There are plenty of things I could be doing in Bristol this evening, and an Amanda Palmer concert in London, but instead I will be packing to go to Eurocon. One of the things I am not attending is the Monthly Hugs Launch Party being run by the lovely people at No More Taboo. Monthly Hugs is a new, fun and innovative way to tackle period poverty by making that time of the month something people will look forward to on account of the box of goodies that will be arriving. It is a fabulous initiative and if you’d like to know more, or help the project, there is a crowdfunding thing here.
Feminism
Today on Ujima – Dinosaurs, Afrofuturism, Psychology & Feminism
It was radio day again today. I think I had a great bunch of guests on Women’s Outlook. Hopefully you do too.
We began with DB Redfern from the Bristol Museums Service telling us all about the fabulous new dinosaur exhibit they have open this summer. Actually it is not strictly a dinosaur thing, because the star attraction, Doris the Pliosaurus, was a sea dweller. She might have eaten dinosaurs, though. Anyway, she was a magnificent monster: as long as a bus with teeth the size of bananas. Doris would have eaten great white sharks as snacks. DB and I had a great discussion, covering important topics such as dinosaur poop and whether Nessie exists. Kids of all ages will love this one.
After the news I was joined by Zahra Ash-Harper and Edson Burton to discuss the Afrofuturism event, Afrometropolis, that I attended a couple of weeks ago. We had a great chat about what Aforfuturism, and an African-centered future, might mean. I got in a plug for Worldcon 75, Nalo and Karen. I do hope we get more events like this in Bristol.
You can listen to the first hour of the show here.
For the second hour I was joined my a new friend, Clare Mehta, who is a psychology professor from Boston. She’s doing some really interesting work on human ideas of gender and how they are affected by social settings. This all harks back to some of the things that Cordelia Fine was talking about in Testosterone Rex. Fascinatingly, your social environment, and the sort of things that you are doing, can affect your hormone levels. And yes, women do have testosterone in their bodies, and men have estrogen.
Also in that segment I had a pre-recorded interview with Nimco Ali that I did when she was in town doing a talk on the campaign to end Female Genital Mutilation. One of the things she talks about in the interview is having to leave Bristol because she was getting death threats. Ironically today on Twitter she was talking about getting death threats for standing as a Women’s Equality Party candidate. Hopefully once the election is over I can catch up with her again and talk about her experiences as a candidate.
To go with the interview I played the wonderful song, “My Clitoris”, produced by a local charity. I had to check the OfCom regulations carefully for that, but apparently it is perfectly OK to say “vagina” and “clitoris” on the radio. Thank goodness for that, because if we can’t talk openly about this stuff then we are never going to put an end to FGM.
My final guests were Byrony and Liza from See It From Her, a wonderful new group that exists to promote women and non-binary people in the media. They are putting on a one-day event called Borderless on Sunday, and it is sort of a Women’s Outlook co-production because both Yaz and I are on the programme chairing panels. Yaz is doing the one on racism, and I’m doing the one on identity. It is a free event, but you do need to book via Eventbrite so that they can keep an eye on the numbers. Even if you are not interested in what Yaz and I are doing, do come anyway because food is being provided by Kalpna’s Woolf’s amazing 91 Ways project. There’s lots of other stuff too. The full programme is on the Eventbrite page.
You can listen to the second hour of the show here.
The playlist for today’s show was as follows:
- Whitney Houston – Love will save the day
- George Clinton – Walk the Dinosaur
- Janelle Monae – Dance Apocalyptic
- Sun Ra – Blues at Midnight
- Integrate – My Clitoris
- Michael Jackson – Human Nature
- Meet Your Feet – World Party
- O Jays – Love Train
And because the video is so good (and we had to cut the song a little short) here is the You Tube version of “My Clitoris”.
Mother of Invention
Nope, this is nothing to do with Frank Zappa. It is an anthology from Twelfth Planet which is currently crowdfunding on Kickstarter. The theme is that it will feature diverse, challenging stories about gender as it relates to the creation of artificial intelligence and robotics. It will be edited by Tansy Rayner Roberts & Rivqa Rafael, and will include stories by Jo Anderton, John Chu, Kameron Hurley, Rosaleen Love, Sandra McDonald, Seanan McGuire, E.C. Myers, Justina Robson, Nisi Shawl, Cat Sparks, Bogi Takács & Kaaron Warren. There will be on open submission period too. I have a story I want to write for it, but I doubt that I’ll have time to actually write it and the thought of being in that sort of company is frankly terrifying.
Just back it, OK? It’s gonna be awesome.
Festival of Ideas Does Feminism
On Thursday evening I attended two feminist-themed events at the Watershed in Bristol. Both of them were organized by the Bristol Festival of Ideas.
First up was science journalist, Angela Saini, promoting her new book. Inferior, expansively subtitled, How Science Got Women Wrong and the New Research That’s Rewriting the Story, is all about how gender bias, sometimes unconscious and sometimes not, has been a feature of science over the years. Mostly the book is about biology, because this is an area in which men have used dubious science to claim superiority over women. This has been going on for a very long time. Aristotle has a lot to answer for, and Darwin was no better.
The biggest problem area is evolutionary psychology, where people make the most bizarre claims. Saini focused on the question as to why human women (uniquely among primates, but not the entire animal kingdom) live for a long time after they have ceased to be fertile. Many people on Twitter and Facebook reacting to my posts mentioned the sensible idea that older women are useful to society and it is good to keep them alive. There is an alternative theory (developed by men) that old women are ugly so there is no need for them to be fertile, and consequently they have lost the ability to breed.
Those of you who are on social media may have seen this week’s joke evolutionary psychology theory: that women have evolved to become bisexual because men love watching lesbian sex.
It doesn’t take much to poke fun at this stuff, but it is useful to have someone like Saini around to work on the more serious bad science. Fans of Cordelia Fine will doubtless love her book. I’m looking forward to it too, but I can’t read it just yet because the event only had a limited number of pre-publication copies and they sold out.
The reason why I was late getting in the queue is that I’d made a couple of new friends. One is a psychologist from Boston who understands the need to consider trans issues in her work. I’m hoping to learn a lot more about what she’s doing next week. In the meantime I’m going to check out the work of Charlotte Tate, who is also doing good work in this area.
