sea. To a girl brought up on the beaches of Devon, Cornwall and the Gower, the beaches round here don’t really amount to much, and the sea is almost as cold as it is in the UK, but the scenery… Oh my goodness! Also it was warm and sunny and we were enjoying the vacation.

Somewhat later, back at the convention, we did a fan fund auction for GUFF, and then Jacqueline Carey and I did a panel on Urban Fantasy. I need to write up some notes about that, because inevitably it turned into a list panel, but I did also get to talk theory and explained the basic ideas from Rhetorics of Fantasy to the audience.

Also we announced the results of the SF&F Translation Awards, which you can find here. I was very pleased to once again be able to make the announcement in non-English-speaking country. Next year I think we might do Dublin, though, because there will be a Eurocon there and it is conveniently timed. Would that be OK, Gareth?

The Liburnicon people have been fabulous throughout. It’s more of a popular culture con than a literary one, but I’m loving seeing how many young people they have there. Yesterday it was full of kids doing a pirate treasure hunt.

Sadly today’s pirate cruise has been cancelled due to Zeus throwing a strop, but that should mean I get to see a bit of the town instead.

Liburnicon Underway

Mirko and I drove to Opatija yesterday, through some really spectacular mountain scenery. The town is perched on the edge of the mountains, dropping precipitously towards the sea. There’s so little room to build, that everything stretches out along the sea front. It was almost dark when I got here, but the town was still hopping late into the evening when I finally got to my hotel.

The convention is held in a local school — the kids being on vacation — and when I got there it looked like many of the attendees had only recently graduated. There were lots of people in pirate costumes, and the place was set up for a party.

Jacqueline Carey got a 2-hour GoH slot to open the main programming, which turned out to be a bit too long but was excellent while we had had things to discuss. She was interviewed by her publisher and editor from Algroithm, the leading SF&F publisher around here. I must say that they have done a superb job with the two Kushiel books that they currently have in translation. Volume 2 arrived last night, hot off the presses.

While Jacqueline signed books, I got interviewed by a local journalist. He was quite young, and wearing a Star Trek red shirt. I don’t think this was an ironic comment on being asked to cover the convention.

After that there was food, beer and music. As I hadn’t yet checked into my hotel I bailed before the band came on because I was a bit worried about them thinking I wasn’t turning up. I hope to catch tonight’s band, but I do have to get back and send out the results of the Translation Awards.

More New Business

The WSFS Business Meeting Agenda for Lone Star Con 3 is getting busier and busier. You can see the whole thing here. I’m going to focus on a few things briefly.

The motion that used to be called No Cheap Voting is now called No Representation Without Taxation. That might be intended to be a cheap dig at British fans, but aside from that it is a vast improvement.

A rather better formulation of the same idea is Keep Us Together which basically states that a WSFS Membership is a WSFS Membership and you should not create classes of membership that carry with them only some of those rights. It also explicitly acknowledges that Worldcons offer Admission as well and Membership, and that people who buy admission tickets are not WSFS Members (at least in part because they buy them too late to be able to exercise many of the rights of membership), which is a good thing.

There are motions to do with the rules about publications that essentially make electronic publications the norm. There’s some argument over whether protection needs to be provided for those who cannot, or do not wish, to receive electronic publications. This will save money, though it is not guaranteed to reduce the cost of a Supporting Membership because of the link to the Site Selection voting fee. Still, it is a step in the right direction.

There are a couple of motions to introduce new categories of Dramatic Presentation — one for fan works, one for very short works. I have no firm views on this, other than that we need to trial them, and not make them permanent categories from day one.

And finally there is a YA Hugo category motion, which makes me want to weep because it is so badly written. I have some sympathy with the basic idea, but I can’t see many people supporting a motion that says that an author who has written an adult book and a YA book in the same year can only be eligible in one of the categories. There are people (including Kevin) who are very willing to help people draft motions. I do wish more people would take advantage of that.

Today on Ujima

Well that was a busy day. Huge thanks to Stephanie Saulter for being a fabulous guest on the show. I seem to have monopolized most of the two hours this week. Here’s what went down.

