Pride on the Radio

Today on BBC Radio Bristol John Darvall has been discussing whether or not we still need Pride. Many of my friends were on, including Daryn Carter of Bristol Pride. I was on too. I may have had a bit of a rant about the DUP getting into government.

John and I had a discussion about Theresa May’s voting record without having the info to hand. I have since looked it up. She is actually in favor of gays and lesbians getting married, but she’s against allowing them to adopt. She also avoided voting on allowing LGBT issues to be discussed in schools, and on both the Gender Recognition Act and Equality Act. Details here.

One thing that I didn’t get a chance to address was the idiot who phoned in to say that if being trans wasn’t an illness then why is it treated on the NHS. Well firstly many trans people don’t want or need any medical treatment. And for those that do, that treatment is to help them transition, not to stop them being trans. The treatment is very successful with the vast majority of trans people being happier as a result. Saying that trans is an illness because trans people get NHS treatment is rather like saying that if having lungs wasn’t an illness why does the NHS treat pneumonia.

The broadcast will be available through the BBC’s Listen Again service once the show has finished. I’m on just before the end of the first hour.

WEP Trans Policy

Yesterday there was a bit of a kerfuffle about a particularly nasty trans-hating blog post. I’m not going to dignify it with additional traffic, but here are some choice examples:

They rapidly take on the prettiness of femininity – the shoes, the makeup, the clothes, and the hair – yet leave aside other traits commonly associated with the gender: empathy, compassion, nurturance, receptivity. Those aspects of the gentler sex are discarded because they don’t fit in with the behaviour of men

There is more embedded in gender than a change of outfit.

A frightened child in a rape crisis centre isn’t going to look at a transwoman and see trans-inclusive ideology. She’s going to see a man in a dress

They attempt to both devalue and claim for themselves all that is female

None of this is particularly new or unusual. What got social media excited is that the author claimed to be a member of the Women’s Equality Party. Inevitably people were asking whether this post represented official WEP policy. No, it doesn’t. The official party policy is on page 5 of the recent manifesto, which includes this:

WE also recognise that the binary words “woman” and “man” do not reflect the gender experience of everyone, and support the right of all to define their sex or gender or to reject gendered divisions as they choose.

And here is a tweet confirming that policy.

As WE have, to date, only had one party conference, WE haven’t had a chance to have a public debate on trans issues as yet. There is an awful lot of areas that WE need to over. But I am hoping that a trans motion will be put before conference sooner rather than later. In the meantime I’m grateful to the party management for continuing to stand behind people of all genders.

Equality is better for everyone

New Book, Contains Me


This is a new book from Luna Press’s Academia Lunare imprint which will be out on August 9th. It is titled Gender Identity and Sexuality in Fantasy and Science Fiction and covers a wide range of topics within that. My essay, fairly obviously, is about trans representation in SF&F. Juliet McKenna has written about the problems women face as authors, all the way from getting an agent to getting your book stocked and reviewed once it is published. There’s a whole bunch of other essays too that I don’t know much about. You can pre-order a copy here.

Luna will be doing a number of promotional posts about the book over the next few days, each one focusing on a different author. I’m due up on Sunday. I’ll tweet links to them as and when they appear.

Non-UK readers, you’ll be able to get copies at Worldcon.

Janet Mock Interview

One of my favorite trans writers, Janet Mock, has a new book out. Surpassing Certainty picks up where Redefining Realness left off and takes her story from transition through to the point where she felt safe and confident enough to come out publicly as trans. Because she has a book to promote, she’s doing a lot of media work, and in particular there is an interview I have just listened to that I really liked. It is on a podcast called Politically Re-Active. To get to it you’ll need to navigate to Season 2, Episode 1, as there are not direct links.

Janet covers a lot of ground in the interview, but I was particularly struck by her description of how growing up trans in Hawaii was very different from doing so in the mainland USA because Hawaii has a thriving native trans culture that European missionaries failed to wipe out. Her thoughts on the Women’s March on Washington, and on Chimamanda Ngozi Adichie’s comments about trans people, are also very illuminating.

Today on Ujima – Dinosaurs, Afrofuturism, Psychology & Feminism

It was radio day again today. I think I had a great bunch of guests on Women’s Outlook. Hopefully you do too.

We began with DB Redfern from the Bristol Museums Service telling us all about the fabulous new dinosaur exhibit they have open this summer. Actually it is not strictly a dinosaur thing, because the star attraction, Doris the Pliosaurus, was a sea dweller. She might have eaten dinosaurs, though. Anyway, she was a magnificent monster: as long as a bus with teeth the size of bananas. Doris would have eaten great white sharks as snacks. DB and I had a great discussion, covering important topics such as dinosaur poop and whether Nessie exists. Kids of all ages will love this one.

After the news I was joined by Zahra Ash-Harper and Edson Burton to discuss the Afrofuturism event, Afrometropolis, that I attended a couple of weeks ago. We had a great chat about what Aforfuturism, and an African-centered future, might mean. I got in a plug for Worldcon 75, Nalo and Karen. I do hope we get more events like this in Bristol.

You can listen to the first hour of the show here.

For the second hour I was joined my a new friend, Clare Mehta, who is a psychology professor from Boston. She’s doing some really interesting work on human ideas of gender and how they are affected by social settings. This all harks back to some of the things that Cordelia Fine was talking about in Testosterone Rex. Fascinatingly, your social environment, and the sort of things that you are doing, can affect your hormone levels. And yes, women do have testosterone in their bodies, and men have estrogen.

Also in that segment I had a pre-recorded interview with Nimco Ali that I did when she was in town doing a talk on the campaign to end Female Genital Mutilation. One of the things she talks about in the interview is having to leave Bristol because she was getting death threats. Ironically today on Twitter she was talking about getting death threats for standing as a Women’s Equality Party candidate. Hopefully once the election is over I can catch up with her again and talk about her experiences as a candidate.

To go with the interview I played the wonderful song, “My Clitoris”, produced by a local charity. I had to check the OfCom regulations carefully for that, but apparently it is perfectly OK to say “vagina” and “clitoris” on the radio. Thank goodness for that, because if we can’t talk openly about this stuff then we are never going to put an end to FGM.