My other new pal is Virginia Bergin, a Bristol-based writer of YA science fiction. Her latest book, Who Runs the World, is a pretty obvious candidate for the Tiptree. My chagrin at not having heard of Virginia before was mollified slightly by the fact that Virginia had no idea that Bristol had an SF&F community. We plan to rectify both of these issues.
The second event featured anti-FGM campaigner and Women’s Equality Party parliamentary candidate, Nimco Ali. She’s an amazing person who has done a huge amount to get the UK authorities to take FGM seriously. I recorded a brief interview with her after the talk which I’ll air on my June 7th Women’s Outlook show.
My thanks are due to Nimco for helping me understand what was going on in Rome as successive emperors attempted to ban child castration. It all makes much more sense now.
Now if only we could get the UK to ban surgery on intersex children.
Gendered Voices – Day 2
Following on from yesterday’s post, here’s what we got up to on the second day of the Gendered Voices conference.
Session one was all about representation and began with Rosie talking about her research into coming out experiences. This is very valuable work, and the sort of thing that Berkeley and I will keep a close eye on as it can be used as evidence to encourage action by local and national government.
Next up an emergency fill-in from Louise (always a brave thing to do) about the 19th Century gothic writer, Lucas Malet, noted for her particularly morbid imagination. Malet was the daughter of novelist Charles Kingsley who wrote The Water Babies, an exceptionally unpleasant piece of Christian allegory aimed at kids. It is no wonder the poor woman grew up warped. There are a lot of people doing research on 20th century women Gothic writers, but Louise is the only one I know who is working on the 19th Century. I’m sure she’d welcome some company.
The final paper was from Jenn and was about trans and non-binary representation in literature, in particular the literary fiction market. Jenn says that they know of only nine literary novels featuring trans characters. I’m pretty sure I could name nine from the past year in SF, and a similar number in realist YA, but thus far Jenn is resisting all of my attempts to lure them to the Dark Side.
Session two was all about violence and was very intense. It began with Jassi, a lawyer, talking about girl soldiers. When we hear about child soldiers in the media it is always about boys, but in fact between 30% and 40% of child soldiers are female. Not only are they erased by the Western media, but if the war they are fighting in is halted then they will be forced back into subservient social roles by their supposed rescuers.
Elena talked about group counseling for victims of sexual violence. Apparently this is quite effective, whereas one-to-one counseling can often further isolate the victim. Elena says that it is very rarely used in the UK. That’s interesting, because this sort of counseling is specifically mentioned in the Equality Act as a circumstance in which trans women can be excluded from women-only spaces. I had assumed that it would therefore be common, but no, the government made all that fuss about trans women not being women over a situation that was very unlikely to arise.
Encouragingly, Elena said that the rape crisis center she is working with is trans-inclusive.
The final speaker was Patrick who talked about women volunteers in the IRA. There were apparently a lot of them, and the way that they worked reminded me a lot of the French Resistance. Interestingly the IRA, despite being Catholic, were (and presumably still are) pro-abortion. I gather from social media that one of these IRA women is now a Conservative parliamentary candidate.
The keynote speaker for the conference was Thangam Debbonaire, the current MP for Bristol East. It was really good of her to keep the commitment despite there being an election on and her seat being very much at risk. She also gave a great speech. She’d make a brilliant WEP MP, but I can’t blame her for going with a party that can get her elected, even if its policies on women’s issues are not as good as ours.
Session three was on masculinities and opened up with Katherine talking about Priapus and modern masculinity. Priapus, you may remember, is the Roman god with the massive dick. The Romans used pictures of him to demonstrate how supposedly virile they were. Katherine compared Roman poetry and graffiti to modern social media posts and came to the brilliant conclusion that dick pics are modern day Priapus images. If cameras had been around in Roman times, they would have sent people pictures of their own dicks too. And they would have sent them to men that they wanted to dominate as well as to women.
Charlotte talked about the contrasting portrayals of King Richard and Henry Bolingbroke in Shakespeare’s Richard II. It bemused me as to why Shakespeare, writing during the reign of Elizabeth, would have written about an effeminate king being replaced by a manly usurper. So I asked, and discovered that the play had been sponsored by Essex, who was in the process of plotting a coup at the time. I have no idea how Will talked his way out of that one. I’m sure that Elizabeth must have been tempted to do the “Off with his head!” thing.
The paper that generated most social media chatter was one by Henry on the gender of mediaeval clergy. Some historians hold that the clergy were seen as a third gender by the rest of society. Henry, by examining the writings of late mediaeval chroniclers, made a convincing case that many of them did not see themselves in that way, and indeed went to great lengths to show how manly they were in their own domain (which was the spiritual war against sin).
The final session was on feminism, and kicked off with Ana looking at the educational reforms promoted by the lesbian author, Bryher. She had some really good ideas about how to give kids better education, but they did not go down well with the Great British Public. The Daily Mail asked readers to give their own views on the proposals. One man wrote in to say that it was the duty of school to educate girls out of having an imagination.
This was followed by Teresa talking about historical fiction writer, Sylvia Townsend Warner. She sounds like someone I would like to read, especially her fantasy novel, Lolly Willowes.
Finally we had James, a philosophy student, asking, “Why is there Feminist Epistemology at all?” The title apparently riffs off a well-known paper about the theory of mathematics. James made some very good points, particularly about Standpoint Theory. However, I don’t think you can even begin to talk about what feminist epistemology might be until you have first defined what feminism is. As that’s enough to keep many philosophers busy for decades to come, I think James’s question will have to wait.
You will note that I found something good to say about every paper. Huge congratulations to the organizers. That’s what I call a quality conference. I do hope it runs again next year.
Can’t Do Everything
Being British, I feel very guilty whenever I say I can’t come to someone’s event because I am too busy. Practically, however, doing everything just isn’t possible. Today is a case in point.
I would love to be at CN Lester’s book and album launch, but it is in London and I have many local things I could be doing.
Skunk Anansie are playing at the O2 Academy in Bristol.
The Bristol Bad Film Club are showing a truly terrible science fiction movie, Space Mutiny!.
