Doom, Gloom and #VATMOSS

While I’m busy with my day job in Canada, Juliet McKenna and her colleagues are beating their heads against the brick wall that is Whitehall. Juliet’s latest post is here, and in it she explains how HRMC found a solution for her problems. It involved sacking her existing publisher, who was clearly incompetent, and instead signing up with one of those outfits that will charge you £500 to make an ebook (which they probably do by automated conversion). I guess if you are making that amount of money off the gullible then you can afford all of the administrative nightmare that is VATMOSS.

The trouble, as Juliet makes clear, is that the people she is dealing with don’t have a clue. Not do they seem to think it is at all important.

If Wizard’s Tower were my means of making a living then I’d be a lot more sanguine about the whole thing, though if my net income from it was around £12k/yr (which is approximately what I earn from the day job) then the addition of at least £1k/year in dealing with VATMOSS would not be very welcome.

Our beloved government, however, thinks that a small business is one with 200 employees and an annual turnover of £30m. Single-person businesses, of which there are around 4.6 million in the UK, are barely on their radar. Many of those single businesses will have difficulty surviving VATMOSS.

However, the businesses that will really suffer and the countless (literally, as we have no idea how many there are, because no one has bothered to count them) businesses like Wizard’s Tower that don’t make enough money to support even one person full time. The annual turnover of Wizard’s Tower in my last annual accounts was around £5k, and the business made a loss that year because it bore most of the costs of Airship Shape & Bristol Fashion while enjoying little of the revenue from it. Add £1k of admin costs to that and you are in serious trouble.

The nice gentlemen in Whitehall don’t seem to think that this is a serious business. If you can’t even provide the livelihood for one employee, what right do you have to call yourself a business? Who cares if you go to the wall? From my point of view it would not matter than much, because I have such slim profit margins (thanks, Amazon, for competing with me). Other digital businesses might bring in their owners a few thousand a year. What does that pay for? It might mean the difference between being able to afford a holiday or not; it might mean nice Christmas presents for the grandchildren that you couldn’t afford on a state pension; it might mean not having to go on benefits because your job at Tesco doesn’t pay enough to cover the rent and feed the kids. Naturally all of this seems like something out of a Dickens novel to someone on a fat civil service salary. They don’t believe that it happens.

And then there’s the other thing. Most of the people involved in this campaign are women. Most of the people we are dealing with are not. We know that their understanding of ecommerce is woefully lacking. We haven’t even tried explaining the crowdfunding issue to them, because it would be like telling them we were cloning dodos for all they would believe such a thing were possible. But from their point of view it is a clear case of the little ladies not understanding technology, and if only they would stop nattering for a while and listen while someone mansplained the Internet to them, why then their problems would all go away.

Head. Desk. Repeat.

Some #VATMOSS Updates

First the good news. I have email from HMRC assuring me that I do not have to register for VAT provided that I sell exclusively through third party sites that collect VAT on my behalf. This means Amazon, Google Play, and probably a few others that I haven’t confirmed that yet.

What that also means is that I can’t sell direct, I can’t sell through non-compliant third party stores (such as Weightless), and I can’t use crowdfunding.

Us book publishers get off lightly. In other business areas the main sales platforms are non-compliant. I’m thinking in particular of Etsy (for crafters) and Bandcamp (for musicians).

And now the bad news. The petition has got past 10,000 signatures, which means that the government has had to make an official response. Sadly whichever policy wonk wrote this for Vince Cable is hopelessly out of the loop.

Essentially what the Cable response is doing is regurgitating the old HMRC line that we were getting a couple of weeks ago. As this blog post explains, that was based on consideration of what the government described as an SME (Small to Medium Enterprise). The official definition of this is, “the category of micro, small and medium-sized enterprises (SMEs) is made up of enterprises which employ fewer than 250 persons and which have an annual turnover not exceeding 50 million euro, and/or an annual balance sheet total not exceeding 43 million euro”.

As you can imagine, most of the businesses in trouble over VATMOSS don’t make anywhere near that. Typically they are sole traderships (1 employee) and have turnovers not exceeding 50 thousand euro.

There are apparently 4.6 million such businesses in the UK at the moment, and while not all of them will sell digital products that’s still a huge number of businesses affected. A lot more than the 34,000 that HMRC estimated.

Anyway, I have to go on a business trip shortly, so I am leaving all of this in the capable hands of Juliet, and now also of Talis Kimberley, whom many of you will know from her music (yes, she is affected), but who is also now the Green Party’s Prospective Parliamentary Candidate for South Swindon. With any luck, by the time I get back they will have knocked a few heads together.

What Exactly Constitutes a Terrorist Threat?

Those of you who follow me on Twitter may have seen me taking a renewed interest in the case of Monica Jones. She’s an American trans activist whose case I wrote about back in April. Recently Monica flew to Australia to do some research on AIDS as part of a college course she has been doing. As this Advocate article reveals, she was stopped at Sydney airport and deported because her name was on a no-fly list as someone as someone who might be considered a “possible threat” to Australia. Gosh, is she a terrorist? Well, I guess that depends…

You see, Monica is in trouble with the law back home in Arizona. She has been found guilty of “manifesting prostitution”, which basically means that a police officer saw her in the street and decided that she was soliciting. No other evidence than that is required for conviction. In other words, Monica was found guilty of walking while black and female. And for this she was put on a no-fly list and barred from entering Australia.

Oh, and she’ll fail her college course because she was unable to complete the research.