My final guests were Byrony and Liza from See It From Her, a wonderful new group that exists to promote women and non-binary people in the media. They are putting on a one-day event called Borderless on Sunday, and it is sort of a Women’s Outlook co-production because both Yaz and I are on the programme chairing panels. Yaz is doing the one on racism, and I’m doing the one on identity. It is a free event, but you do need to book via Eventbrite so that they can keep an eye on the numbers. Even if you are not interested in what Yaz and I are doing, do come anyway because food is being provided by Kalpna’s Woolf’s amazing 91 Ways project. There’s lots of other stuff too. The full programme is on the Eventbrite page.

You can listen to the second hour of the show here.

The playlist for today’s show was as follows:

  • Whitney Houston – Love will save the day
  • George Clinton – Walk the Dinosaur
  • Janelle Monae – Dance Apocalyptic
  • Sun Ra – Blues at Midnight
  • Integrate – My Clitoris
  • Michael Jackson – Human Nature
  • Meet Your Feet – World Party
  • O Jays – Love Train

And because the video is so good (and we had to cut the song a little short) here is the You Tube version of “My Clitoris”.

Gendered Voices – Day 2

Following on from yesterday’s post, here’s what we got up to on the second day of the Gendered Voices conference.

Session one was all about representation and began with Rosie talking about her research into coming out experiences. This is very valuable work, and the sort of thing that Berkeley and I will keep a close eye on as it can be used as evidence to encourage action by local and national government.

Next up an emergency fill-in from Louise (always a brave thing to do) about the 19th Century gothic writer, Lucas Malet, noted for her particularly morbid imagination. Malet was the daughter of novelist Charles Kingsley who wrote The Water Babies, an exceptionally unpleasant piece of Christian allegory aimed at kids. It is no wonder the poor woman grew up warped. There are a lot of people doing research on 20th century women Gothic writers, but Louise is the only one I know who is working on the 19th Century. I’m sure she’d welcome some company.

The final paper was from Jenn and was about trans and non-binary representation in literature, in particular the literary fiction market. Jenn says that they know of only nine literary novels featuring trans characters. I’m pretty sure I could name nine from the past year in SF, and a similar number in realist YA, but thus far Jenn is resisting all of my attempts to lure them to the Dark Side.

Session two was all about violence and was very intense. It began with Jassi, a lawyer, talking about girl soldiers. When we hear about child soldiers in the media it is always about boys, but in fact between 30% and 40% of child soldiers are female. Not only are they erased by the Western media, but if the war they are fighting in is halted then they will be forced back into subservient social roles by their supposed rescuers.

Elena talked about group counseling for victims of sexual violence. Apparently this is quite effective, whereas one-to-one counseling can often further isolate the victim. Elena says that it is very rarely used in the UK. That’s interesting, because this sort of counseling is specifically mentioned in the Equality Act as a circumstance in which trans women can be excluded from women-only spaces. I had assumed that it would therefore be common, but no, the government made all that fuss about trans women not being women over a situation that was very unlikely to arise.

Encouragingly, Elena said that the rape crisis center she is working with is trans-inclusive.

The final speaker was Patrick who talked about women volunteers in the IRA. There were apparently a lot of them, and the way that they worked reminded me a lot of the French Resistance. Interestingly the IRA, despite being Catholic, were (and presumably still are) pro-abortion. I gather from social media that one of these IRA women is now a Conservative parliamentary candidate.

The keynote speaker for the conference was Thangam Debbonaire, the current MP for Bristol East. It was really good of her to keep the commitment despite there being an election on and her seat being very much at risk. She also gave a great speech. She’d make a brilliant WEP MP, but I can’t blame her for going with a party that can get her elected, even if its policies on women’s issues are not as good as ours.

Session three was on masculinities and opened up with Katherine talking about Priapus and modern masculinity. Priapus, you may remember, is the Roman god with the massive dick. The Romans used pictures of him to demonstrate how supposedly virile they were. Katherine compared Roman poetry and graffiti to modern social media posts and came to the brilliant conclusion that dick pics are modern day Priapus images. If cameras had been around in Roman times, they would have sent people pictures of their own dicks too. And they would have sent them to men that they wanted to dominate as well as to women.

Charlotte talked about the contrasting portrayals of King Richard and Henry Bolingbroke in Shakespeare’s Richard II. It bemused me as to why Shakespeare, writing during the reign of Elizabeth, would have written about an effeminate king being replaced by a manly usurper. So I asked, and discovered that the play had been sponsored by Essex, who was in the process of plotting a coup at the time. I have no idea how Will talked his way out of that one. I’m sure that Elizabeth must have been tempted to do the “Off with his head!” thing.

The paper that generated most social media chatter was one by Henry on the gender of mediaeval clergy. Some historians hold that the clergy were seen as a third gender by the rest of society. Henry, by examining the writings of late mediaeval chroniclers, made a convincing case that many of them did not see themselves in that way, and indeed went to great lengths to show how manly they were in their own domain (which was the spiritual war against sin).

The final session was on feminism, and kicked off with Ana looking at the educational reforms promoted by the lesbian author, Bryher. She had some really good ideas about how to give kids better education, but they did not go down well with the Great British Public. The Daily Mail asked readers to give their own views on the proposals. One man wrote in to say that it was the duty of school to educate girls out of having an imagination.

This was followed by Teresa talking about historical fiction writer, Sylvia Townsend Warner. She sounds like someone I would like to read, especially her fantasy novel, Lolly Willowes.

Finally we had James, a philosophy student, asking, “Why is there Feminist Epistemology at all?” The title apparently riffs off a well-known paper about the theory of mathematics. James made some very good points, particularly about Standpoint Theory. However, I don’t think you can even begin to talk about what feminist epistemology might be until you have first defined what feminism is. As that’s enough to keep many philosophers busy for decades to come, I think James’s question will have to wait.

You will note that I found something good to say about every paper. Huge congratulations to the organizers. That’s what I call a quality conference. I do hope it runs again next year.

Can’t Do Everything

Being British, I feel very guilty whenever I say I can’t come to someone’s event because I am too busy. Practically, however, doing everything just isn’t possible. Today is a case in point.

I would love to be at CN Lester’s book and album launch, but it is in London and I have many local things I could be doing.

Skunk Anansie are playing at the O2 Academy in Bristol.

The Bristol Bad Film Club are showing a truly terrible science fiction movie, Space Mutiny!.

The Bristol Festival of Ideas has several events on tonight, three of which are of interest to me. We have Angela Saini on how science has failed women; WEP parliamentary candidate, Nimko Ali, talking about vaginas; and trans man Thomas Page McBee doing a book launch.