The Bristol Festival of Ideas has several events on tonight, three of which are of interest to me. We have Angela Saini on how science has failed women; WEP parliamentary candidate, Nimko Ali, talking about vaginas; and trans man Thomas Page McBee doing a book launch.
I’m going to do the Angela Saini event, and may stay on for Nimko depending on how tired I am by then and whether any work emergencies come in today.
Gendered Voices – Day 1
With apologies for the delay, here’s a look back on some of the things that I heard about during the Gendered Voices conference last week. This post is about the first day’s papers. I’ll do one for the second day later.
The first session was all about stereotypes, and began with Sauleha talking about Muslim women in Frankenstein. I had entirely forgotten about this. There is a character in Mary Shelly’s book called Safie who is initially presented as a veiled, cowed Eastern woman, but who throws off her patriarchal shackles and becomes a character with a fair amount of agency and something of a happy ending. It is revealed that her mother was a Good Christian woman who was kidnapped by a Vile Oriental, and intimated that her ability to escape her situation is only because of her Christian blood.
One the one hand, headdesk, Mary, what were you thinking? On the other there are apparently signs of progressive thinking. One of the dafter things that 18th Century Britons believed is the idea that in Islamic theology women have no souls. Goodness only knows where they got this idea from. Apparently Mum (Mary Wollstonecraft) had swallowed this one whole, but Mary Jr. wasn’t so sure. She was, after all, writing about an artificial being, the Monster, whose claim to having a soul was far more dodgy than Safie’s.
Gender and theology and science fiction: I could not have asked for a more interesting start to the day.
Paper two from Leonie was about Vita Sackville-West and the book review program that she had on BBC radio, complete with actual audio from one of the shows. My goodness, that woman had a cut-glass accent. I can quite see where the idea of the Sackville-Bagginses came from. On the other hand, I ended up quite liking her. Vita shared her reviewing duties with a male colleague (whose name I have shamefully forgotten), each doing a show every other week. She listed the books she was going to cover in the Radio Times in advance, and encouraged readers to write in with their own views. She also managed close to a 50:50 gender split on authors. He just turned up for his shows and talked at his audience.
Finally in that session, Sam told us all about her research into gendered attitudes towards pain relief. I am going to be one of her test subjects in early June. Work like this is badly needed because there is very little understanding of how the various aspects of health care are different for women.
On then to session two which was all about religion, kicking off with our first male presenter, Alun, who was talking about the Song of Songs. This is a particularly intriguing part of the Old Testament, because it is basically about sex. Alun is interested in it because of the possibilities for sex-positive theology, which some parts of Christianity could badly do with. I’m interested in the possible origin of these verses.
Other parts of the Old Testament, specifically the tale of Jezebel, suggest that some people in ancient Israel worshiped other gods, including Baal and Asherah, who are of Mesopotamian origin. In Mesopotamia kings have a tendency to legitimize themselves by describing themselves as the Beloved of Ishtar (or some other version of the goddess). It is possible that the Song of Songs was originally a religious rite in which the goddess, in the form of the High Priestess, confirms the king’s right to rule because of his sexual appeal to her and the Daughters of Israel.
Next up was Jade who was talking about female divinity in Catholicism. Specifically she was discussing the figure of Lady Poverty, who features in stories about Saint Francis. She is depicted as someone at least as old as Adam and Eve, and therefore a semi-divine figure of sorts. Of course this being Catholicism her femaleness has to be controlled by marrying her to Francis. Personally I am deeply suspicious of the idea of a man marrying a personification of poverty; it has way too many sexist jokes about it. Interesting paper nonetheless.
Our final religious paper was Chiara who is studying the works of the experimental novelist, Kathy Acker. Acker has a complicated relationship with just about everything, and religion is no exception. Chiara was looking specifically at Childlike Life of the Black Tarantula and My Mother: Demonology, both of which have strong religious elements. Personally I want to read Pussy, King of the Pirates because, well I think that should be obvious.
After lunch we began with a session on fertility. One speaker had to cancel so we were down to two papers, starting with Claire on the subject of pregnancy and childbirth in mediaeval letter. She focused on the famous Paston letters from Norfolk, and in particular the matriarch, Margaret Paston. It is lovely to see sane discussion of pregnancy between a mediaeval husband and wife, though I suspect that the idea that all men through history have been uninterested in “women’s issues” is yet another of those 19th Century lies. If anyone knows why the Paston women were obsessed with eating (presumably very expensive) dates while pregnant, Claire would probably love to talk.
Maria told us all about a fascinating French novel, Constance et la Cinquantaine (Constance in Her Fifties), which is all about a group of feminist friends who panic when going through menopause because their men are deserting them for younger women. Apparently the only thing that results in a happy ending is becoming a lesbian.
The final session was on various expressions of gender. It began with Di explaining the complex history of the image of Medusa from a scary, quite masculine version in Bronze Age Greece to a much more feminine version in later times. The Romans, bless them, used both. I’m particularly fascinated by the image on the pediment of the temple in Bath, which shows the snake hair on the head of a male Celt.
James entertained us with images of gendered behavior from Sparta, which is a fascinating place (and which got very bad press from the Athenians). He didn’t specifically mention non-binary gendered presentation, but we chatted a bit and I do have a few clues to follow up. He did mention the possibility that songs written to be sung by a girl’s chorus celebrated same-sex attraction between women.
The last paper of the day was from Lucy, a fellow fan of Romosexuality, who introduced us to an amazing mosaic from a villa in Spain. On the one hand it is a stunningly beautiful piece of art. On the other it is obvious that it depicts only people (female and male) whom Zeus is said to have raped, and is intended to imply that the man of the house is just as powerful and rapey as old Thunderbolts himself.
That’s it for day one. More later. And if you think the owner of that Roman villa reminds you of Trump, just wait for the next Roman paper.
Got Manifesto? WE Have
It is general election time in the UK. That’s means that parties have to produce manifestos. The Labour one was leaked in draft form yesterday, because Labour MPs can’t resist any opportunity to fight each other in public. The Conservatives haven’t issued one yet, presumably for the same reason that Theresa May is hiding from the public: they don’t want anyone to know what they plan to do. The only thing that the Tories think is important enough to want to announce in advance is that they want to scrap the ban on fox hunting. I think that tells you all you need to know about their priorities.
