My Finncon Schedule

It is almost July, and that means I will be heading to Finland for Finncon. This year the convention is being held in Jyväskylä, home of my dear friend, Irma Hirsjärvi. I will be on programme. The convention website is here, but to read it all you will need to know a bit of Finnish. In the main menu: Ohjelma = Programme. In that menu: Perjantai = Friday; Lauantai = Saturday; and Sunnuntai = Sunday. The programme grids for each day describe the English-language items in English. My assignments are:

Friday 5th: 15:00
On Writing, in which I interview Guest of Honour, Ursula Vernon (a.k.a. T. Kingfisher) about her writing practice.

Saturday 6th: 14:00
Wales in the Time of Arthur, in which I talk about Welsh history in the 5th and 6th centuries, CE.

Saturday 6th: 17:00
Masquerade – Ursula and I will be among the judges

Sunday 7th: 10:00
Queer Fantasies, in which a panel of queer-identified folks talk about their favourite fantasy books with queer elements.

Following the convention, I will be attending Rencontre Assyriologique Internationale at the University of Helsinki. And because my life is a bit mad, on Saturday 13th I will dialing in to the Marginalised Writers’ Day at Abertystwyth University, from the Finnair Lounge at Helsinki airport.

Talking of that day, my pals at Inclusive Journalism Cymru now have a blog post up about it. Two of my colleagues will be attending in person and reporting on social media: one in English and one in Welsh.

Introducing Tir y Dail

Ah, the Spring Equinox (in the Northern Hemisphere, at any rate). It is a time of new beginnings, and so perhaps a time to talk about new things. Things, at any rate, that have been gestating over the winter.

When I lived in Wiltshire, I knew hardly anyone else who lived near me (which was probably just as well, given how very patriotically English and Tory most people there were). Most of my friends were in Bath or Bristol, so I could visit them, but not hang out for any great amount of time.

Here in South Wales I have several good friends who live locally, and who have many of the same interests as me. Those interests include role-playing; something I have not been able to do seriously for around three decades due to lack of a suitable local group (not to mention lack of time).

At the same time I have read Nicola Griffith’s Spear, and am keenly aware that the place where I live was once the home of the great boar, Twrch Trwyth. This area is as steeped in Arthuriana as the area around Glastonbury where I grew up.

Now it so happens that one of my favourite role-playing game systems is Chaosium’s Pendragon. I ran a campaign many years ago. But Pendragon is very much based on Malory and Le Morte d’Arthur. It is a high mediaeval and English version of the Arthur cycle. Would it be possible, I wondered, to do something more Welsh? Something that was rooted instead in The Mabinogion?

Well, never fear. I did, after all, grow up on Original D&D (the white box version). As a consequence, I never met a role-playing system that I didn’t want to customize. I could do this.

Out of such thoughts grew Tir y Dail, a role-playing campaign set (at least initially) in South Wales, and using a variant of the Pendragon rules to create a distinctly Welsh feel to the game. Specifically the campaign begins in Ystrad Tywi, the same location in which we find ourselves at the start of Spear. But Tir y Dail is not the stylized, mythical land of Griffith’s story. It is something much more similar to the world of Hild and Menewood. Whereas in Spear, Ystrad Tywi is a wild land occupied only by a few peasants and bandits, in Tir y Dail it is a bustling post-Roman culture just beginning to learn to live with the absence of colonial rule.

The most obvious sign of Roman presence is the still-busy port town of Moridunum (Carmarthen), the most westerly outpost of the Roman Empire. From here, local goods can be traded for wine and pottery from the continent. There are two sizeable villas in the region, one south-west of the city, and one north-east. Hill forts are everywhere. Tir y Dail (The Land of Leaves) is the name of the local settlement here in Ammanford, but there are many others dotted about the region. To the north, keeping watch over the Tywi, are the impressive Dinefwr Castle and the stately home that stands in its shadow. Those are more modern constructions, but in the 5th Century the hill on which they stand still boasted a Roman fort, guarding the road west to Moridunum.

I’m telling you all this now for a number of reasons. I am NOT planning to keep a campaign diary. However, I do want to talk about the worldbuilding, and the historical research that went into it. Some of that I will only be able to drop once the players have moved past the events in question. Also I see from BlueSky that my good friend Hal Duncan is working on something similar but based in Scotland (and presumably fiction). I hope people will find the contrast illuminating.