I’m going to do the Angela Saini event, and may stay on for Nimko depending on how tired I am by then and whether any work emergencies come in today.

Gendered Voices – Day 1

With apologies for the delay, here’s a look back on some of the things that I heard about during the Gendered Voices conference last week. This post is about the first day’s papers. I’ll do one for the second day later.

The first session was all about stereotypes, and began with Sauleha talking about Muslim women in Frankenstein. I had entirely forgotten about this. There is a character in Mary Shelly’s book called Safie who is initially presented as a veiled, cowed Eastern woman, but who throws off her patriarchal shackles and becomes a character with a fair amount of agency and something of a happy ending. It is revealed that her mother was a Good Christian woman who was kidnapped by a Vile Oriental, and intimated that her ability to escape her situation is only because of her Christian blood.

One the one hand, headdesk, Mary, what were you thinking? On the other there are apparently signs of progressive thinking. One of the dafter things that 18th Century Britons believed is the idea that in Islamic theology women have no souls. Goodness only knows where they got this idea from. Apparently Mum (Mary Wollstonecraft) had swallowed this one whole, but Mary Jr. wasn’t so sure. She was, after all, writing about an artificial being, the Monster, whose claim to having a soul was far more dodgy than Safie’s.

Gender and theology and science fiction: I could not have asked for a more interesting start to the day.

Paper two from Leonie was about Vita Sackville-West and the book review program that she had on BBC radio, complete with actual audio from one of the shows. My goodness, that woman had a cut-glass accent. I can quite see where the idea of the Sackville-Bagginses came from. On the other hand, I ended up quite liking her. Vita shared her reviewing duties with a male colleague (whose name I have shamefully forgotten), each doing a show every other week. She listed the books she was going to cover in the Radio Times in advance, and encouraged readers to write in with their own views. She also managed close to a 50:50 gender split on authors. He just turned up for his shows and talked at his audience.

Finally in that session, Sam told us all about her research into gendered attitudes towards pain relief. I am going to be one of her test subjects in early June. Work like this is badly needed because there is very little understanding of how the various aspects of health care are different for women.

On then to session two which was all about religion, kicking off with our first male presenter, Alun, who was talking about the Song of Songs. This is a particularly intriguing part of the Old Testament, because it is basically about sex. Alun is interested in it because of the possibilities for sex-positive theology, which some parts of Christianity could badly do with. I’m interested in the possible origin of these verses.

Other parts of the Old Testament, specifically the tale of Jezebel, suggest that some people in ancient Israel worshiped other gods, including Baal and Asherah, who are of Mesopotamian origin. In Mesopotamia kings have a tendency to legitimize themselves by describing themselves as the Beloved of Ishtar (or some other version of the goddess). It is possible that the Song of Songs was originally a religious rite in which the goddess, in the form of the High Priestess, confirms the king’s right to rule because of his sexual appeal to her and the Daughters of Israel.

Next up was Jade who was talking about female divinity in Catholicism. Specifically she was discussing the figure of Lady Poverty, who features in stories about Saint Francis. She is depicted as someone at least as old as Adam and Eve, and therefore a semi-divine figure of sorts. Of course this being Catholicism her femaleness has to be controlled by marrying her to Francis. Personally I am deeply suspicious of the idea of a man marrying a personification of poverty; it has way too many sexist jokes about it. Interesting paper nonetheless.

Our final religious paper was Chiara who is studying the works of the experimental novelist, Kathy Acker. Acker has a complicated relationship with just about everything, and religion is no exception. Chiara was looking specifically at Childlike Life of the Black Tarantula and My Mother: Demonology, both of which have strong religious elements. Personally I want to read Pussy, King of the Pirates because, well I think that should be obvious.

After lunch we began with a session on fertility. One speaker had to cancel so we were down to two papers, starting with Claire on the subject of pregnancy and childbirth in mediaeval letter. She focused on the famous Paston letters from Norfolk, and in particular the matriarch, Margaret Paston. It is lovely to see sane discussion of pregnancy between a mediaeval husband and wife, though I suspect that the idea that all men through history have been uninterested in “women’s issues” is yet another of those 19th Century lies. If anyone knows why the Paston women were obsessed with eating (presumably very expensive) dates while pregnant, Claire would probably love to talk.

Maria told us all about a fascinating French novel, Constance et la Cinquantaine (Constance in Her Fifties), which is all about a group of feminist friends who panic when going through menopause because their men are deserting them for younger women. Apparently the only thing that results in a happy ending is becoming a lesbian.

The final session was on various expressions of gender. It began with Di explaining the complex history of the image of Medusa from a scary, quite masculine version in Bronze Age Greece to a much more feminine version in later times. The Romans, bless them, used both. I’m particularly fascinated by the image on the pediment of the temple in Bath, which shows the snake hair on the head of a male Celt.

James entertained us with images of gendered behavior from Sparta, which is a fascinating place (and which got very bad press from the Athenians). He didn’t specifically mention non-binary gendered presentation, but we chatted a bit and I do have a few clues to follow up. He did mention the possibility that songs written to be sung by a girl’s chorus celebrated same-sex attraction between women.

The last paper of the day was from Lucy, a fellow fan of Romosexuality, who introduced us to an amazing mosaic from a villa in Spain. On the one hand it is a stunningly beautiful piece of art. On the other it is obvious that it depicts only people (female and male) whom Zeus is said to have raped, and is intended to imply that the man of the house is just as powerful and rapey as old Thunderbolts himself.

That’s it for day one. More later. And if you think the owner of that Roman villa reminds you of Trump, just wait for the next Roman paper.

Gendering The Past

One of the inevitable results of the greater media interest in trans people is an increase in interest in trans history. On the one hand this is good for me, because it means I get invited to conferences and taken seriously, whereas even five years ago I would have been laughed at by most historians. On the other hand it means that a lot of cisgender historians are writing about trans issues in past cultures, often with very little understanding of what they are doing.

Much of this comes from a set of behaviors that stretches at least back to Roman times and probably much further. Elite men are quick to seize on any male whose appearance, mannerisms, sexual tastes and so on deviate from the currently acceptable social standards for masculinity. Such people are deemed “girly men”, or whatever the local translation thereof is. Women, on the other hand, are quick to reject this as an invasion of their territory that must be resisted at all costs. Men are men, and can never be anything else. The one thing that both sides tend to agree on is that trans people don’t exist, and therefore cannot be considered as an option.