Today the Women’s Equality Party issued their manifesto. HQ came up with a great PR wheeze too. One of the core principles of the party is that WE want to put ourselves out of business. If the other parties were to care as much about women voters as they do about men there would be no need for a Women’s Equality Party. So our policy director, Halla, took copies of our manifesto around to the other major parties and invited them to steal the contents for their own manifestos. The LibDems and the Greens said thank you very much. Even UKIP, sorry, I mean the Conservatives who just happen to have policies to the right of UKIP these days, said thank you very much. Labour refused to accept their copy, because they can’t resist an opportunity for a PR disaster when one comes calling.
You can find our manifesto, and a brief summary of key points, on the WEP website. I just want to quote one small part of it. This is from page 3, where WE define who WE are:
Our policies aim to recognise and address the fact that many women experience additional inequalities due to the intersections of socio-economic status, ethnicity, sexual orientation, age, disability, immigration status and gender identity. WE also recognise that the binary words “woman†and “man†do not reflect the gender experience of everyone, and support the right of all to define their sex or gender or to reject gendered divisions as they choose.
I note that I had nothing to do with crafting that, other than giving workshops at Conference last year and chatting to part leaders while I was there.
There are, inevitably, a few bits of the manifesto that I would like to be slightly different. That’s inevitable. One of the things that many online activists don’t seem to understand is that if you want a political party to agree 100% with your views on all subjects then you will end up in a party with just one member. People refusing to vote for left-ish candidates because they are not ideologically pure enough is one of the things that has got us into the current mess we are in. (Lack of proportional representation is another major issue, but that’s a whole different blog post.)
On the other hand, by stating that WE are trans-inclusive from the start, WE don’t need to hedge about statements later on. All statements about gender equality automatically accept trans women as women, and include more than two genders. So well done whoever wrote the manifesto on that score.
The manifesto doesn’t make any explicit promises with regard to trans-related legislation. However, Labour, the LibDems and the Greens are all on board with that, and with only 7 candidates WE are not going to be forming a government. I’m sure our MPs will support such initiatives when they are brought forward, because the core philosophy of WEP is that equality is better for everyone. That means WE are beholden to support new equality legislation.
Yesterday on Ujima – Cricket, Music, Blood & Activism
I was in the Ujima studio again yesterday to do another Women’s Outlook show. Here’s what went down.
My first guest was Lisa Pagett who is Head of Women’s Cricket for Gloucestershire County Cricket Club and also General Manager of the Western Storm, out local women’s T20 franchise. Lisa was there mainly to preview the Women’s World Cup, which will see 15 matches in the South West, split between Bristol and Taunton. Bristol has the England-Australia and England-West Indies games, both of which I intend to be at. (Tickets are only £10, available here.) We also looked forward to the Storm’s campaign in this year’s Kia Super League, and talked more generally about getting women and girls involved in cricket.
Next up I had some live music in the studio. I was joined by saxophonist Sabrina De Mitri and guitarist Paul John Bailey who have a gig coming up supporting Jon Gomme at the Hall soon to be Formerly Known as Colston. They played live for me in the studio. Huge thanks to Ben, my engineer, for keeping on top of the tech for that.
You can listen to the first hour of the show here.
The second hour began with Shai from No More Taboo, the menstrual health charity. We talked a bit about some of the issues surrounding period poverty in Bristol, and what No More Taboo is doing to tackle them. We also discussed what we would like to see prospective MPs commit to so we can get some action on this in Parliament. When I first talked to Chloe Tingle when she set up No More Taboo girls unable to go to school because they can’t afford sanitary products was problem in poor countries elsewhere in the world. That it has become an issue in the UK is evidence of just how badly the austerity policies of the current government have impacted British women.
My final guests were Deborah from Co-Resist and Joe from Solar Nest. Co-Resist is an organisation that does activism through art and public engagement, while Solar Nest is a start-up business based at the University of the West of England that aims to build more sustainable and affordable housing. Deborah is managing a public engagement event for the students so that they can get feedback from the people of Bristol as to what they want from such an initiative. She also has some other projects we talk about.
Obviously I’m interested in Solar Nest from an energy and environment standpoint, but the most significant part of this interview was when Joe commented that students today have no hope of ever being able to afford their own home, especially in somewhere like Bristol.
Oh, and Deborah assures us all that clowns are not scary, not one little bit, promise.
You can listen to the second hour of the show here.
The playlist for the show (excluding the songs that Sabrina and Paul played live) was as follows:
- Boney M – Dreadlock Holiday
- David Rudder – Rally Round the West Indies
- Lianne la Havas – Tokyo
- Parliament – Children of Productions
- Pretenders – Sense of Purpose
- Parliament – Mothership Connection
If you are wondering about the predominance of Parliament, it is because George Clinton & co. are playing Bristol on Monday and I can’t go because I have a previous engagement to host BristolCon Fringe starring the fabulous Clarke Award finalist, Emma Newman.
Queer Art at the Tate
The Queer British Art exhibition at Tate Britain is a major undertaking and something I am very pleased to have seen. I’m by no means an art expert, so this is very much an amateur review, but hopefully you’ll find it useful.
One of my main reasons for wanting to go is that the exhibition features several pieces by Simeon Solomon. They are very fine, but the thing you see as you go in is another work by an unfairly ignored Pre-Raphaelite artist Evelyn De Morgan. The image above (which has rather poor color rendering – sorry) is “Aurora Triumphans” and represents Dawn escaping the bounds of sleep. Which is all very interesting except that the model for Aurora was a woman who was believed to have been De Morgan’s lover, and who she was fond of painting tied up.
The collection includes a number of well-known pieces including Charles Buchel’s portrait of Radclyffe Hall and William Strang’s portrait of Vita Sackville-West. There are also several Aubrey Beardsley pieces, for those of you who like priapic art. (Personally I love Beardsley’s style, but the prevalence of giant penises is a bit much after a while.)