Just what are you afraid of, Australia?

Ah well, at least she didn’t have a Hugo in her luggage. And I’m not even going to start on the whole saga of a TV crew being tipped off about her being stopped and Aussie immigration then using that as part of their excuse for deporting her.

The point is that these days we are living in a “Your Papers, Please” society, and the less privilege you have, the more likely it is that you will suddenly find that your papers are not in order and you no longer have any rights.

A Brief #VATMOSS Update

Thanks to the fine folks at Enterprise Nation, Juliet McKenna was one of many concerned people who got to meet a bunch of HMRC and Treasury bods in Westminster yesterday. As you’ll see from this report, Wizard’s Tower got mentioned. That also led to our getting a mention in the Financial Times today. It is behind a pay wall and they got their facts wrong, but hey, my little publishing company got mentioned in the FT.

It is a little early yet to know exactly what will come of this, but from what Juliet has told me we have at least been listened to, rather than getting fobbed off with platitudes as has been the case before. Also the government now has a much better idea of the scale of the problem.

While the possibility of getting the UK government onside is encouraging, these regulations are EU-wide, and we won’t be able to fix the problem without taking the campaign to Brussels. I have spent part of today emailing friends in Europe trying to find out how other countries are tacking the issue. If you happen to know anything about the situation in other EU countries, please get in touch.

Crowdfunding and the #VATMOSS Mess

Some of you are doubtless sick of all this VAT stuff by now, but it is consuming my life at the moment so I have nothing much else to write about. Sorry.

The current view is that a small press will probably be OK, and an individual writer will definitely be OK, if they stick to selling through VAT-compliant marketplaces. We think Amazon will be deemed compliant. So far so good. We don’t have to register for VATMOSS, as long as we close any direct sales outlets and stop selling through non-compliant stores. But what if the press wishes to raise money in some other way, such as a project on Kickstarter, or via Patreon?

This is where things start to get very murky, because it isn’t clear that anyone at HMRC knew what crowdfunding and patronage were before we started telling them. They certainly don’t seem to have appreciated how important these things are becoming.

With regard to crowdfunding, there is a lot of hot air blown over the subject of whether rewards count as “sales” or not. People go through all sorts of verbal gymnastics trying to prove that rewards are an investment in the company, or a donation, or some other thing that is not taxable. None of the accounting advice I have seen has any truck with this sort of thing. (See here, for example, or Suw Charman-Anderson writing for Forbes). Kickstarter even explicitly warns users that some rewards will be subject to VAT.

However, crowdfunding platforms do not view themselves as marketplaces. Even the UK-based ones I have looked at explicitly state that they exist only as a means to help users run campaigns. They do not collect VAT for you.

Now HMRC says that it is the responsibility of the marketplace to undertake VAT collection, so what they are going to make of this remains to be seen. Until something happens, however, it seems pretty likely that anyone in the EU offering digital goods as rewards in a crowdfunding campaign will be selling services directly to the customer and must register for VATMOSS, with all of the vast burdens that entails.

Patreon is rather different, in that you are generally not explicitly paying for something. For example, I can listen to Galactic Suburbia whether I back them on Patreon or not. And the various rewards on offer, in the form of more and better podcasts, are also available to everyone, regardless of patronage. (Update: at the highest backer level there’s an actual gift, but it is a paper fanzine so that’s goods not services.) So, could I put the Salon Futura podcasts up on Patreon and get money that way?

Sadly, I don’t think so. You see, podcasts are digital services, and thus if I get money for them they are liable for VAT. There are some tax rules about being allowed to receive small gifts tax free (up to £2500 a year), but those appear to apply only to charities, not businesses. HMRC would class the money received as a benefit, and benefits are taxable. I would certainly pay income tax on Patreon money if I got any.

The annoying thing is that none of this would matter if ebooks were classed as goods, or if there were a VAT threshold for cross-border digital services sales the way there is for cross-border sales of goods. As I explained yesterday, I can’t see any way that HMRC and the EU will change the classification of digital products, because the large media companies want them classifies as services. But I have yet to hear any sort of rational explanation as to why the thresholds are zero. If all EU countries have high thresholds for cross-border goods trade, why can they not do so for digital services? Why is there this specific attack on the digital economy?

Why #VATMOSS is a #DRM Issue

Another day, another set of confusing and contradictory messages about what will and will not be allowed from January 1st. There is, for example, this article in the Telegraph, which claims a victory for campaigners but is actually nothing but HMRC spin, presumably fed to the Telegraph by them. Firstly, any solution that requires micro businesses to register for VAT is a disaster. Only having to do so for sales into the rest of the EU is no help. Also, when we had the Twitter seminar on Monday, HMRC insisted that, in order to split reporting in the way that the Telegraph article suggests, the two parts of the company would have to be legally separate entities. You can’t do that if you are a sole trader, so at least one part of the company would have to be separately registered as a company. Yet more expensive red tape that people won’t have the time to deal with before January 1st.

What I want to talk about here, however, is a fundamental question that lies at the heart of the whole debate: whether digital products are “goods” or “services”. It is important because the EU has very generous revenue thresholds for selling “goods”, below which registration for VAT is not necessary. In contrast the revenue thresholds for selling “services” are zero, so everyone who sells them has to register.