The same sort of thing happens when cis historians look at people from the past. Men make fun of any people from history whose behavior they see as effeminate, and women insist that those people are really men. That these past people cannot be trans is backed up by a firm statement as to what being trans means.

I’m getting a little fed up with cis people telling me what it means to be trans. I wish they’d tell me, because I’m damned if I know.

Trans people can’t agree among themselves what it means to be trans. India Willoughby thinks that non-binary identities are fake. Many non-binary people insist that they are not “trans”, usually because they don’t want any medical treatment. If you talk to a two spirit person from North America, or a fa’afafine from Samoa, they may tell you that they are not trans because being trans is a Western concept that doesn’t work in their society.

There are other issues at work here as well. Historically most hijra from India seem to have identified as non-binary, despite the fact that they live full time as women and sometimes marry men. They make this identification on the grounds that they can’t bear children, and therefore can’t be a woman. That’s a cultural definition of what a “woman” is, and one that TERFs like to throw at trans women today, but it is not a distinction that we tend to draw because we prefer not to shame cis and intersex women who are infertile.

Whether someone from the past is “trans” or not is therefore a very open-ended question, and one I tend to approach in two ways: firstly by looking for persistent behaviors outside of the gender binary, and secondly by taking a very broad and inclusive definition of what it means to be trans.

All of this came to mind today when I was reading this blog post about Peter Ackroyd’s new book, Queer City. Much of the post I agree with. The tendency of male historians to only recognize the possibility of lesbianism if one party in the relationship can be shown to be using a dildo is ridiculous in the extreme. You’d think that with the amount of lesbian porn men watch they’d have a better understanding of how lesbians have sex, but there you go. Clearly their minds (or more likely their eyes) are on other things.

Where the post goes off the rails a bit is when it gets onto discussing the famous 14th century figure of John Rykener. I should state up front that Rykener’s case is a very complex one whose interpretation is heavily dependent on an understanding of mediaeval English and the mediaeval mindset. I have a couple of friends who have made an in depth study of the case and I defer to their judgement for most of the issues.

What appears to be agreed upon is that Rykener was a sex worker, and often dressed as a woman while working. They (and I’m using non-binary pronouns for Rykener because that’s the right thing to do when there is some uncertainty) appear to have done very well out of this business and their clients seem to have accepted them as a woman. When not working Rykener spent at least some of their time as a man, and had sex with women while presenting as both binary genders.

There is, of course, much debate as to how Rykener may have identified. All of the possible identities from trans woman to drag queen are possible. I gather that the consensus favors the latter end of the possibilities, though goodness knows how one makes sense of people’s statements when many of them are from court transcripts in a case where the defendant’s life was on the line.

I’m not going to get into discussing how Rykener identified. Rather I want to talk about how Lucy Allen, the author of that post, interrogated Ackroyd’s treatment of the case.

Allen begins by highlighting this comment by Ackroyd about Rykener:

Rykener called himself Eleanor, and dressed in women’s clothing. He would sometimes be a male for males, sometimes a female for males, sometimes a female for females … He enacted all these roles quite naturally, and was never thought of as being particularly adventurous.

The word that she takes exception to is “naturally”. Now certainly it is a mistake for anyone to use that word in connection with sexual behavior. The idea that cisnormative and heteronormative behavior is “natural” while anything queer is not has been rightly ripped to shreds on far more occasions that I can count. I would have been happy with a simple statement to that effect, but Allen goes on at some length.

Part of my concern is the language used to describe Rykener. We have: “conning men” and “lucrative deceptions”. It is, of course, entirely possible, that Rykener did think that they were deceiving their clients, but this sort of language is very dangerous. The idea that trans women are engaged in a massive deception aimed at cis men is the number one reason for trans women being murdered. If you are going to make such allegations then you should make sure you are certain that is what is going on, and note that deception is not the default mode of trans women.

The other issue is that Allen attempts to prove that Rykener’s behavior is not “natural” by showing that they had to learn it.

Specific women helped in the process, each experts in her trade: Anna, a ‘whore,’ and Elizabeth, whose surname ‘Brouderer’ denotes her profession of embroiderer or seamstress. Rykener’s citation of these women’s names may partly be an attempt to spread blame (Elizabeth Brouderer crops up elsewhere in the London court records, and her name might easily have elicited knowing nods from an audience). But it’s also a subtle way of reminding that audience of the artificiality of the performance of femininity. Rykener needed to learn to dress and act like a woman; he may have fooled men, but the women who worked with him were under no illusions whatsoever.

And later:

But, in attempting to naturalise ‘queer’ London, Ackroyd instead erases all traces of artificiality from the performance of femininity, naturalising a very different type of gender politics, in which women’s awareness of things men do not notice is simply overlooked.

What Allen appears to be saying here is that Rykener’s femininity was not “natural” because they had to learn it from women, and that Rykener could only learn it imperfectly, as opposed to women who don’t need to learn such things. In other words, she’s saying that for women femininity is “natural”, but for men it isn’t and that therefore trans women can never be women.

In practice, of course, transition is a process, a very long process. No one taught me to dress and behave as a woman. I learned most of it myself through reading teen girl magazines and through observation. When I started living as a woman I thought I had it pretty much sorted, but of course I didn’t and I learned a lot more from experience. Twenty-odd years later I don’t think much about it, I just do it. Whether I do it well or not rather depends on who is looking at me and whether they know I am trans.

What I do know is that I have friends whose performance of femininity is not the same as mine. Some of them are much more feminine, but others are much less so. There are some for whom we might say that being feminine “comes naturally”, and others for whom it doesn’t. We are not using “natural” here in a way that suggests that all women are biologically coded in their chromosomes to be feminine: to love pink, frilly dresses and the latest Hollywood heartthrob. Rather we are using “natural” in the same way as we might say that someone takes naturally to swimming, or speaking French, or mathematics. There may be some biology involved here, but if there is it is a more subtle, less well-understood biology than simple chromosomes, and it may be strongly influenced by upbringing.

What stands out to me about Rykener is that they appear to have been very comfortable wearing women’s clothing, adopting feminine mannerisms, and having sex with men while doing so. Most men would run a mile rather than do any of that. Rykener, therefore, is a person to whom femininity seems to have “come naturally”, despite the obvious social pressures in 14th Century England for people assigned male at birth to behave in a masculine fashion. That doesn’t prove where on that continuum from trans woman to drag queen Rykener might have fitted, but it does show that there was something about them that was radically different to the typical mediaeval man.