Another of my favorite pieces (though not so much for the quality of the art) is this one by Walter Crane. It is titled “The Renaissance of Venus” and it looks like a fairly standard mythological picture. It only becomes obviously queer when you know that the model for Venus was a young man called Alessandro de Marco. Crane’s excuse was that his wife would not allow him to use nude women as models, so he had to use men instead. Yeah, right.
Which brings me to the whole vexed question of trans inclusion. In my post on the Claude Cahun exhibition Andrew Butler mentions a feedback card that accuses the exhibition of not having any trans representation. Frankly I think that’s ridiculous.
To start with there is much trans imagery on show. There’s the issue of Picture Post with Roberta Cowell’s coming out story in it. There is a famous photo of Fanny and Stella (which is much sharper in real life than any of the digital versions I have seen). And there are some fascinating photos by John Deakin. One of them is from a series called “drag” which was once thought to be of drag queens but has since been discovered to be of women dressed as drag queens. Another is of a person known only as “Colin”. The originals are in the Getty Archive (e.g. this one) where they are labeled as being of a drag artist, but the Tate notes that we don’t know who Colin was, or how they identified.
There is also a very strange Hockney piece titled “Bertha alias Bernie” which could be seen as representing a trans identity emerging from the original body of the subject.
The curators have made a point of getting trans input on the show. There are cards giving input from people such as Juno Roche and Sabah Choudrey.
It is true that there are no binary trans artists exhibited. The show covers the period 1861-1967, a period in which male homosexuality was illegal in the UK. This was not a time when anyone who was openly and obviously trans was likely to become a famous artist, so I’m not entirely surprised at the absence. But there are at least two artists who identified openly as non-binary. One is Cahun, who is included because they lived in Jersey. The other is Gluck who is the face of the exhibition. Just look at this and try to tell me that this is not a trans person of some sort.
Gluck was assigned female at birth but eschewed that identity. They famously insisted on being known only as Gluck, with no prefixes or suffixes. Anyone who dared refer to them as “Miss Gluck” would be on the receiving end of a mighty strop. Being non-binary is not a new invention. There were people who were proudly non-binary at the beginning of the 20th Century.
There are two pieces by Gluck in the show. The other is “Lilac and Guelder Rose”, a painting of a flower arrangement. This was one of the paintings done for Gluck’s sometime girlfriend, Constance Spry, who was then the official flower arranger for the royal family. I’ve seen lots of pictures of it online, but none of them can capture the remarkable texture of the real thing. Gluck built up layers of paint to make each leaf and petal stand out physically from the canvass.
The painting is displayed in Gluck’s trademark frame style, which is supposed to be painted the same color as the background wall. It’s a shame that the Tate was unable to do that.
Where I will fault the exhibition is on deadnaming. Gluck and Cahun both have their birth names paraded as their “real” identities. I don’t think either of them would be happy about this.
All in all, I’m pretty happy with the exhibition. I’m certainly glad I went. My thanks to Clare Barlow and her team for putting it on.
While I was there I had a look around the rest of Tate Britain. As an art gallery it is a bit limited by being devoted to British art. There’s quite a bit of Pre-Raphaelite material in there, but frankly most of them weren’t very good. Solomon was perhaps the best of them, and they treated him abominably when he was arrested for sodomy. De Morgan was also good, but she was a woman and has been passed over because of that. The best Tate Britain can do is John William Waterhouse’s “The Lady of Shalott”. Personally I much prefer Frank Dicksee’s “La Belle Dame San Merci” which is in Bristol Museum.
What Tate Britain does have is a huge Turner collection. If you have any affinity for the sea you should go take a look. Currently they also have a small William Blake exhibition which I also very much enjoyed. Alongside the Queer Art exhibition they have one devoted solely to David Hockney. I didn’t see that because you needed to book in advance to get in, but I presume it will be rather good. It is a shame, however, that so little of Hockney’s obviously homoerotic art found its way into the Queer Art show.
Ruth Hunt Audio
The Bristol University folks have been very efficient in getting the audio from the Ruth Hunt lecture online. You can listen to it here (MP3).
Ruth Hunt in Bristol
Today, tomorrow and Friday I am doing training in Bristol. I have to be up in the middle of the night all three days to catch early trains. They are morning only gigs, so it would have been nice to come home this afternoon, but I wanted to stay in town to attend a lecture by Ruth Hunt. Sucker for punishment, me.
The event in question was the Anne Spencer Memorial Lecture at the University of Bristol. This is an annual lecture put on by the University Chaplaincy. Each year it addresses issues of faith from a different angle. Ruth is unusual in being both the CEO of the largest LGBT+ rights organisation in Europe and a practicing Catholic. Her talk was about her personal journey, in which coming out as a Catholic proved much harder than coming out as a lesbian, and how her faith informs her activism.
Given my involvement in the Twilight People project, I have an interest in the intersection of LGBT+ activism and faith. I also wanted to know what this person who had instigated such a dramatic change in policy at Stonewall — from firmly trans-exclusionary to enthusiastically trans-inclusive — was like.
The evening got off to a somewhat iffy start as the University Chaplain, in introducing Ruth, did a near perfect job of trans erasure. Sure he talked about LGBT a lot, but whenever he said more than that is was always in the context of sexuality only, never gender identity. Ruth, on the other hand, got it all right. She knew exactly when she needed to mention gender identity as well as sexuality, and she dropped in a number of examples of Stonewall’s trans work when she could easily have told her story without them. That was very encouraging.
Indeed, I was impressed by the whole approach that Ruth is taking with regard to leading Stonewall. She talked about how the organisation had to practice what it preached, and that meant being inclusive in who it employed as well as who it supported. Classes for Muslim teachers are given by a Muslim lesbian; the trans manifesto was written by a group of trans people recruited for that purpose. Stonewall’s job, Ruth said, was to empower, and hand over power, to members of the minority groups it is advocating for.
As to the faith stuff, it was all pretty much as you would expect. Ruth began the talk by extolling the virtues of Jesus as a social revolutionary. You can’t got far wrong with a theology based on love for your fellow humans. Even the Old Testament has plenty of good stuff in it if you know where to look. The only major problem, at least from my perspective, is St. Paul, not just because he was awful a lot of the time, but he was so consistent and articulate in his awfulness.