At first sight it would seem crazy to suggest that an ebook, and MP3 of a song, or a jpeg of a photo, is a “service”. The physical products are very clearly goods. How does digitizing the product transform something from a “good” to a “service”? HMRC is getting itself tied in knots trying to establish how an ebook becomes a “service”. If you put it on a CD and mail it then is definitely isn’t a “service”. If you manually attach it to an email and send it then it may or may not be (HMRC people seemingly can’t agree amongst themselves on that one). But if you download it from a website then it is definitely a “service”.

Then again, for some time now, large corporations have been intent on establishing that digital products are indeed “services”. That’s because they are desperate to move us from a world in which we are able to own products — books, record, and so on — to a world in which we only ever rent a license to use products. They have been moving us from buying “goods” to buying “services”.

The way in which publishing companies distinguish between a “good” and a “service” is party with DRM (and partly by the terms and conditions under which the product is sold). By applying DRM to a book a publisher is saying, “this is not something you own and can copy or give away, it is something we own, and are renting to you”.

That’s not the way I publish my books. When I sell you a book I am still selling you a product. When you buy that file from me, you own it (though you don’t own the creative content as that’s covered by copyright). I am by no means the only publisher to operate in this way.

Logically, DRM free books ought to be goods. But can you imagine the chaos it would cause if a book with DRM was subject to VAT, but a DRM-free book was not? Not only would the DRM-free book be better value, but it would be cheaper too. It would be political dynamite for any country to make that distinction. So instead they have settled for the simple option of classing all ebooks as “services”. And now that they want to apply Place of Supply rules to VAT charged for those “services” they have got themselves into this ridiculous mess.

It is possible that this is a way out for me, in that I can argue a case whereby my books don’t become “services” until they are sold to the consumer. Therefore, if I only sell through VAT-compliant marketplaces such as Amazon, I don’t have to register for VAT. But I have no idea whether HMRC will accept such an argument, nor do I have any faith in their willingness to even consider the question. And without any assurance that I’m operating legally, I’ll need to take steps to move the business outside of that law.

Furthermore, there are all sorts of good reasons why digital microbusinesses might not want to sell solely through Amazon and its ilk. They might have products that such platforms aren’t set up to sell. They might not want huge corporations to have control over what they sell and how they sell it. In practice what HMRC is doing is the equivalent of saying to a small farmer that she can’t sell her crops at a market stall, she has to sell them through Tesco or a similar supermarket. What we need is a revenue threshold below which microbusinesses don’t have to register for VAT, regardless of what they are selling. Anything less (Telegraph please note) is a defeat.

Join the #VATMOSS Fightback

I have updated yesterday’s post to explain the Byzantine reasoning why digital products are apparently not eligible for the VAT thresholds. In the meantime, Juliet has set up a protest group to try to force HMRC to take notice of the very many businesses that it will destroy. If you are affected in any way by VATMOSS, please sign up here.

There are also some guidelines as to how to best go about writing to your MP or MEP about this. This will affect all of you in the UK, because one of the effects of this will be that Amazon has to charge 20% VAT on ebooks rather than 3%. They’ll try to do that by squeezing authors and publishers, which will hurt your favorite writers, but inevitably prices will rise too. If small presses were allowed to claim VAT exemption we’d be allowed to sell you ebooks VAT-free. Having no exemption threshold means that we can’t do that.

The #VATMOSS Mess Enters Looking Glass Land

The biggest problem that all of us struggling with this issue have is that we simply can’t rely on information we are given. I’ve mostly given up researching it and am instead looking at the issues involved in selling Wizard’s Tower to someone outside of the EU. Juliet McKenna, however, has been beavering away. And the more she finds out the more like Looking Glass Land the whole thing becomes. Take this, for example:

https://twitter.com/JulietEMcKenna/status/538993571740020736

Yes, that’s right. On the one had we are being told that we should prevent people in other EU countries from buying our products if we can’t charge the correct VAT rate, and on the other hand we are being told that such discrimination may be illegal.

Meanwhile folks in other countries are getting worried about having to register. Here’s Howard Tayler:

So, no Shlock Mercenary for you, EU readers. And HMRC is quite adamant that non-EU suppliers MUST register, no matter how small their business.

Does that seem crazy to you? Well actually it is. No sane European government would do that. It just isn’t practical for a government to worry about collecting VAT on the sale of 40 knitting patterns a year, let alone take legal action in Canada to enforce it. So I don’t think that Howard, or anyone else outside the EU, has anything to worry about unless they have an EU-based subsidiary, or they sell huge amounts of product. The obvious proof of this is that non-EU countries have been liable to charge VAT under the Place of Supply rules since 2003. To my knowledge, no non-EU small business owner has been arrested over this.

What’s different now is that the same rules are being applied to EU-based businesses, and that HMRC insists that every business has to register, no matter how small. Their rationale for this is that they cannot control laws in other EU countries. While the UK might have a threshold of £81k turnover, below which a business need not register for VAT, other countries might not be so friendly to small business. I quote from their recent FAQ on the subject:

B2 Why can’t there be a minimum VAT threshold like in UK? #VATMOSS

Within limits, each Member State decides on its own VAT threshold, and we cannot impose our threshold on them. #VATMOSS

And they are right. Hang your heads in shame, Spain and Sweden, both of whom have zero thresholds.

But wait, did you click through on that link? Did you read what it said at the top of the page? OK, for those of you who didn’t, here are the important words:

Generally, non-resident businesses that must register for VAT in another EU state face a nil registration threshold. A major exception to this rule is e-commerce to consumers, where foreign EU retailers have special EU distance selling VAT thresholds.