There is, of course, nothing wrong with doing Arthurian stories set in Scotland. We should remember that, before the Romans came, “Wales” – the country of Prydain, inhabited by the Cymry – covered the entire island, at least to the edge of the Highlands. (I’ll talk about the problem of the Picts in a later post.) Glasgow is a Cymric city. The name, Glas Cae, means “blue field”, and is indicative of especially good grazing.

In the time of Tir y Dail, the Ystrad Clut (the valley of the Clyde) is ruled over by the Damnonii tribe whose capital was the imposing fortress of Alt Clut (Dumbarton Rock). It stayed that way until around 870 when Ivar the Boneless and his Viking buddies finally managed to sack the place. The Damnonii then moved their capital to Glasgow – specifically to the area called Govan which is just over the river from the Event Campus where Worldcon will be held. They also fell under the influence of their Gaelic-speaking neighbours, the Scotii of Dál Riada. The new kingdom, known as Strathclyde, remained independent until just after the Norman invasion of England, at which point they joined the kingdom of Alba (possibly because they were conquered by MacBeth).

But I digress. There’s a huge amount of Welsh history that I want to talk about. The Irish will be in on it as well (though mostly as villains to begin with). I’ll stop for now, but there will be more.

LGBTQ+ History Month is Here

This Wednesday at 13:00 (UK time) I will be giving a free online talk on trans history for The Diversity Trust. It will be fairly general and basic as it will cover around 2000 years, but there will be a couple of new things in it if you’ve seen my talks before. For registration details, click here.

Also, if you can be in Bristol on the 24th, I’ll be taking part in the event at M Shed.

February Looms

And that means that LGBT+ History Month is on the horizon. Interest in this sort of thing seems to have waned a bit over the past few years. That’s partly because the sorts of institutions that put on events are increasingly demanding something recorded that they can use for years to come. The problem with that is that you have to ensure that your presentation is free of copyrightable images, and that takes a lot of effort. Also, of course, there’s a good chance doing such things, especially if they involve trans issues, is likely to become illegal soon, regardless of who wins the next general election.

However, the lovely folks at M-Shed in Bristol are still doing good work. They have a fine program of talks scheduled for Saturday, Feb. 24th, and only one of them is by me. Excitingly there will also be a talk by Mark and Jack, the Museum Bums boys. I’m looking forward to it. I’ll be talking about the search for trans people in Celtic Britain. OutStories Bristol has a long post about the various talks.

I will be doing a couple more talks, including one at Oxford University, and one online for a university in Canada, but I don’t yet know of anything else that will be open to the public. If something turns up, I will let you know.

December Salon Futura

As I say in the editorial, this was a strange issue. For a variety of reasons most of the SF&F reading I did in December was now reviewable, but there was a bunch of other stuff that I could put in. Highlights of the December Salon Futura include:

There may be no issue in January because I still have a heap of Crawford reading to do, and work is still very busy.

August in Glasgow

Later this month I will be making the long train journey up to Glasgow for an event at the university. This is not anything to do with the Fantasy Centre, but rather a queer history thing that happens to involve Glasgow academics. The event is aimed primarily at early career humanities scholars, looking for ways to engage with professionals outside of academia. However, it is free, and will be broadcast on Zoom, so if you are intersted I’m sure you’d be welcome. Details are available here.

While I am in Glasgow I am hoping to swing by the SECC and do a quick check of the Worldcon site. It is a while since I was there and I know things have changed quite a bit.

Dear British Museum

I have had a Friends membership for several years now and have enjoyed many of your exhibitions. I have a keen interest in ancient history and am passionate about discovering and preserving knowledge about the past.

However, I am also involved in the publishing industry and have put considerable effort into promoting the work done by translators. There is much good work out there in modern fiction that is inaccessible to English-speaking readers without their help. The same is of course true of the ancient world, because no one wrote in English until comparatively recently in the history of language.

I was therefore deeply distressed at your shabby treatment of Yilin Wang in putting together the “China’s Hidden Century” exhibition. Translators should be acknowledged, and they should be paid fairly for their work.

I have given you some time to make things right, but all I have seen from you is a press release that is one of the worst examples of a corporate non-excuse I have ever seen. As someone who has been involved in diversity training, I’m astonished that a high profile organisation such as yours could be so bad at this.

Consequently I am resigning my membership of the British Museum Friends. I have cancelled my direct debit, and the money I would have paid for my next renewal has been donated to Ms. Wang’s crowdfunder.

Yours, deeply disappointed,

Cheryl Morgan

Happy Day of Blood

Yes, this is a bit gruesome. It is about Romans, what did you expect?