The first half hour was all about Stephanie. We talked about her trip home to Jamaica to launch Gemsigns. We talked about her experiences at the Nine Worlds convention over the weekend. And we talked about the current state of affairs in Jamaica, which ranged from the economy to Usain Bolt and Chris Gayle to the horrific transphobic murder of Dwayne Jones.

The Nine Worlds coverage include shout outs for Hal Duncan, Rochita Loenen-Ruiz, Tade Thompson and quite likely a few other people. I also got in a mention of the fabulous new @WritersofColour Twitter account, and my friend Nikesh Shukla, who has a great article on their blog today about how brown people get used in movies.

In the second half hour I talked to Hannah Lawton, a young Bristol lady who, with her friend Jessie Van Beck, will be rowing across the Atlantic for charity this December. This is part of the Talisker Whisky Atlantic Challenge. You can read more about Hannah and Jessie, and why they are undertaking this grueling challenge, here.

The first hour of the show is now available as a podcast here.

Hour two begins with the Lighter Look at Life segment, which this week was all about proverbs and grammar and, well, it rambled a bit. And I think we might have got a bit confused between Axioms and Maxims. Stephanie and I both feature.

Then after 15 minutes we have the Woman of the Week slot, in which I talk to Stephanie about her life, her amazing family, and how a girl from Jamaica with what might have been the best job in the world ended up in the UK and becoming a science fiction writer.

Finally we have 15 minutes on summer reading, including Jackie’s kids being charming about their love for Harry Potter and The Hunger Games. Between us Stephanie and I managed to recommend Nalo Hopkinson, Ian McDonald, Karen Lord, Juliet McKenna, Jon Grimwood and the whole of the World Fantasy Awards Best Novel ballot.

The second half hour is available as a podcast here.

Sense of Community

There has been a lot of debate around this year’s Business Meeting motions since I wrote about them last week. Kevin tells me that elsewhere it is being said that anyone who is against the “No Cheap Voting” motion must be in favor of free voting. They’ll probably carry on doing that no matter what I say. If you are interested, Seanan McGuire has a lot to say about why some sort of cost to participate is necessary, and she’s right.

There has also been a lot of discussion about the economics of membership, and possible changes to the WSFS Constitution that might allow us to lower the cost of a Supporting Membership. These are good discussions to have, and I hope we can get the cost down further. However, such discussions are irrelevant to the “No Cheap Voting” proposal. It doesn’t talk about what the price should be; it simply seeks to establish, as a matter of principle, that lack of wealth should be a barrier to participation. If it passes, I fully expect people to argue that, regardless of the economics, the price of a Supporting Membership can never be reduced below the roughly $40 that London is charging, because that would make it “cheap”. Then they’d start arguing that $40 is “cheap”, and begin asking bids if they will increase the cost of a Supporting Membership in line with the will of the Business Meeting.

A much more relevant issue is that is the concept of a “sense of community”. People are saying that they want Hugo voters to feel that they belong to the World Science Fiction Society, and that somehow paying a lot of money for the privilege will give them this sense of belonging. I’d like to look at that idea in more detail.

I accept the fact that there are people who think that the only “true” members of WSFS are the people who go to Worldcon every year, and actually help create the event. They have clearly invested far more than just money in the event. Some would like to restrict voting in the Hugos to that group (and indeed participation in the Business Meeting is still restricted to that group). For them, a Supporting Membership is simply a means of allowing people who would otherwise be regulars to keep up their participation in those few years when actually attending is impossible for some reason. It is a valid position to hold, but one I disagree with. Once the convention grew beyond the size that all of the people who attended could reasonably be involved in staging it, I believe that position became untenable.

The problem with the “sense of community” argument is that someone who pays $200 to attend when Worldcon is local to them, but never attends when it isn’t, is somehow deemed “part of the community” for that year and deserving of a vote, whereas someone who pays far less every year but never attends is somehow “not part of the community”. I think that this is thoroughly muddle-headed.