I’ll repeat that. Special EU distance selling VAT thresholds, which apply solely to digital transactions. Here they are. And guess what? None of them are anywhere close to zero. All of them would easily allow a micro-business such as Wizard’s Tower to keep trading.

Now that site I have been linking to is not an official government site. It is, however, very comprehensive and seemingly well informed. For example, just last week they reported that Google would be changing their terms of business to be properly VAT-compliant under the new rules. That’s a big relief.

So what exactly is going on here? It is, of course, entirely possible that HMRC is far better informed than most, and they know that the distance-selling VAT thresholds will be lowered as of January 1st. On the other hand, we could be dealing with a dishonest government seeking to put the squeeze on small businesses and sow distrust of the EU by pretending that EU regulations are much more draconian than they really are.

Update: I see that the page linked to above now notes that thresholds are zero for “electronic services”. Believe it or not, that means all digital sales. As Juliet notes here, that makes a certain amount of sense for a book or movie that has DRM, because you are buying a license to view it, not the object itself. It makes no sense whatsoever if you are simply selling a file. And indeed HMRC says that such things are not “services” if they are manually emailed to the customer rather than directly downloaded. Honestly, it makes quantum physics seem easy.

Just to re-iterate what I said at the beginning of this post, the main issue here is that it is impossible to tell what it is safe to do and what it isn’t safe to do. HMRC will not issue guidance, but they will prosecute if you get it wrong. No one has any idea how governments will cope with tens of thousands of very small companies trying to register to charge VAT, and HMRC seems perfectly happy with the idea that all of those companies will be forced out of business.

The #VATMOSS Mess That Keeps On Growing

Yesterday HMRC hosted a Twitter chat to answer questions about the new VAT rules that I blogged about the other day. A little clarity has been obtained, but far more confusion has been sown. Juliet has a blow-by-blow summary of some of the answers. I’m going to try to give a more high level view.

First up, as I suspected, the petition that is being passed around is largely a waste of time. HMRC cannot unilaterally decide to have a VAT liability threshold for the whole of Europe. We are bound by the laws of the countries that we sell into, and that’s that.

HMRC also confirmed that companies outside of the EU are liable and must also charge VAT on all sales into the EU. (Yes, this does mean you, Alisa). However, the chances of them actually enforcing this are pretty low, especially as most of the sales will come via third party platforms and so will be covered.

The good news for many people is that if you sell only via third party platforms such as Amazon then you should be OK, because they will charge the correct VAT rate for you, and you don’t have to worry. Except that by no means all of these platforms do this, and if they do they may not do it correctly. HMRC avoids questions about having an approved list of platforms, and instead says it is our responsibility to read the Terms & Conditions to make sure that the platform complies. Many of these platforms are US-based and may not care too much about getting it right. Google Play is apparently not compliant, and if they don’t play ball, what chance is there that others will?

There is another wrinkle too. In theory VAT applies at all stages in the supply chain. If there are business-to-business transactions, the selling business charges VAT, and the buying business claims that VAT back from the VAT their charge their customers. It isn’t clear to me why someone selling through Amazon doesn’t have to charge them VAT, but presumably some sort of ruling exists. My guess is that any such ruling will be dependent on the person selling through Amazon being the originator of the product. That is, Amazon is not buying an ebook from you, it is buying the right to publish your words. But that isn’t the case for me. I’m publishing house, not an author.

I am pretty sure that once HMRC gets their heads around that concept they will decide that I have to charge Amazon VAT on the books I sell them. Amazon, however, persists in assuming that everyone who uses their online publishing service is a sole author. That’s the way they want the world to be: just them and authors. So I’ll have to charge them VAT on the books they sell, but they won’t acknowledge that they have paid it and they’ll add yet more VAT onto the price before selling it. Which means customers will be taxed twice.

There are problems with registering for VAT too. I could be a good girl and sign up to do this. Except that if I want to carry on doing direct sales I have to provide two independent sources of proof of the location of each customer (and keep this information on file for 10 years). One such item should be the IP address from which the product was purchased. PayPal does not provide this information, so I’d have to work out how to get it myself, or pay for a more sophisticated ecommerce system that will do it. Of course I closed the original bookstore because I wasn’t doing enough business to afford the fees from Shopify.

HMRC hasn’t begun to think about the Data Protection Act implications of this.

So yes, direct sales are definitely a non-starter from January 1st. Amazon will be laughing all the way to the bank.

HMRC did try to be helpful. There are ways around the regulations. It is OK if you just take orders on your website, and then send the product to the customer via an email that you type yourself. Quite apart from the dragging us back into the 20th Century involved, there’s the small matter that the convenience of direct downloads is one of the main reasons why people shop at Amazon. An online bookstore that doesn’t offer direct downloads is dead in the water.

It gets worse. I tried to ask HMRC about crowdfunding and Patreon. They didn’t reply, probably because they had no idea what I was talking about.

Again, once they get their heads around all of this, they will almost certainly decide that such sites do have to charge VAT on all sales into the EU. They are not going to be impressed by claims that these are “donations” with free gifts attached. Currently Kickstarter is the only platform I know of that tries to do VAT correctly. I have been nervous about using them in the past because they insist on charging VAT on sales into Europe even if the seller is not VAT-registered. I can see now why they do that, and from Jan 1st it will be mandatory. But there are other complications with using Kickstarter from the UK that mean I really don’t want to use it.

Obviously I’ll be discussing this with all of the authors whose work I publish, but it certainly seems like something will have to give. The more I think about it, the more I come to the conclusion that the only viable option is to sell Wizard’s Tower to someone outside of the EU.