As regular readers probably know, the cult of the goddess, Cybele, was something of a safe space for trans women in the Roman Empire. Anyone assigned male at birth and wanting to live as a woman could join the cult as a gallus, and get genital surgery in the process (generally just removal of the testicles which was simpler and safer than taking everything). You lost a huge amount legal rights and social prestige, but trans people have always made those trade-offs.

Cybele, being a goddess of the wild places with connections to the Greek Gaia, and also with connections stretching back to Inanna and Ishtar, was very much associated with spring. There were a whole lot of celebrations around this time of year, including what amounted to a massive pride parade through Romne. But today, March 24th, was the Day of Blood — the day on which new recruits to the cult got their surgery. And thanks to dear old Claudius it became a public holiday. So we should all celebrate.

Personally I have got a nice piece of venison from my favourite butcher, and will have a glass or two of red wine. Your mileage may vary.

A Welsh Garden


One of the things you can’t miss if you drive around here is that the Welsh Botanical Gardens are nearby. The road signs are very prominent. Last weekend I got to pay them a visit, and was well impressed.

Those of you who know me will be aware that I am not a gardener. Plants tend to keel over and die if they so much as see me coming. But the Welsh Botanical Gardens are much more than that. They are located in the grounds of the former Middleton Hall (now demolished), a stately home built with proceeds from the East India Company. The Middleton brothers, who originally built the mansion, all died on voyages to and from India, and the estate was purchased by one William Paxton, who had made a ridiculous fortune from being Master of the Mint in Bengal. Thankfully the estate is now owned by the nation, and is doing its best to admit to its colonial legacy.

The point about building a Botanical Gardens on the site of a country estate is that you have ridiculous amounts of space. So yes, there are ornamental gardens. There are also tree collections. In the back of the picture you can seen the dome of the giant greenhouse that has plants from as far away as Australia and Chile. And there is still ridiculous amounts of space. There are lots of walks, many of them around the landscaped lakes and rivers that were built for the estate. Some of these are wooded, and are now inhabited by faeries and, recently arrived, a Gruffalo. Others are out in the open and have magnificent views over the Tywi Valley. There’s a bird of prey centre too. And a rock garden containing rocks from the many different geologies of Wales. A bunch of Presceli blue stones have been carved with Celtic symbols and set in a ring, as is right and proper.

I can see myself spending a lot of time at this place. That will be primarily for the walks and views, but also communing with raptors.

At the beginning of April they will have a food and craft festival. I am hoping for interesting cheeses.

Introducing Outremer

It is late in 2003 and I am in Stafford in Middle England for FantasyCon. It is an up and down event. On the downside, it takes place on the same weekend as the final of the Rugby World Cup. The English win. That chap Wilkinson. I am unhappy. But I am at the convention, at least in part, for the awards. China Miéville is busy finishing writing The Iron Council and has asked me if I will stand in for him at the award ceremony where The Scar is up for Best Novel. So I get to make a speech on China’s behalf, and I get given an ugly little Cthuloid statue to take back to him. Ah well, at least it wasn’t a bust of Lovecraft.

At the banquet I am sat next to a lad from Newcastle called Chaz. We bond over a number of things, including a shared devotion to the San Francisco 49ers. “What have you written?” I ask. “Well,” says Chaz, “I have this fantasy series set in an alternate version of the Crusades, and it has just started to come out in America…”

It is 2003, two years since 9/11 and two years into George W Bush’s quest for vengeance. Crusader rhetoric is the order of the day. The West is cast as Christian, Iran and Iraq are obviously Muslim. Tony Blair has recently deployed the Dodgy Dossier; David Kelly is dead; and the invasion of Iraq is well underway. This man wants me to read a fantasy series based on the Crusades? It had better be bloody good.

Of course it was.

Outremer is the collective name given to the four Crusader kingdoms founded after the First Crusade. Their actual history is deeply fascinating, and some great historical novels could doubtless be set in them. Brenchley, however, is doing that fantasy thing where a thinly disguised version of real history, with added magical seasoning, allows him to talk about the real world without the associated baggage that readers are likely to bring to it. He can’t have known, when he started writing the books, how appropriate they would become. The first one was published in the UK in 1998. But sometimes we luck into things.

What Chaz didn’t luck into was recognition for what he had created. I did my best with reviews in Emerald City, but the books didn’t capture the imagination in the way I’d hoped. Maybe they were too timely. Maybe there was too much queer stuff for the audience of 20 years ago. Regardless, I am absolutely delighted to have been given the opportunity to bring them to a new audience.