Someone who only ever interacts with Worldcon as a paying member when it is local to them, and who never takes part as other than an audience member, does not generally feel part of WSFS. Many of them don’t even bother to vote in the Hugos. They see Worldcon as a foreign event that costs a stupid amount to attend, but which they go to because of the big names they’ll get to see. Once the con is over, they have no interest in it until next time it is local.

The people who really feel part of Worldcon, and of WSFS, are the people who will go to Worldcon when it is local, and will buy a Supporting Membership in years when it isn’t so that they can carry on being part of the excitement. That’s the sort of community I want to foster. It may well be that someone who lives in, say, Japan or Australia can only afford to attend Worldcon one year in ten when the convention comes to their part of the world. That’s inevitable with an international event.

Colin Harris said yesterday in a comment that there is a feeling amongst Worldcon regulars that the Hugos are becoming dominated by people who are only interested in the Hugos, and have no interest in Worldcon. Presumably that’s because the proportion of voters who have supporting memberships rather than attending memberships is going up. Maybe some of those people genuinely don’t care about Worldcon, but it is my contention that most of them do. Most of them would love to attend regularly, they just can’t afford to. They are amongst that group of people who will attend on that one year in ten when Worldcon is local to them, but will buy Supporting Memberships the rest of the time.

Furthermore, I maintain that if those people are buying Supporting Memberships whenever Worldcon isn’t local, then they are far more likely to volunteer to help stage it when it does come back. And indeed they are more likely to become part of a bid to bring it back. That’s what community building is all about.

So how can we foster this sense of belonging? How can we encourage people to become part of WSFS every year? Well, a cheap Voting Membership is a possible tactic. It has been suggested, but hasn’t been tried. Personally I would prefer to have Worldcon find other things that it can offer to Supporting Members that would encourage more people to think that $40 was a reasonable price, but I appreciate that can be difficult to achieve.

What certainly won’t foster a sense of community, except amongst some of those who are already members, is passing motions that appear to be specifically designed to make that community seem elitist. The question is, what sort of community do you want: one where you dig in, protect what is yours, and don’t let anyone else join; or one that is open and welcoming to as many like-minded people as possible?

If Worldcon is to be a truly international event, and especially in a time when international travel is becoming more difficult rather than less so, I think it is inevitable that people who want to support Worldcon will outnumber those who can actually attend. Let’s welcome those people, find more ways to get them involved, and build a bigger sense of community.

WSFS: The Old Pharts Fight Back

The agenda for this year’s WSFS Business Meeting has been published, and with it the usual collection of new business for consideration.

There has been quite a lot of discussion elsewhere already about the proposal to scrap three (but oddly not all) of the fan categories in the Hugos. I don’t think I need to add to that. You only have to read the commentary on the motion to see that it is the work of someone with a bee in his bonnet. The logic of it has been thoroughly dissected elsewhere. I guess it would be amusing to see it actually get debated, because some people would end up saying some very weird things on the record, but I’m expecting this to suffer Objection To Consideration at the Friday meeting. It you can spare the time to drop by on Friday to make sure it doesn’t get any further, please do so.

A rather more serious piece of business is the one called “No Cheap Voting”. Here is the text, to save you clicking through to read it.

4.1.1 Short Title: No Cheap Voting

Moved, to add a new subsection following existing section 1.5.7:

Section 1.5.X: No membership that includes any WSFS voting right may be sold by a Worldcon for less than that Worldcon’s supporting membership rate when it was initially selected.

Commentary: These voting rights are a perquisite of Worldcon membership. Anything including the same for less is distorted by definition.

The title of the motion, and the use of the word “distorted” should be enough to tell you that this too is the work of people who are angry about the way the world is going, and want to roll things back. But what is it all about?

Well, for a long time people have been complaining that voting in the Hugo Awards is too expensive. I agreed with them, and so did many other people. As a result, some steps have been taking to reduce the cost.

The main issue here is that voting in the Hugos is a right that one obtains by becoming a member of Worldcon. For a long time conservatives have tried to claim that being a “member” means actually attending the convention, but voting at the convention hasn’t been required for ages. Worldcons have long sold “supporting memberships” that allow people who can’t afford to attend to still participate in the event.