If you base your activism on a philosophy of love and inclusion, and in putting power in the hands of those who have little, you end up with an organisation very much devoted to equality. Interestingly, much of what Ruth was saying sounded a lot like the Women’s Equality Party. Indeed, when she was talking about being out at work she mentioned that it was often OK to have one odd thing about you, but having two (e.g. lesbian and Catholic) made you a problem; but all too often being a woman was counted as something odd as well, because it meant you were different from the default employee.
I’m firmly of the opinion that LGBT+ equality has to start with gender equality, because so many of the stereotypes on which bigotry about sexuality and gender identity are based spring from a foundation of sexism. I rather suspect that Ruth might share this view.
Anyway, it was a long day, but well worth it. Ruth’s vision for Stonewall sounds very much like the sort of organisation I would like to work with. Over the next few weeks I’ll get to see it in action. Here’s hoping my positive impression continues.
Yesterday on Ujima – Gareth, Fitness, Trans Theater & Stopping Violence
It was a very full show as always on Women’s Outlook yesterday. I started out talking to local author, Gareth L. Powell, about his latest book, a short story collection called Entropic Angel (after a story originally published by me in Dark Spires). We also talked about the differences between writing short fiction and novels, the forthcoming Eastercon, and Gareth’s forthcoming space opera series.
The second slot featured Phoenix Liberty Rain, who is a fitness trainer. April is Health and Wellbeing month on Ujima, so I’m doing my bit despite being one of the most unfit people you could hope to meet. Thankfully Phoenix is very unlike your average fitness trainer. She works entirely online (and has been doing that for 9 years, so it is clearly a viable business). She doesn’t insist on diets, and she doesn’t make you go running in the rain before dawn. She does, however, recommend weight training for women. And she thinks that the main benefit of her courses is the self-confidence they give people. She’s my sort of fitness trainer. And given that she works online, you can sign up for a course from anywhere. This is her website.
You can listen to the first hour of the show here.
Hour 2 began with Alice Nicholas and Maddie Coward of Creative Youth Network talking about a play called Eclipse that they are staging in the same building as our studios later in the month. The play is about a young trans boy, and it sounds like Alice and her team have done a great job on the story. I’m hoping to get to see this one.
Finally I welcomed Nazand Begikhani and Gill Hague of the Centre for Gender and Violence Research at Bristol University. They were going to be launching a book last night at Watestones, and they talked to be about their work around the world, and specifically in Iraqi Kurdistan, to combat violence against women and girls.
You can listen to the second hour of the show here.
The playlist for yesterday’s show was as follows:
- Cameo – Word Up
- Savage Rose – Lonely Heart
- Beyonce – Get Me Bodied
- Daft Punk – Doin’ it Right
- Smokey Robinson & The Miracles – Tears of a Clown
- Amanda Lear – I Am What I Am
- Tracy Chapman – Behind the Wall
- Donna Summer & Barbara Streisand – No More Tears
Next week marks the debut of our new team member, Zakiya. She’s also heavily involved in Ujima’s environmental initiative, Green & Black. I’m looking forward to hearing what she does. Yaz will be back with more social campaign news at the end of the month.
Forthcoming Book on Gender & Sexuality in SF&F
I am delighted to announce that I will have an essay in Gender identity and sexuality in Current Fantasy and Science Fiction: do we have a problem?, forthcoming from Luna Press later this year. There are 10 authors altogether in the book, the full list being available via that link. You’ll probably know of Juliet McKenna and Kim Lakin-Smith. Finnish friends will also know Jyrki Korpua.
My essay is, of course, on trans representation. It is effectively an update of stuff I have been doing for years now. Juliet’s is about sexism in the publishing/book-selling industry, and I’m very much looking forward to seeing what she has written. I’ll keep you informed when I get news about the book.
Sexism in Ancient Egypt?
Last night’s meeting of the Egypt Society of Bristol saw a lecture on Egyptian graffiti by Dr Hana Navratilova of the Griffith Institute in Oxford. This did not mean Egyptian kids spray-painting anti-government slogans on walls in Cairo. It meant Egyptian scribes from the 18th and 19th dynasties writing on the walls of more ancient temples and tombs. Graffiti, it seems, has a very long history.
Possibly we should not be surprised that the vast majority of what these scribes wrote was their contemporary equivalent of “Kilroy was here”. Being what passed for academics in ancient Egypt, they also couldn’t resist noting that they knew who was buried in each individual tomb they wrote on, even if it was hundreds of years old. And because Egyptian culture hadn’t changed that much in all that time, they also made a point of paying their respects to the departed.
For those interested in the technical side, the graffiti was normally written in hieratic script rather than full hieroglyphs. It was done mostly with brushes and black ink. To do good graffiti you had to refresh your brush frequently, otherwise what you wrote would soon fade away.
The people writing this graffiti were mostly scribes who were traveling for some reason, possibly visiting the monument on which they left their names. Most of the names left are male. Interestingly a few female-signed graffiti have also been found. However, as literacy was not universal in Egypt at the time we can’t be certain that these were made by women scribes. They may, for example, have been made by a scribe employed by a noblewoman who liked visiting ancient monuments.
Dr. Navratilova says that there is a lot more female-authored graffiti in Thebes, a major religious center, and that much of it relates to religious ceremonies. That sounds like it was being written by literate priestesses.
There is, however, one very famous piece of graffiti from Saqqara, the necropolis of Memphis. It is signed with a male name, and it goes something like this (I paraphrase because Dr. Navratilova recited it from memory and I can’t remember exactly what she said):
I’m horrified! Disgusted! There is some terrible writing on this wall, and it is by a crazy woman! This sort of thing shouldn’t be allowed!
Sadly the wall in question is in a very poor state of repair and it hasn’t been possible to identify the graffiti that Mr. Angry was complaining about. We don’t know whether he was angry about the quality of the handwriting, about what was written, or simply because the writer was a woman. However, the archaeologist who discovered this rant did say that it was made in very ugly handwriting. Maybe he was too angry to write well.