Stonewall Visits Bath

Yesterday I attended a workshop in Bath given by Stonewall. This was the first event in a new initiative aimed at helping build activism capacity outside of major cities. Given that it was a first event, some of the course probably needs a little tweaking, but nevertheless I was very pleased with the day.

The main thing we learned is how to actually construct a campaign that has focus, stands a chance of succeeding, and will result in beneficial change. This is important. Too many of the things that LGBT activists spend their time on, and I include myself in this, is poorly focused and ill-thought out. Given how tiring activism can be, good use of your time is important.

Of course this does mean that you need a willingness to build alliances and accept when you have made a mistake. The Stonewall team chose to illustrate the process using the Rainbow Laces campaign which challenges homophobia in soccer. Because they needed money and good contacts within the UK soccer establishment, Stonewall initially chose to partner with the betting company, Paddy Power. While this did get them off to a good start, it caused a number of problems. It meant that they were unable to work with schools on the campaign. And it got them a lot of bad press in certain quarters because of Paddy Power’s horribly transphobic advertising. The partnership with Paddy Power no longer exists, but the campaign has continued to go from strength to strength.

Interestingly, the Paddy Power advert that caused all of the trouble had been developed in partnership with the Beaumont Society. This was a classic example of a group of cross-dressers not understanding that what they were doing would be very damaging to trans women. Issues of community cohesion got quite a bit of airing in the workshop. Kudos here to the lad who raised the issue. It is good to see a gay man taking the lead on such things.

Of course the issue is very much in the spotlight right now thanks to the frankly appalling behavior of celebrity trans woman, India Willoughby, in attacking non-binary people. Thankfully Stonewall is very much on point these days and is solidly behind the non-binary community. Unfortunately, given Willoughby’s high media profile, many organizations that claim to work for the LGBT community will continue to pay her to represent trans people.

For me the biggest benefits of the day were the number of people who attended and the new contacts that I made. I think I counted 28 people at the workshop. They came from Cheltenham, and from small towns in Somerset and Wiltshire, as well as from Bath. They came from universities, local councils and the private sector as well as activist organizations such as the Diversity Trust and Bath Gender Equality Network. I have a long list of things to follow up. If Stonewall offers to do one of these workshops in your region I recommend that you go along.

A Word on Monitoring

I’ve seen a couple of organizations recently make a fairly bad mistake on their demographic monitoring in surveys. (One has apologized profusely and is fixing it, the other I haven’t had a chance to talk to yet). As this is clearly something people are confused about I thought it might be useful to write something.

The mistake that people make is to have a “gender” question with the options: male/female/trans.

This is going to get you bad data. Large numbers of binary-identified trans people (myself included) will opt for either male or female, so you will miss counting them.

Many non-binary people, for a variety of reasons, do not identify as trans, so they’ll probably get angry about being erased.

And binary-identified trans people will be angry too, because by phrasing the question in that way you are suggesting that we can never be accepted as male or female.

Phrasing the question in that way, therefore, gets you bad data and a whole lot of angry people.

The thing to remember is that being trans is not a gender. Being trans is a condition of not identifying with the gender you were assigned at birth. So giving gender options of male/female/trans is a bit like asking whether your food is meat, vegetable or cooked. That confuses categories with a process, which makes no sense.

Before anyone starts, I do not recommend having 71 different options for gender. The trouble with trying to include every option is that you will inevitably leave out some that you have not heard of. The more options that are available, the more hurtful it is for those who are left out.

A good starting point is to use: male/female/non-binary. That way at least all of the things you are comparing are genders of a sort. Non-binary is, of course, an umbrella term encompassing many genders, so it is useful to have a text box that people can write in. It is generally helpful to have options for Other and Prefer Not To Say.

If you want to get a sense of the size of the trans population responding to your survey you should ask a supplementary question of: Is your gender the same as you were assigned at birth? (Again with a Prefer Not To Say option.)

This isn’t rocket science. Plenty of people get it right, and plenty of organizations give this advice. The fact that so many people still get it wrong shows just how many people still get their information about trans people from the mass media rather than anyone who knows what they are talking about and wants to give you a good answer.

Promoting the Trans Mindline – Me on TV

Time for a good laugh, folks. Here’s me on Made in Bristol TV doing my best to help promote the Trans Mindline set up by the lovely people at Bristol MIND. Just look at some of those facial expressions. Clearly I find thinking very painful. Thankfully I loosened up a lot later on. My thanks to Steve LeFevre for making the experience relatively painless.

I wrote quite a bit about the experience and the issues discussed here. I guess I should also comment on today’s nonsense about gender-neutral school uniforms. Despite what you might have heard on TV, or in social media, having a gender-neutral uniform does not mean forcing all children to abandon gender. It means allowing all children to have the same choice of clothing. That means that girls are not forced to wear skirts if they don’t want to, and boy can choose to wear skirts if that’s what they prefer. This makes space for non-binary people, but also means that binary-identified trans people can wear the clothing they feel most comfortable in without fear of being punished for flouting uniform regulations.

Got Manifesto? WE Have

It is general election time in the UK. That’s means that parties have to produce manifestos. The Labour one was leaked in draft form yesterday, because Labour MPs can’t resist any opportunity to fight each other in public. The Conservatives haven’t issued one yet, presumably for the same reason that Theresa May is hiding from the public: they don’t want anyone to know what they plan to do. The only thing that the Tories think is important enough to want to announce in advance is that they want to scrap the ban on fox hunting. I think that tells you all you need to know about their priorities.

Today the Women’s Equality Party issued their manifesto. HQ came up with a great PR wheeze too. One of the core principles of the party is that WE want to put ourselves out of business. If the other parties were to care as much about women voters as they do about men there would be no need for a Women’s Equality Party. So our policy director, Halla, took copies of our manifesto around to the other major parties and invited them to steal the contents for their own manifestos. The LibDems and the Greens said thank you very much. Even UKIP, sorry, I mean the Conservatives who just happen to have policies to the right of UKIP these days, said thank you very much. Labour refused to accept their copy, because they can’t resist an opportunity for a PR disaster when one comes calling.