I’m particularly pleased to have the first book nearing completion during LGBT+ History Month. The mediaeval world has been presented to us as relentlessly heterosexual for decades, but we now know that was far from the truth. Human beings have always been queer, and a lot of what actually happened in those days has been carefully excised from history. Slowly modern historians are undoing that erasure. There have even been questions asked of that most macho of men, Richard Couer de Lion. Brenchley is not writing about real people, so there can be no one to say that there is no proof they were queer. Having them in the book is simply portraying the period as it existed, which is a good thing to be doing.

There will be more publicity for Outremer in the coming weeks. I very much hope that the books manage to find a new audience.

One Night in Stratford #LGBTHM22

On Thursday evening I will once again be participating in the LGBT+ History Month event at the Shakepspeare’s Birthplace Trust in Stratford-on-Avon. Sadly I won’t be in Shakepeare’s birthplace this time, but a virtual event means that you folks can get to see me in action from all over the world.

The talk I’m doing for them is a short version of my “Girls on Stage” talk, focusing solely on the theatre of 16th and 17th Century England. So no Greeks or Kabuki in this one, but there is so much batshit genderqueer stuff in the plays of the period that there will be no trouble filling the time.

To give folks a flavour of what I’ll be talking about, I have done a blog post for the SBT website. You can find it here.

To book a free place for the entire programme, go here.

Girls On Stage: A Trailer #LGBTHM22

The fabulous Gigi from A New Normal asked me if I would mind doing a little chat for LGBT+ History Month. I suggested maybe a bit of a teaser to encourage people to attend my M Shed talk on cross-dressing in the theatre. So we did. Now it is online and you can watch it below.

And if that sparked your interest you can catch the whole talk here. It is on February 24th, and it starts at 7:00pm so it is convenient for some of you folks across the Pond too.

LGBT+ History Month is here

Yes, it is February again, which means I am going to be busy doing talks. There will be only two public ones this year, and both will feature my new theme for this year: crossdressing in the theatre. This was inspired by reading some great research on the boys who actually played women in Shakespeare’s plays. I hope that the Shakespeare’s Birthplace Trust would pick up on it, and they did. I will be part of an Outing the Past event on February 17th. See here for details.

One of the things that delighted me about this is that, in researching the talk, I discovered that our Will was really quite conservative. Other plays written by his contemporaries were much more queer, including some actual trans material.

I’m doing a related talk for my friends at M Shed Museum in Bristol. It turns out that they have a fine collection of Japanese prints, including a number of portraits of kabuki actors. Also they wanted a much longer talk, so this one will visit ancient Greece, mediaeval China and Japan as well as Elizabethan/Victorian England. It is on February 24th, and you can book here.

M Shed also has a bunch of other talks that I have helped curate, including ones by my friends Andrew Foyle and Norena Shopland, and one by a Chinese queer activist, Qiuyan Chen. Check out the What’s On listing for details.

There are, of course, talks happening all over the country. This year some of the hubs are doing in person events again, but I suspect that quite a few will be virtual still. You can find a list of all the events here.

I’m doing a bunch of talks for private clients too. That doesn’t mean I’m getting big bucks, it means it is for a local or company LGBT+ group and they want to restrict access to members. This is mainly repeats, but I’ll possibly be doing one for Trans Day of Visibility in March that might turn into next year’s public talk.

Dydd Santes Dwynwen Happus!

Or Happy Saint Dwynwen’s Day to you English speakers.

But who is Saint Dwynwen, and why should we be happy on her day? Well, she is the Welsh patron saint of lovers, so today is the Welsh version of Valentine’s Day. These days it is associated with almost as much ritual consumerism as the better known love festival.

Valentine was an early Christian martyr, executed for trying to convert the Emperor to his beliefs. He died on February 14th, 269 (according to Catholic Online). It is unclear how he came to be associated with being in love. Dwynwen has a much better claim to the job.

Dwynwen was one of the 24 daughters of King Brychan Brycheiniog, whose territory is the region we now call the Brecon Beacons. She was, naturally, the prettiest of them, and there was competition for her hand. A young man called Maelon Dafodrill was particularly smitten with her. What happened next varies a lot from one story to the next.

Some say that Dwynwen rejected Maelon’s advances and he became furious with her, perhaps even raped her. Others say that she loved him in return but she had been promised to someone else by her father. Whatever happened, she prayed to God for help and he proved remarkably willing to get involved.

There may have been a potion of forgetfulness, provided by an angel, which either erased the pain of the rape, or the pain of losing her love. Also the unfortunate Maelon was turned into a pillar of ice. And finally God granted Dwynwen three wishes.