Bristol Gets It Right On Rape

Anti-rape poster

You may have seen this poster before, because the campaign ran last year around this time too.

Full details in this report on Bristol 24/7. I’d just like to highlight the following:

Next year Bristol City Council will increase its funding for sexual abuse services from £75,000 to £115,000 from April 2015. Councillor Gus Hoyt, assistant mayor for public health said: “Research has shown that a large number of people wrongly feel that women bear some responsibility. This is a perception that must, must be challenged.

“Blaming the woman removes the responsibility away from where it always should be: the perpetrator.”

And yes, victim-blaming must stop. That applies to a whole range of different things. #BlackLivesMatter

The VATman Cometh, Destroying Businesses

I’m a bit behind on this due to having been focusing on other things for the past few months, but I have just caught up on a change to VAT legislation that looks like being an absolute nightmare for anyone running a small press (and indeed anyone who sells digital products).

As you may know, the whole situation with VAT on ebooks is crazy. Although the rate for paper books is zero in the UK, the rate for ebooks is 20%. The avoid this, Amazon Europe has incorporated in Luxembourg, where the rate is only 3%. This gives them a significant advantage over UK-based rivals. Other large ebook platforms do the same thing.

The powers that be in Europe have, for some time, been trying to find a way to close this loophole. The obvious thing to do would be to have a common VAT rate across the EU, but of course there’s no way that individual countries will ever agree on what it should be. So instead they have created a bureaucratic nightmare.

From January 1st, the way that VAT is levied in Europe will change. Instead of companies having to charge VAT at their local rate, they have to charge VAT at the customer’s local rate. This is called the Place of Supply rule. This means that anyone selling digital products in Europe has to register for VAT in every country, charge VAT on each sale according to the local rate, and account for all of this on a quarterly basis.

Normally this would not matter too much, because it would only affect big companies. The UK has a healthy and very sensible turnover threshold below which you do not have to register for VAT. I have never bothered for my consultancy business. I’d probably save money doing it, as I’d be able to claim VAT back on purchases, but the time involved in filing VAT returns, and the near certainty of being investigated by VAT officers who won’t believe that my clients are primarily in the USA, make it not worth my while.

Except that the new rules coming in next year have a turnover threshold of zero for digital products. Yes, that’s right. If all you do is sell one ebook, or a few knitting patterns on Etsy, or a little app you made for fun, you are required to register for VAT and file VAT returns once a quarter. Even if the tax involved is only pennies.

Because I am coming to this rather late, I don’t have a good handle on all of the implications. For example, if you sell through Amazon, it may be that what you have is a Business-to-Business relationship with a Luxembourg company rather than a Business-to-Customer relationship with each person who buys your book. My little bookstore, however, would have to start charging VAT and accounting for where customers lived. I’m also pretty sure that a crowd-funding campaign would count as Business-to-Customer.

The implications for any small company selling digital products are so horrendous that the Head of Tax at the Institute of Chartered Accountants (England & Wales) has apparently suggested that small businesses stop selling in Europe to avoid all of this mess. Except, how can you? The digital world is global by nature. The better-written platforms, such as Amazon, will at least allow you to block sales via their EU-based sites. However, there’s nothing to stop someone in, say, Finland, buying one of my books via Amazon US, or Amazon UK. If they did, I may be legally obliged to account for that, and Amazon’s systems don’t give me enough information to do that.

Right now I am desperately trying to get some tax advice as to what I can and cannot do. However, because the vast majority of people affected by this are so small that they have never registered for VAT, and probably don’t make enough to afford an accountant, finding someone able to give good advice may be quite hard.

There is a petition on change.org asking the Secretary of State for Business to provide some sort of threshold below which registration will not be required. Please sign. However, from what I have read I’m not convinced that he can do that without withdrawing from the system altogether.

There is also a plan for a Twitter campaign tomorrow morning (UK time) to try to make the government aware just how many small businesses are going to be wrecked by this legislation. Details are here. All support will be gratefully received. If you don’t have time to follow the link, please at least look out for anything containing the hashtags #VATMOSS and #VATMESS, and retweet like crazy.

Somehow I will find a way for Wizard’s Tower to stay in business in some form next year. But right now I have no idea how.

Flag in the Post

The flag raising party

The raising of the trans flag at City Hall has made it into the Bristol Post (I’m guessing only the website, but if there is a paper version I’d love a copy). The caption for that photo is: “Bristol City Council equalities officer Simon Nelson, Lady Mayoress of Bristol Sarah Watson, Lord Mayor of Bristol Councillor Alastair Watson, Martin Spellacey and Amy Mosley of Bristol City Council Rainbow Group, Bristol City Council employee Jessica Davidson and Cheryl Morgan of TransBristol” and the photo credit is Amy Jones, the Council press officer I have been working with.

I would have liked more trans people in the photo, but many of those who attended are naturally nervous of such things. My job in TransBristol, such as I have one (it being an anarchist collective), is to be the person who fronts up to the media so that other people don’t have to.

What I’m much more pleased about than the photo is that Amy and her colleagues used quite a bit of the material I sent them for the press release. The Lord Mayor then quoted me at the flag raising ceremony, and the Post used the same sentence:

By raising the transgender flag over City Hall on this important day, Bristol is sending a clear signal to the many trans people who live and work in the city that they are valued members of the community, with as much right to life, health and happiness as any other citizen.

Yeah, that.