However, supporting memberships are still fairly expensive. For the current Worldcon in San Antonio they cost $60. London, to my horror, is not currently advertising a rate for supporting memberships. I very much hope that this is an error in their website, and not policy.

There are various reasons for the high price. Partly you get things other than the voting rights for a supporting membership, such as the program book and progress reports, which cost money to produce. And partly supporting memberships are tied into the site selection process. You have to buy at least a supporting membership to vote in site selection, and Worldcons have become dependent on the revenue from site selection to provide the initial cash flow that they need on becoming seated. Some progress was made last year, but supporting memberships can’t get too much cheaper without causing financial hardship to Worldcons, unless some other means of obtaining an initial cash injection is found.

Without cheaper supporting memberships, it might seem that Hugo voting cannot get any cheaper, but that’s not the case. There is nothing in the WSFS Constitution that would prevent a Worldcon from adopting a new class of membership: a Voting Membership. It would carry with it no rights other than voting in the Hugos, and would therefore be pure profit for the Worldcon. If it was priced suitably, it could result in a significant additional source of income, as well as increasing participation in Hugo voting.

The purpose of this new motion is to prevent Worldcons from ever creating this sort of membership.

That is, its purpose is to prevent the “Wrong Sort of Fan” from participating in the Hugos: young people, poor people, people from countries where $60 is a huge amount of money, and so on.

The commentary on the motion is a piece of ridiculous sophistry. A membership is a membership. There is no reason why creating a new type of membership would be a “distortion”, unless you have the sort of mindset that holds that allowing people who are poorer than you to vote is a “distortion”.

This motion is an attempt by people who already have voting privileges to prevent those privileges from being extended to others. It also cuts Worldcons off from a potentially very lucrative source of income. I want to see it voted down.

More on Brighton Restaurants

Pete Sutton of the Bristol Festival of Literature has sent me some suggestions for Brighton restaurants that he got from a friend who lives there.

Terre à Terre: best veggie/vegan restaurant in Sussex. A bit pricy, but so good — even meateaters won’t be disappointed!

Sabai: a great (and a bit romantic) Thai place by the Pavilion.

Chilli Pickle: a fab Indian place by library (if you go, go for the thali. It’ll knock your socks off.)

The Blue Man: a tasty North African place near the station.

Binari: Korean place on Preston St. that doesn’t look like much, but does incredible food at a very good price.

Vinos Y Tapas: also on Preston St., does excellent tapas.

Foodilic: on North St does a very tasty vegetarian buffet.

Rockola: a Rock N Roll greasy spoon cafe with a jukebox.

Moshimo: a good/fancy Japanese place by the town hall, with a conveyor belt. If you are still there on Monday, check out their Moshimo madness offer for cheap sushi!

Murasaki: a cheap and tasty Bento cafe/takeaway.

Now I’m hungry. I think I might try Sabai on the next trip.

Nine Worlds: The Final Programme

The full programme for the Nine Worlds convention, taking place at Heathrow next weekend, is now available. There are quite a few interesting items on the list. I understand that they are expecting around 1,200 people. That’s a far cry from the 20,000 they were talking about when I first heard about the con, but a very respectable turnout for a British convention. Here’s hoping that the event goes smoothly.

I won’t be there. I have way too much to do, and I’m spending my money on going to Croatia and on the conference in Brighton instead. I look forward to seeing con reports.

Brighton – The Photos

I have uploaded the photos I took on my trip to Brighton last weekend. The include a bunch of scenic shots of the sea front, various restaurants, and the meals I ate at Smokey’s and Indian Summer. There are not many pictures of Trans Pride because trans people are generally very nervous about being photographed and there were quite enough people with cameras going round pestering the attendees as it was.

Those of you going to World Fantasy should note the pirate-themed crazy golf course that is on the sea front in front of the Metropole. If the weather is good I think we have to play that.

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Finncon 2013 Photos

I have finally got around to processing my photos from Finncon. They are taken with a new camera, which has a panorama mode. Here they are:

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