The Dangers of Heterosexuality
My research for an essay on trans people in Sumer led me to a book called The Origins and Role of Same-Sex Relations in Human Societies by James Neill. As you might guess from the title, it is partly based in evolutionary biology. That’s not a discipline that I have much time for as so much of it appears to be thinly veiled justifications for Patriarchy and racism. However, Neill shows you can turn that on its head. After a fascinating tour through homosexual behavior in animals (loved the lesbian dolphins) he goes on to postulate that male homosexuality has significant advantages for humans at a social level. It means fewer teen pregnancies, a more stable population, and less dangerous conflict between males. (If you want to argue with that, by the way, go read the book yourself. I’m not going to engage with discussion based solely on the very bare outline I have given here.)
The upshot of all this is that same-sex relations were rife in most ancient societies, and indeed there’s plenty of evidence for this (though not for “homosexuality”, which is a much more modern concept). Nevertheless, exclusive heterosexuality developed as a desired practice among strongly patriarchal religions, and that left me wondering why. If Neill is right, unfettered heterosexuality will lead to population expansion which poses problems for the tribe because it can’t feed all of the babies. One possible way of dealing with that is territorial expansion and conquest. So what we might be seeing here is patriarchal society insisting on behavior that it knows will drive the need for war, and will provide the bodies needed to wage it.
This is the sort of thing that makes me want to go back and read The Gate to Women’s Country again.
Neill also provided me with a very interesting research lead. He quotes an observation about the Hidatsa people of North America (a Sioux tribe based in North Dakota). It reads:
“If a boy shows any symptoms of effeminacy or girlish inclinations, he is put among the girls, dressed in their way, brought up with them, and sometimes married to men. They submit as women to all the duties of a wife.”
Those words were written by William Clark, one half of the famous explorer duo, Lewis and Clark. They are the clearest expression yet that I have seen showing that at least some native North American people could recognize trans kids and would accept their identities. Western “civilization” is so uncivilized in comparison.
An Evening at the BBC
I spent yesterday evening in the staff club at BBC Bristol. That’s because it was the venue for a meeting of our local Sound Women group for women who work in the media. The group is run by my colleague, Miranda, who has regular Friday afternoon show on Ujima as well as occasional gigs in the big leagues. (Miranda used to be a very high profile DJ, but she took time out to raise a child and, well, you know how that goes.)
We had two speakers for the evening. The first was Kalpna Woolf, who had a 25 year career in the BBC, rising from temp to head of production. More recently she has reinvented herself as a cookery writer, and runs an amazing charity called 91 Ways which celebrates the multicultural community of Bristol through food.
The second speaker was top-selling author, Amanda Prowse. Contemporary family dramas are not usually my sort of thing, but a writer is a writer and it was clear just listening to Amanda that she knows how to tell a story and is likely to have a lot of humor in her tales. She’s done extremely well for herself, and clearly has a lot of natural talent. There aren’t many people who can just sit down in front of a computer and just pour out a novel. She’s also got a major commitment to tackling important issues such as infertility, racism, and eating disorders; and makes sure she researches each topic well before starting to write.
It was an excellent evening, and it is great to get to hang out with other women in the media. I’ve already got one potential guest for my show from it.
Yesterday on Ujima – Revolution!
Yesterday’s show was a bit impromptu as I wasn’t expecting to be doing it. This meant a lot of music and no guests, but Ben and I got through it just fine.
There was a little bit of content. If you are interested in following the occupation of Cheltenham Road Library by the Bristol branch of Sisters Uncut, you can do so via their Facebook page. And the full text of Gabby Bellot’s article about Derek Walcott can be found on LitHub.
You can listen to the first hour of the show here, and the second hour here.
I took in rather more music than I needed just in case. Aside from the Chuck Berry tribute, it was all part of the revolution theme for March. This is what I ended up playing.
- Chuck Berry – Maybeline
- Chuck Berry – Roll over Beethoven
- Chuck Berry – Memphis, Tennessee
- Chuck Berry – School Day
- Chuck Berry – Rock ‘n’ Roll Music
- Chuck Berry – Johnny B Goode
- Thunderclap Newman – Something in the Air
- James Brown – I’m Black and I’m Proud
- Prince & The Revolution- Let’s Go Crazy
- Otis Redding – Change is Gonna Come
- David Bowie – Rebel, Rebel
- Against Me! – True Trans Soul Rebel
- Peter Gabriel – Biko
- Tom Robinson Band – Up Against the Wall
- The Clash – Revolution Rock
- Gil Scott Heron – Revolution will not be televised
- Chi-Lites – Power to the people
- 4 Non Blondes – What’s Up?
- Prince & The Revolution – Purple Rain
Yaz will be in the studio next week, and she has some people from Sisters Uncut lined up as guests.
Powerful Women of the Classical World
Earlier today I noticed the British Museum tweet a link to this blog post by Mary Beard containing a list of powerful women of the classical world. I was surprisingly unimpressed. On the one hand, of course, Beard is Professor of Classics at the University of Cambridge and Classics editor of the Times Literary Supplement. She knows far more about this stuff than I do. On the other hand, I suspect that I know more about editing a newspaper than George Osborne does, so I’m going to have a go at being a Classics professor too. First up, here are the women Professor Beard picked.
- Penthesilea, Queen of the Amazons
- A Vestal Virgin
- Athena
- Cleopatra
- An anonymous Roman woman
I think that Penthesilea is an excellent pick. What caused my eyebrows to rise was Beard saying of the Amazons, “They were entirely mythical, of course.” There’s no known historical people that called themselves Amazons, but we have plenty of evidence from burials that women warriors were commonplace around the Black Sea — the area where the Greeks claimed that the Amazons lived. Herodotus says that descendants of the legendary Amazons lived in the area in his day, and the most likely suspects are a people known as the Sarmatians. One possible derivation of their name means, “ruled by women”, and they certainly had women warriors. An all female nation is, I think, entirely unlikely, but an all-female war band such as the one that Penthesilea led to the defense of Troy is entirely possible.
Of course if one is looking at the Trojan War one might have picked Clytemnestra who ruled Mycenae for 10 years while the men were away besieging Troy and who murdered her feckless husband, Agamemnon, when he returned home so that she could carry on doing so. Or there is Helen, who was so beautiful that no man could resist her. Both exercised tremendous power in their their ways. You could also pick Dido, the Queen of Carthage, who fell in love with Aeneas when he stopped in her city on his way to found Rome.