By the way, a number of City Councillors attended the event. I don’t know them all by sight so I can’t give you names, but I did spot Daniella Radice, the leader of the local Green Party. Simon tells me that there was good support from Labour, and the only Tory to turn up was the Lord Mayor.

A Little Civil Rights Campaigning

If you listened to last week’s Women’s Outlook show you will have heard from a very articulate young man called David McLeod. David is something of a legend in the Bristol Afro-Caribbean community, having successfully won a racial discrimination case against his then employers, a large local school. The short version is that David, having been doing a job very well for some time, was passed over for promotion in favor of a white person with fewer qualifications, for a job that was all about outreach to ethnic minority communities. The tribunal found evidence of other instances of racial discrimination at the school as well, and in the wake of this the head teacher, Gill Kelly, decided to look for alternative employment.

You will have heard me rant before about how anti-discrimination laws are often toothless. Sure David won his case, but it will be very difficult for him to get a new job. What HR department is going to recommend hiring someone who sued his former employer for discrimination? Ms. Kelly, on the other hand, was spared the indignity of being fired for the lapses that took place on her watch. And now we learn that she has been given a high profile consulting job by the City Council’s education department. That, dear readers, is what privilege is all about.

We talked about this with David after the show last week and Paulette, being Paulette, was immediately organizing a protest and phoning all of her media contacts. I volunteered to contact my colleagues at Bristol 24/7. I wasn’t sure what to expect as they are a relatively new outfit and I’ve not actually met any of them, but I was delighted to see them run a big story about David yesterday.

It gets better. The BBC picked up the story, even crediting us for breaking it. And today we ran a new article featuring legendary Bristol civil rights campaigner, Paul Stevenson.

I am very pleased. I don’t know whether anything concrete will come of all this. Institutional racism is a very hard thing to break down. But at least the city’s new media is taking a stand, and forcing some of the old media to take notice. The Post, of course, seems to have missed the story entirely.

This Week’s Radio – Judy Darley, Bristol Homeless, Black Identity

I began Wednesday’s show with a few mentions of people. As many of you will know, Caroline Symcox has just been inaugurated as Vicar of Fairford, which is not that far away from Bristol. I suspect that Paul Cornell is hoping that the vicar and her spouse get an invitation to the town’s famous air show.

Also in the mentions list were the environmental campaigners from Avonmouth, whom I had on the show back in July. Council staff had tried to sneak through approval of the biomass plant without debate, but the Councillors insisted on discussing the matter and, much to everyone’s surprise, denied the planning application. The expectation is that the power company will go running to the government who will order Bristol to change its mind, but at least our local politicians have made a stand. My colleagues at Bristol 24/7 have the story.

Finally I played a tribute to the great Acker Bilk, one of our local area’s finest musicians, who sadly died on Sunday.

My guest for Wednesday was local writer, Judy Darley. As Judy mainly does short and flash fiction, she was able to read some of her work on air. Much of Judy’s writing is inspired by works of art, which makes it very different from the sort of thing I normally read, but fascinating all the same.

Paulette took over for the next half hour, and welcomed Caz from the One Love Breakfast Show (which Ujima co-hosts with BCFM). Today they were doing a fund raiser for homeless people in Bristol, which is a very good thing to be doing at this time of year. Caz also looked back on the special edition of the show that featured Mayor Ferguson answering questions live in the studio.

You can listen to the first hour of the show here.

The second hour was given over entirely to a discussion of black identity, so it was very much a Paulette thing.

I suspect that most of you won’t know that Haile Selassie once lived in Bath. The house where is lived is now a museum, and naturally it is a focus for local Rastafarians. It was great to have Shawn Sobers from that project on the show.

Some of the discussion will ring true with those of you who get irritated by the habit of our American friends of referring to all black people as African-American. (He’s from Wakanda, damnit! He’s African.) I was also reminded of a discussion on the Writers Of Colour tweet stream over the weekend in which they talked about being “politically black”.

You can listen to the second hour here.

As a reminder, next week I will have Juliet McKenna and Lucienne Boyce in the studio to talk about historical fantasy. I think I might play some Bat for Lashes.

This Week’s Radio – Food, Feminism, Lady Mayoress

First up on Wednesday’s show I interviewed Daphne Lambert who is crowdfunding a book called Living Food: A Feast For Soil & Soul on Unbound. There was some general chat about seasonal food, healthy food, environmental awareness and so on. Possibly the most interesting thing that came up, however, was the enormous amount of pumpkin flesh that gets wasted every year in the UK at Halloween. 18,000 tons of the stuff, according to The Independent. I shudder to think how much goes wasted in the USA.

Daphne was accompanied by her friend, Elizabeth Winkler, who provided that little titbit. For the second half hour Paulette took over and we had a bit of a feminist rant, in particular about how the UK has fallen down the international league table, as explained here by The Guardian. The fact that we rate 26th is bad enough, but to drop from 18th to 26th in just the past year is very worrying.

You can listen to the first hour here.

Next up, Judeline took over the microphone to interview our friend Sabitha (sorry love, don’t have your last name written down and don’t want to mangle it). This turned out to be mainly about the growth of racism in the UK in recent years.

And finally, we were delighted to welcome Shilpi Choudhury, the wife of Bristol’s last Lord Mayor, Faruk Choudhury. Her story of how a young couple of Bangladesh came to the UK to study and ended up as Bristol’s first citizens was tremendously encouraging after the somewhat negative tone of the past two segments. Also the deli that Shilpi has opened, Chai Shai, sounds very interesting. (And I note that the finding for the deli came via Outset, the organization that I talked to Amy Morse about a few weeks back. Paulette ran this one.