You can find our manifesto, and a brief summary of key points, on the WEP website. I just want to quote one small part of it. This is from page 3, where WE define who WE are:

Our policies aim to recognise and address the fact that many women experience additional inequalities due to the intersections of socio-economic status, ethnicity, sexual orientation, age, disability, immigration status and gender identity. WE also recognise that the binary words “woman” and “man” do not reflect the gender experience of everyone, and support the right of all to define their sex or gender or to reject gendered divisions as they choose.

I note that I had nothing to do with crafting that, other than giving workshops at Conference last year and chatting to part leaders while I was there.

There are, inevitably, a few bits of the manifesto that I would like to be slightly different. That’s inevitable. One of the things that many online activists don’t seem to understand is that if you want a political party to agree 100% with your views on all subjects then you will end up in a party with just one member. People refusing to vote for left-ish candidates because they are not ideologically pure enough is one of the things that has got us into the current mess we are in. (Lack of proportional representation is another major issue, but that’s a whole different blog post.)

On the other hand, by stating that WE are trans-inclusive from the start, WE don’t need to hedge about statements later on. All statements about gender equality automatically accept trans women as women, and include more than two genders. So well done whoever wrote the manifesto on that score.

The manifesto doesn’t make any explicit promises with regard to trans-related legislation. However, Labour, the LibDems and the Greens are all on board with that, and with only 7 candidates WE are not going to be forming a government. I’m sure our MPs will support such initiatives when they are brought forward, because the core philosophy of WEP is that equality is better for everyone. That means WE are beholden to support new equality legislation.

Me on TV – The Post Mortem

Yesterday evening I did the TV thing for Steve LeFevre’s Crunch the Week show on Made in Bristol TV. I had a lot of fun. My colleague, Liz Sorapure, from Bristol MIND, was having her first TV experience so she was rather less relaxed about things, but I thought she did very well. As for me, I have now done the Watch of Shame to see how I actually did.

Had the interview been on radio I would have been very happy. Some trans people will doubtless be unhappy with some of Steve’s questions, but that’s his job. I’m happy to be tested with that sort of stuff in a relatively friendly environment. I’ll talk more about the content later, but this is TV we are talking about so I need to consider what I got wrong.

First up, I need to smile more. I clearly have a habit of frowning when thinking. This is very bad on TV. I look much better when I smile. I need to do more if it. Second, I need to lose weight. I’m not that overweight, but on TV you are almost always interviewed sitting down, and often without the benefit of a desk to hide behind. Sitting down makes you look much fatter than standing up. Not that there is anything wrong with being overweight, but people do judge, and if you want to make a good impression on TV you have to look good. It is hard enough making the case for being trans without having to make the case for weight not mattering as well.

The other thing I need to do well on TV is facial surgery. Lots of it. But I’m not going to be wasting any money on that at my age.

Now back to the content. One of the things that Steve brought up was a news story about Northamptonshire Police adopting unisex baseball caps rather than gendered headgear for their officers. Their press release spun this as being to attract trans people as officers. I call bullshit. I think they just said that to get a bit of publicity. There are plenty of good reasons for have simple, gender-neutral uniforms, including fairness to female staff and cost reduction. As my pal Bailey from Gloucestershire Police pointed out on Twitter this morning, regulations governing how female officers may style their hair are a real problem for trans-feminine officers. Far more so, I suspect, that the sort of hats they wear.

The most interesting thing about the story was unfortunately ruined by the headline ticker at the bottom of the screen. Steve had carefully positioned a copy of the Daily Malice so that an overhead camera could see the story, but the ticker obscured the associated cartoon. That’s a shame because it showed a policeman with a large trans symbol on top of his helmet. That’s the combination alchemical symbol thing. If you don’t know what I mean, that proves my point. When Berkeley and I do training we recommend use of the symbol to signal inclusivity to trans people, but warn that most cis people won’t recognize it. The Malice‘s cartoonist has clearly made a study of trans culture, and doesn’t consider that symbol to be obscure.

The other thing worth commenting on is the confusion Steve got into regarding sex and gender. That’s not his fault. The two terms are not well defined, and Cordelia Fine spends some time on the resulting muddiness of discourse in Testosterone Rex. I tried to clear it up with reference to a distinction between biology and social construction, but that’s complicated by a number of factors that I didn’t have time to explain.

First up, despite what lots of people seem to think is a “scientific fact”, there are more than two sexes. That’s because there are several different biological factors that go into gendering the human body. They all have to line up to produce someone who is 100% male or 100% female. Often they don’t. Between 1% and 2% of the human population has a recognized intersex condition. That’s about the same frequency as red hair.

As far as I know, I didn’t have an intersex condition at birth. Nevertheless, I do exhibit classic transsexual symptoms. That is, I know I’m female, but my body was apparently 100% male at birth. Now it is, of course, a complex mixture of male and female features. The fact that trans people like me can’t be “cured”, that they are apparently “born this way”, hints at a biological origin, but one (or more likely several) that has thus far eluded medical science.

Whether there is a biological cause is largely irrelevant. What’s important from a medical standpoint is that trans people tend to be very unhappy pre-transition, and much happier afterward.

How we express our identities after transition is, however, culturally contextual. That is, how you choose to express yourself as a woman (or any other gender) will be influenced by the social attitudes towards femininity that you experienced growing up. Evidence from vastly different cultures suggests that social conditioning doesn’t affect whether you will be trans, but it does affect how you express your gender.

And, because so much of gender is socially constructed, people are free to express their gender in new and inventive ways. They can also invent new names for genders, and sometimes those new names will overlap and be generation-specific (think “cross-dresser” and “gender fluid” for example, which have a lot in common).

Alongside this you have a drive toward gender equity. For women to be truly equal to men they mustn’t be forced into gendered behaviors that restrict their ability to function in society and compete on an even footing with men. Equally a reduction in forms of gendered presentation and expression will reduce the ideas that men and women are somehow fundamentally different and unequal. There’s nothing in (sensible) feminism that says women can’t express themselves in a feminine manner. It just says that it should not be obligatory, and does not define what it means to be a woman.

Because of all this complexity, there are many different ways to be trans.

  • You could be a classic binary-identified medical transitioner like me
  • You could be a non-binary person who wants some medical treatment, but not the whole package
  • You could be a non-binary person who only wants to transition socially
  • You could be a binary-identified person who only wants to transition socially
  • You could be an intersex person who was forcibly transitioned in childhood and wants to get back to a gender you are comfortable with
  • And doubtless many other things that I haven’t thought of

Hopefully this explains how we can have 70+ different categories of gender and have a move towards gender neutrality at the same time.