The Vestal Virgins certainly had an important role in Roman society, and being a Vestal must have been an attractive career prospect for a high class Roman girl. How much actual power they had, however, is open to question. Whenever things went bad for the Romans they were in the habit of accusing the Vestals of not being virginal enough and sacrificing them by burying them alive.
Roman women were somewhat downtrodden, though by no means as much as Athenian women. By the time of the empire, however, their lot had improved. Part of the reason for that was that the incessant warfare produced a lot of rich widows (Roman women could own property) with extensive business experience who could work their way around social restrictions. Tansy Rayner Roberts is far better placed to pick powerful women from the empire, having done her PhD on the subject, but I’m going to pick Livia Drusilla who, as wife of Augustus and mother of Tiberius exerted significant influence over the founding of imperial Rome.
I’m a big fan of Athena, but she is very much a Greek man’s view of the ideal woman, being divorced from all things feminine. She doesn’t even have a mother. If I was going to pick a goddess I might have gone for Artemis/Diana who made more use of her martial talents and was at least seen as sexual (not that I have anything against being asexual, but I am suspicious of virgin goddesses created by men).
The other option, of course, is Cybele who, despite being viewed as deeply suspect by the male rulers of both Greece and Rome, and not being part of the Olympian pantheon, managed to become hugely popular in both civilizations.
That brings us back to religion and Roman trans women. It is by no means certain exactly how Elagabalus identified, but Cassius Dio might have reported faithfully. If that was so then we can list Elagabalus as the only woman to have been emperor of Rome.
That’s hugely speculative, but there’s no doubt that the cult of Cybele, or Magna Mater as the Romans called her, was very important in Rome. Their main temple was on the Palatine hill, and her spring festival was a big deal. The Archigallus, the head of the order, was a trans woman and a very important person in Roman society.
Back with emperors for a moment, Beard says in her book, SPQR, that she deems the reign of Caracalla as the end of Rome. After that it becomes something very different and rather un-Roman. However, the empire did continue for a long time after that. In terms of powerful women, you should not be looking any further that the Empress Theodora of Byzantium.
Cleopatra is another good choice, but she’s by no means the only foreign queen to have worried the Romans. Boudica’s rebellion was brief and ineffectual, but Cartimandua was much smarter and more powerful. By negotiating with the Romans she kept her position as Queen of the Brigantes, one of the largest of the British tribes, for 18 years after the conquest.
Pride of place in Beard’s list should, however, have gone to Zenobia, the Queen of Palmyra. When her husband was assassinated in 270 she launched a war against Rome which built an empire covering central Turkey, Syria, the Levant, all of Mesopotamia and Egypt. Sadly the Romans eventually managed to beat her, but frankly she makes Boudica look like a rank amateur.
It is worth noting, by the way, that one of the most famous women during classical times was Semiramis, the legendary Queen of Assyria. Sadly she is only legendary, though Shammuramat did rule the Neo-Assyrian Empire as regent for five years. She was, however, a major bogeywoman in Roman history.
I do like the choice of an anonymous Roman woman. I’m a bit dubious about choosing one who is flashing her boobs on her tombstone. However, as Beard points out, the fact that she is portrayed as Venus shows that she was seem as a goddess by her family, and that’s good enough for me.
There are many other options, of course. There are women who, despite the misogyny of the time, managed to forge a career in male-dominated professions. The poet, Sappho, is the most famous, but you could also pick the Athenian doctor, Agnodice, or Hortensia who because a politician in the late republic. Constantine’s mother, Helena, is arguably the world’s first archaeologist. I’m sure that Professor Beard is well aware of all of these women.
Yesterday on Ujima – Radio Comedy, Allyship & Conferences
Yesterday’s show on Ujima seemed to go OK, despite much of it being thrown together at the last minute as a couple of people I’d wanted were not available. We did have some technical issues at the start, but Ben was able to sort that out and I think we were OK for most of the show.
First up was Olly Rose talking about their fabulous science fiction radio play series, Ray Gunn and Starburst. Season 2 should be dropping very soon now. If you haven’t listed to Season 1 yet, you can do so for free here.
At 12:30 I welcomed Camille Barton, whom I have been fortunate to be on programme with a couple of times recently. She was talking about her Collective Liberation Project, which is a really interesting attempt to do intersectionality in practice.
Along the way I got to plug tomorrow’s event at Ground & Burst where I will be talking about gender identity around the world, and Monday’s BristolCon Fringe event which will feature Paul Cornell and Steph Minns. And I gave a shout-out to the amazing Sound Industry conference that will be happening in Bristol at the end of the month.
You can listen to the first hour of the show here.
Regular guest Charlotte Gage of Bristol Women’s Voice and Bristol Zero Tolerance joined me at 13:00 to discuss a really interesting conference on male gender roles that is taking place on Friday of next week. I took the opportunity to mention a private member’s bill about giving people the right to ask for their taxes to be spent on peace initiatives rather than wars. The Taxes for Peace bill is sponsored by Ruth Cadbury MP, who also happens to be a good ally of the trans community. If you think your MP is likely to support it, please nag them before the 24th. Charlotte also talked about a new initiative to monitor street harassment that is going to be launching in April.
Finally on the show I welcomed Liz Andrews of WellBeans to talk about the Emotional Wellbeing in the Workplace conference which is being held in City Hall on Monday 27th. Thinking back to my time as an employee, it really is about time that businesses took this sort of thing seriously.
You can listen to the second hour of the show here.
The music for the show began with a tribute to Joni Sledge of Sister Sledge who sadly died this past weekend. After that all of the music was chosen to fit in with the Month of Revolution theme on Ujima. Here’s the playlist:
- Sister Sledge – Thinking of You
- Sister Sledge – Lost in Music
- Tracy Chapman – Talkin’ ‘Bout a Revolution
- Chic – Rebels We Are
- Bob Marley – Revolution
- Pretenders – Revolution
- T. Rex – Children of the Revolution
- Jamiroquai – Revolution 1993
I will definitely be back in the studio on April 12th. I may end up doing April 5th as well, though I have two other things I should be doing that morning.