You can listen to the second hour here.

Today on Ujima: BristolCon, Maya Angelou & Thomas Glave

First up on today’s show I had the fabulous Roz Clarke in to do a quick preview of BristolCon. We may have mentioned several people that you know. It gave me a warm and cosy feeling to note that almost all of the authors we mentioned had been on the show themselves at some point in the past.

At the half hour point I handed over to Paulette who had Rachel de Garang in from Breathing Fire, a black women’s theatre company, who are putting on a show in honor of Maya Angelou. I didn’t catch all of the content, but it sounded fun. With Rachel in the studio was performance artist, Joanne Tremarco, from the Nomadic Academy for Fools. They are in Bristol at the moment and Joanne’s contribution is something called Women Who Wank.

Of course we are not allowed to say wank on the radio. Tommy Popcorn and I were highly amused at the gymnastics Paulette went through to get the point over.

I provided all of the music for the show. Two of the songs Paulette played are from Maya Angelou’s 1957 album, Miss Calypso. She has a great voice, and was clearly thinking along feminist lines even back then.

I got the studio back for the final half hour and played a pre-record of an interview I did with the Jamaican LGBT activist, Thomas Glave, when he was in Bristol the other week. Amongst other things, we discussed anal penetration, which apparently you are allowed to say on the radio. I also played a couple of songs that have Kenneth Williams levels of innuendo in them, both about gay sex. I may also have had a thing or two to say about Mike Read’s pro-UKIP single, which I am delighted to note he withdrew from sale shortly after the show was broadcast.

If you want to listen to the show, you can find the first hour here, and the second hour here.

Yesterday on Ujima – Off the Record, Coaching and Tangled Roots

Yesterday was one of those days when I arrived in the studio knowing next to nothing about the people I was going to be interviewing. We also had one or two technical issues that resulted in it not being the best broadcast I have ever done, but the content was great.

First up we had some lovely ladies from an organization called Off the Record which does amazing work with young Somali and Afro-Caribbean kids in Bristol, particularly in the area of mental health. That ran for 45 minutes.

Then we have two life coaches in the studio, and my colleague, Judeline, bravely volunteered to be a guinea pig and be coached live on air. You can find more information about my guests here.

And finally there was a half hour session on a literary/theatre project called Tangled Roots which is visiting Bristol at the weekend. I did my first ever live phone interview. The project is about encouraging people of mixed race backgrounds to tell their stories, and feel proud of their heritage. It sounds like a very fine thing, and I’m delighted that Bristol is one of the cities they felt it was worth visiting.

You can listen to yesterday’s show here and here.

I’ll be back in the studio this afternoon chatting to Kizzy Morrell about trans issues. That should be around 3:00pm.

Today on Ujima – Afrofuturism, Prostate Cancer, Regulating Landlords, Somalia

Well you can see how busy that was just from the title.

Firstly I had Edson Burton in the studio to talk about the Afrofuturism season at the Watershed. Well, I should have done anyway. What actually happened was that Edson fell through a warp in the space-time continuum and was a bit late. Fortunately my colleague, Tommy Popcorn, had been at the screening of the George Clinton film and was able to talk about George for a while. My thanks to Tommy for filling in so ably. Also I related the story about the Playtex seamstresses who made the Apollo spacesuits (which I got from Hannu Rajaniemi’s Guest of Honor speech at Finncon).

Edson finally made it to the studio and previewed some of the up-coming Afrofuturism material. The item on black superheroes on Saturday sounds good, and obviously I’m looking forward to next Wednesday when they’ll be showing Pumzi, followed by a film about black science fiction writers, including interviews with Chip Delany, Octavia Butler and Steven Barnes. The later will be introduced by Ytasha Womack (live via Skype from Chicago), and I’ve just been writing a web article to go with it.

The second half hour was given over to a young lady called Vanessa from Bristol University who is studying Caribbean men who have had prostate cancer. I discovered the scary fact that as many as 1 in 4 Caribbean men in the UK can expect to be diagnosed with the disease, a much higher percentage than for white or Asian men. No one knows why, and Vanessa’s research is an important part of trying to find an answer so that something can be done about it.

I note in passing that most trans women will have prostates and can therefore get prostate cancer. Most GPs have no idea about that.

You can listen to the first hour of the show here.

For the second hour I handed the mic over to Paulette who had some more political material. First up were a couple of ladies from the City Council who help run a scheme to regulate private landlords. This is obviously great for tenants, but it can also be good for landlords too because going through an approved City Council scheme can be cheaper than using a letting agency.

In the process of doing the interview Paulette and I discovered, to our horror, that it is now mandatory for private landlords to check that anyone they let property to has the right to be resident in the UK.

For the final half hour we welcomed three young people from the Bristol Somali Youth Network. Many of you will have heard the story of Yusra Hussien, the 15-year-old Bristol girl who is believed to have flown to Turkey. The tabloid newspapers have been spinning this as “radicalized Muslim girl flies to join IS”. The story we get from the Somali community in Bristol is very different. The young people of BSYN have been trying hard to give their fellow teenagers a sense of community and belonging, but that must be very hard when so much of the British media is so openly hostile.

Talking of BSYN, they have a wonderful project going at the moment to collect unwanted books and ship them to the library in Mogadishu. Hopefully I will have them back to talk about this in a couple of weeks.