On TV Tonight

This week is Mental Heath Awareness Week in the UK. Because of this the nice folks at Bristol MIND have been asked to be on local TV to talk about their new trans+ helpline. The TV people wanted an actual trans person to talk to, and as I had done all of the training for the helpline volunteers I got asked.

I will be on the Crunch the Week show with Steve LeFevre from 7:00pm tonight, along with Liz Sorapure of Bristol MIND. We are apparently the first item on. Made in Bristol TV is available on cable throughout the South West so you don’t have to be living in Bristol to watch, though you do need something like Sky.

Queer Art at the Tate


The Queer British Art exhibition at Tate Britain is a major undertaking and something I am very pleased to have seen. I’m by no means an art expert, so this is very much an amateur review, but hopefully you’ll find it useful.

One of my main reasons for wanting to go is that the exhibition features several pieces by Simeon Solomon. They are very fine, but the thing you see as you go in is another work by an unfairly ignored Pre-Raphaelite artist Evelyn De Morgan. The image above (which has rather poor color rendering – sorry) is “Aurora Triumphans” and represents Dawn escaping the bounds of sleep. Which is all very interesting except that the model for Aurora was a woman who was believed to have been De Morgan’s lover, and who she was fond of painting tied up.

The collection includes a number of well-known pieces including Charles Buchel’s portrait of Radclyffe Hall and William Strang’s portrait of Vita Sackville-West. There are also several Aubrey Beardsley pieces, for those of you who like priapic art. (Personally I love Beardsley’s style, but the prevalence of giant penises is a bit much after a while.)

Another of my favorite pieces (though not so much for the quality of the art) is this one by Walter Crane. It is titled “The Renaissance of Venus” and it looks like a fairly standard mythological picture. It only becomes obviously queer when you know that the model for Venus was a young man called Alessandro de Marco. Crane’s excuse was that his wife would not allow him to use nude women as models, so he had to use men instead. Yeah, right.

Which brings me to the whole vexed question of trans inclusion. In my post on the Claude Cahun exhibition Andrew Butler mentions a feedback card that accuses the exhibition of not having any trans representation. Frankly I think that’s ridiculous.

To start with there is much trans imagery on show. There’s the issue of Picture Post with Roberta Cowell’s coming out story in it. There is a famous photo of Fanny and Stella (which is much sharper in real life than any of the digital versions I have seen). And there are some fascinating photos by John Deakin. One of them is from a series called “drag” which was once thought to be of drag queens but has since been discovered to be of women dressed as drag queens. Another is of a person known only as “Colin”. The originals are in the Getty Archive (e.g. this one) where they are labeled as being of a drag artist, but the Tate notes that we don’t know who Colin was, or how they identified.

There is also a very strange Hockney piece titled “Bertha alias Bernie” which could be seen as representing a trans identity emerging from the original body of the subject.

The curators have made a point of getting trans input on the show. There are cards giving input from people such as Juno Roche and Sabah Choudrey.

It is true that there are no binary trans artists exhibited. The show covers the period 1861-1967, a period in which male homosexuality was illegal in the UK. This was not a time when anyone who was openly and obviously trans was likely to become a famous artist, so I’m not entirely surprised at the absence. But there are at least two artists who identified openly as non-binary. One is Cahun, who is included because they lived in Jersey. The other is Gluck who is the face of the exhibition. Just look at this and try to tell me that this is not a trans person of some sort.

Gluck was assigned female at birth but eschewed that identity. They famously insisted on being known only as Gluck, with no prefixes or suffixes. Anyone who dared refer to them as “Miss Gluck” would be on the receiving end of a mighty strop. Being non-binary is not a new invention. There were people who were proudly non-binary at the beginning of the 20th Century.

There are two pieces by Gluck in the show. The other is “Lilac and Guelder Rose”, a painting of a flower arrangement. This was one of the paintings done for Gluck’s sometime girlfriend, Constance Spry, who was then the official flower arranger for the royal family. I’ve seen lots of pictures of it online, but none of them can capture the remarkable texture of the real thing. Gluck built up layers of paint to make each leaf and petal stand out physically from the canvass.

The painting is displayed in Gluck’s trademark frame style, which is supposed to be painted the same color as the background wall. It’s a shame that the Tate was unable to do that.

Where I will fault the exhibition is on deadnaming. Gluck and Cahun both have their birth names paraded as their “real” identities. I don’t think either of them would be happy about this.

All in all, I’m pretty happy with the exhibition. I’m certainly glad I went. My thanks to Clare Barlow and her team for putting it on.

While I was there I had a look around the rest of Tate Britain. As an art gallery it is a bit limited by being devoted to British art. There’s quite a bit of Pre-Raphaelite material in there, but frankly most of them weren’t very good. Solomon was perhaps the best of them, and they treated him abominably when he was arrested for sodomy. De Morgan was also good, but she was a woman and has been passed over because of that. The best Tate Britain can do is John William Waterhouse’s “The Lady of Shalott”. Personally I much prefer Frank Dicksee’s “La Belle Dame San Merci” which is in Bristol Museum.

What Tate Britain does have is a huge Turner collection. If you have any affinity for the sea you should go take a look. Currently they also have a small William Blake exhibition which I also very much enjoyed. Alongside the Queer Art exhibition they have one devoted solely to David Hockney. I didn’t see that because you needed to book in advance to get in, but I presume it will be rather good. It is a shame, however, that so little of Hockney’s obviously homoerotic art found its way into the Queer Art show.

Ruth Hunt Audio

The Bristol University folks have been very efficient in getting the audio from the Ruth Hunt lecture online. You can listen to it here (MP3).

Ruth Hunt in Bristol

Today, tomorrow and Friday I am doing training in Bristol. I have to be up in the middle of the night all three days to catch early trains. They are morning only gigs, so it would have been nice to come home this afternoon, but I wanted to stay in town to attend a lecture by Ruth Hunt. Sucker for punishment, me.

The event in question was the Anne Spencer Memorial Lecture at the University of Bristol. This is an annual lecture put on by the University Chaplaincy. Each year it addresses issues of faith from a different angle. Ruth is unusual in being both the CEO of the largest LGBT+ rights organisation in Europe and a practicing Catholic. Her talk was about her personal journey, in which coming out as a Catholic proved much harder than coming out as a lesbian, and how her faith informs her activism.