You can listen to the second hour of the show here.

The play list for the show was as follows:

  • Dance Apocalyptic – Janelle Monae
  • Alphabet Street – Prince
  • Children of Productions – Funkadelic
  • Clouds – Prince
  • Our House – Madness
  • Burning Down the House – Talking Heads
  • I Feel Alone – Maryam Mursal
  • Welcome – Maryam Mursal

The track “Clouds” comes from Prince’s new album, Art Official Age. My thanks to Edson and Charlie Jane Anders, both of whom enthused about the album to me. It is a very Afrofutrist piece, telling the story of a Mr. Nelson who is awakened after being in suspended animation for 45 years. One of Prince’s collaborators on the album is Lianne La Havas, a Jamaican-British musician whom Karen Lord tells me I need to listen to. And hey, if Prince thinks she’s good, and so does Karen, that’s good enough for me.

Maryam Mursal is Somalia’s best known musician. Both of the tracks I chose come from her album, The Journey, which tells the tale of the seven-month trek she and her five children undertook to escape from the Somali civil war and find a new home in Europe. The album is co-produced by Simon Emmerson and Martin Russell of Afro-Celt Sound System, and is available from Peter Gabriel’s Real World Records. Peter plays, and sings backing vocals, on it. To find out more about Maryam and the record, go here.

Today on Ujima – Ann Leckie, Art, Massage & Trauma

Well, that was… not up to my usual standard.

I’ve been getting very little sleep of late, and you need to have your wits about you to host a radio show. Even with the Ann Leckie interview being a pre-record, I managed to stuff up somewhat. I couldn’t even do basic arithmetic. Thankfully I have a bunch of great songs on hand for when I do mess up and need something to get me out of a jam. Also Valentin, my engineer, was heroic. Paulette and Frances provided valuable support, and our studio guests were wonderful.

Anyway, first up was my interview with Ann Leckie, recorded at Worldcon the day after she won the Hugo. Sadly it does not contain the conversation we had later about how to film Ancillary Justice and keep that sense of unease that the use of “she” creates in the reader. I do want to see that happen.

After Ann I talked to Suzie Rajah about Art on the Hill, one of the many fine local arts trails that happens each year in Bristol. Thankfully Suzie needed very little prompting from me.

You can listen to the first hour of the show here.

For the second hour Paulette joined me to interview two ladies: Nealey Conquest of Community Conscious, and Judy Ryde of Trauma Foundation South West. Nealey is a holistic massage practitioner, while Judy runs a charity that helps people who have suffered extreme trauma, such as refugees fleeing war zones.

You can listen to hour two here.

The playlist for today’s show was:

  • Just Like a Woman – Bob Dylan
  • Another Girl, Another Planet – The Only Ones
  • Electric Avenue – Eddy Grant
  • Running up That Hill – Kate Bush
  • Vincent – Don McLean
  • If I Can Help Somebody – Mahalia Jackson *
  • I Can make You Feel Good – Shalamar
  • Midas Touch – Midnight Star
  • Everybody Hurts – REM

* This is one of the songs that my mum asked to be played at her funeral. It was also a favorite of Dr. Martin Luther King. Mahalia Jackson is probably the finest gospel singer ever.

Today On Ujima – Israel, Serbia & Iraq

Thanks to my uncle, and Tracy the cleaner, holding the fort during the day I was able to get up to Bristol to do my radio show today. This was a great relief as I had a busy show planned.

First up was a pre-recorded interview with Gili Bar Hilel, an Israeli translator who, amongst other things, has been responsible for bringing the work of J.K. Rowling and Diana Wynne Jones to Hebrew readers. The discussion included shout outs for Frances Hardinge, Garth Nix and Philip Reeve. Gili and I also briefly discussed the situation in Gaza.

The second half hour saw me joined in the studio by Karen Garvey from Bristol Museums and Gordana Grabež, the Executive Director of the National Museum of Serbia, who is in Bristol on an exchange visit to learn how we do community-based museum exhibits. Karen will be teaching her all about things like the Revealing Stories exhibition that I helped put together, and also the You Make Bristol exhibition that Karen masterminded. In return maybe Bristol will get a loan of some of the fantastic art collection that Belgrade has, including everyone from Hieronymous Bosch to Rubens to Picasso. We talked quite a bit about the history of the Balkans, from Roman times through to Tito. There was also some brief mention of Zoran Živković, and of the embarrassment of the tennis. At least Novak did beat Andy, so we were even less happy than Gordana.

You can listen to the first hour of the show here.

For the second hour I was joined by Jo Baker from the charity, Child Victims of War. The main focus of our conversation was the situation in Iraq, which is quite horrifying (and not for the reasons you’ll hear in the British media). Of particular note was the accusation that US forces are using radioactive weapons (not just depleted uranium) in Iraq, and that these weapons have been sold to Israel. The discussion of how drones are used was also quite horrifying, and led to us speculating that Bristol’s expertise in robotics could lead to the city becoming a leading manufacturer of actual robot war machines.

You can listen to the second hour of the show here.

The playlist for today’s show was as follows:

  • World Party – Meet Your Feet
  • Money Don’t Matter 2 Nite – Prince
  • Friendship Update – The Go Team
  • Rescue Me – Fontella Bass
  • War – The Temptations
  • Save the Children – Marvin Gaye
  • Tribal War – Black Roots
  • Life During Wartime – Talking Heads

Next week’s show, assuming I am able to get to Bristol, will feature Glenda Larke.