Given my involvement in the Twilight People project, I have an interest in the intersection of LGBT+ activism and faith. I also wanted to know what this person who had instigated such a dramatic change in policy at Stonewall — from firmly trans-exclusionary to enthusiastically trans-inclusive — was like.

The evening got off to a somewhat iffy start as the University Chaplain, in introducing Ruth, did a near perfect job of trans erasure. Sure he talked about LGBT a lot, but whenever he said more than that is was always in the context of sexuality only, never gender identity. Ruth, on the other hand, got it all right. She knew exactly when she needed to mention gender identity as well as sexuality, and she dropped in a number of examples of Stonewall’s trans work when she could easily have told her story without them. That was very encouraging.

Indeed, I was impressed by the whole approach that Ruth is taking with regard to leading Stonewall. She talked about how the organisation had to practice what it preached, and that meant being inclusive in who it employed as well as who it supported. Classes for Muslim teachers are given by a Muslim lesbian; the trans manifesto was written by a group of trans people recruited for that purpose. Stonewall’s job, Ruth said, was to empower, and hand over power, to members of the minority groups it is advocating for.

As to the faith stuff, it was all pretty much as you would expect. Ruth began the talk by extolling the virtues of Jesus as a social revolutionary. You can’t got far wrong with a theology based on love for your fellow humans. Even the Old Testament has plenty of good stuff in it if you know where to look. The only major problem, at least from my perspective, is St. Paul, not just because he was awful a lot of the time, but he was so consistent and articulate in his awfulness.

If you base your activism on a philosophy of love and inclusion, and in putting power in the hands of those who have little, you end up with an organisation very much devoted to equality. Interestingly, much of what Ruth was saying sounded a lot like the Women’s Equality Party. Indeed, when she was talking about being out at work she mentioned that it was often OK to have one odd thing about you, but having two (e.g. lesbian and Catholic) made you a problem; but all too often being a woman was counted as something odd as well, because it meant you were different from the default employee.

I’m firmly of the opinion that LGBT+ equality has to start with gender equality, because so many of the stereotypes on which bigotry about sexuality and gender identity are based spring from a foundation of sexism. I rather suspect that Ruth might share this view.

Anyway, it was a long day, but well worth it. Ruth’s vision for Stonewall sounds very much like the sort of organisation I would like to work with. Over the next few weeks I’ll get to see it in action. Here’s hoping my positive impression continues.

Me On Notches: Serious Trans History

In case you were wondering what all of this swanning off to conferences on Assyriology was about, all can now be revealed. I have a post up on Notches, the History of Sexuality blog. It is all about trans people who lived over 4,000 years ago. And yes, I do have evidence. I hope that someone at the British Museum reads it (or indeed reads the email I sent them) and puts the Silimabzuta fragment in the LGBT+ history exhibition they are launching in a couple of weeks.

Anyway, I’m a little bit proud of this (and very grateful to Monica, Sophus, Omar and Alexandra for their help). Hopefully it is written in a very accessible manner so you can all enjoy it. Traffic boosting would be appreciated.

This doesn’t quite count as academic publication, but I’m getting there.

Claude Cahun at the National Portrait Gallery

Claude Cahun
Seeing as I was in London on Saturday I took the opportunity to stay over and do some art gallery visiting. With this year being the 50th anniversary of the start of the decriminalization of homosexuality in the UK, there are a lot of interesting exhibitions being staged. The most high profile is the Queer British Art show at Tate Britain. More of that later. Right now I want to talk about Claude Cahun.

Cahun and their partner, Marcel Moore, were French surrealist artists who lived together in Jersey in the 20th Century. Both deliberately adopted gender-neutral names and Cahun at least was adamant that they was neither male nor female. This is reflected in their art. That’s one of Cahun’s many self portraits above. During WWII both Cahun and Moore were active in the French Resistance, and were imprisoned for some time by the Nazis.

Cahun and Moore were forgotten by the British art establishment after the war, but Cahun in particular were rediscovered by a British artist, Gillian Wearing. As far as I can make out, Wearing identifies as female. Certainly all of the self-portraits in which she is being herself are obviously feminine. However, Wearing has a fascination with masks and gendered appearance. She has done many “self” portraits in which she is playing someone else. Her subjects include Cahun, Andy Warhol, Robert Mapplethorpe and various members of her family, including her father and brother. When playing someone else she makes a mask of that person’s face to change her appearance (and in the case of her brother she wore a full body suit to allow her to appear shirtless). The National Portrait Gallery has made the interesting decision to stage an exhibition featuring Cahun and Wearing together.

Gillian Wearing as Claude Cahun

This is Wearing impersonating Cahun in the persona that Cahun used for a famous series of photographs titled, “I am in training don’t kiss me”. The mask that Wearing is holding is of her own face. There is a very large version of this photograph at the opening of the exhibition and it is quite stunning.

What isn’t immediately obvious from Wearing’s impression is that Cahun is dressed as a circus strongman. In the Cahun photos the strongman’s barbells are present. The cute hairdo and makeup are therefore acting to feminize a very masculine figure; a statement that is lost by Wearing.

Personally I found the exhibition quite disturbing. Some of that obviously was a result of the art. Both Cahun and Wearing set out to discombobulate their audience. But what really got to me was the persistent misgendering of Cahun throughout the exhibition. It was as though the National Portrait Gallery, despite prominently quoting Cahun’s self-identification, was insisting that a non-binary identity was invalid, perhaps even impossible, and that therefore Cahun could only be female.

Part of this, I suspect, is that Cahun refuses to abandon their feminine side. These days “androgynous” is often taken to mean “male” by the media. Long hair, feminine clothing, colors coded feminine, and heavy make-up are all deemed inadmissible. Many of the photos of Cahun are recognizably feminine, and indeed the pictures of her on the beach on Jersey remind me of the mental image I have of Tristessa St. Ange from Angela Carter’s The Passion of New Eve. However, many of the images are recognizably masculine, and the fact that Cahun sometimes presents as feminine should not invalidate their non-binary identity.

Mostly, however, I think the NPG is being clueless. There is a common view that non-binary identities are a 21st century invention. The more I learn about the early 20th century, the more obvious it is that this isn’t true. When I get to talking about the Tate exhibition I’ll be mentioning Gluck, who was adamantly ungendered. The NPG manages to be respectful of Lea de Beaumont in their famous portrait of her. They should have extended the same courtesy to Cahun.