For the first wish she asked that Maelon be unfrozen forthwith, which shows that she had a rather better understanding of compassion and forgiveness than God.

For the second wish she asked that God take good care of all true lovers, that their lives might prove happier than hers, which is where she got the patron saint job from.

And finally she asked that she be allowed to never marry. She lived out her life in a nunnery, and founded a small church on a little island near Anglesey.

So what are we to make of all this? Was Dwynwen a broken-hearted lover? If so, why did she not just ask God to allow her to marry Maelon? Was she put off men by Maelon’s bad behaviour? Perhaps, but she seemed willig to forgive him. Or maybe she just wasn’t interested in men at all.

What we do know is that she was a kind-hearted girl who wanted the best for others. (She is also the patron saint of sick animals.) And I rather like the idea that the Welsh patron saint of lovers might be lesbian or asexual.

Buy Me for Christmas


If you missed my HistFest talk on trans Romans first time around, you have a second chance. It will be available for a number of days over the holiday period. What’s more, for the ridiculously low sum of £8.68 (that’s £7.50 plus EventBrite fees) you get not just me, but five other great history talks by actual, genuine historians too. That has to be better than watching Christmas movies, right? If you would like to purchase access, you can do so here.

By the way, I don’t get a cut of this. I was paid a flat fee for creating the talk. But if you do watch my bit that will help encourage the lovely HistFest folks to commission more trans-related material, which would be a very good thing.

Alternative Canada

This morning Kevin and I visited the McCord Museum. We chose it, of all the various cultural destiations in Montréal, because it has an exhibit devoted to the local indigenous people. There are, we were told, 11 different cultural groups native to the region we know as Quebec. They range from the Huron or Wendat people, who are related to other Iroquoian-speaking peoples from around the Great Lakes region, to the Inuit.

What you hope for from such exhibitions is to to learn fascinating things about these indigienous cultures. What you get, most of the time, is shameful tales about how badly they have been treated by Europeans. You get stories of massacres, of populations decimated by Western diseases, of broken treaties, of stolen children, of horrendous suicide rates among indigenous youth. Quebec is no exception.

I will note that the exhibition in the McCord was less despressing that the equivalent one in the museum in Hobart, Tasmania. There we were greeted with sorry photographs of the last known members of the native communties, dating from decades ago. There are over 1.6 million indigenous people living in Canada. Some 800 of them participated in the creation of the exhibition in the McCord. Some of them are on video venting their frustration at how badly they are treated, still.

The final room of the exhibition encourages visitors to make a meaningful connection to indigenous people, and to start on the journey of becoming an ally. The way that they talked about listening to people, and being respectful of difference, was very similar to the things we say in the Diversity Trust training about becoming an ally to trans people. There’s a lesson in that, I suspect.

Bristol on Saturday

It has been a long time. The last public event I did in Bristol was, I think, February 25 2020. I have done one in-person training course for the NHS there last summer, and of course a whole lot of virtual events, but this is very different.

What am I up to? Well, the Palace International Film Festival is taking place at St. Anne’s House in Brislington. It is a festival of queer cinema, and as part of the programme Tom Marshman and I will be Queer and Indecent. Well, that’s that it says on the website anyway. The longer version is, “As part of our Queer & Indecent Exhibition, join curator Kate Fahy as she talks to two local queer Bristol artists for a conversation about queer history, spaces and community.”

If you are able to attend, it is a 12:30 start. You may want to book a place as COVID security will mean a fairly limited attendance.

If you are in Bristol this weekend you may also want to check out the Queer Bristol Audio Tour put together by Anna Rutherford and collagues. If you go on the tour you might hear a familiar voice talking about Michael Dillon.

Spider Divination and Divine Androgyny

“What on Earth do those two things have in common?”, you may well ask. It goes like this.

Having given a 2-hour webinar on trans issues this morning I took a little me time and spent the afternon watching a mini academic conference celebrating the 50th anniversary of Sir Keith Thomas’s legendary history book, Religion and the Decline of Magic.

The papers were from people such as my friend Will Pooley who know far more than I do about magic in the early modern period. That was fun, and I learned stuff, including that there are now academics who study magical thinking amongst fringe groups on the internet. This is just as well, given the amount of nonsense being spread by the alt-right.

However, the thing that got me to sit up and take notice was a mention by an anthropologist that some people in Africa do divination with the aid of spiders. Someone in the audience posted a helpful link to the chat, so now I know how it is done.

The method used by various peoples from Cameroon uses large spiders that live in burrows — presumably a form of tarantula. The diviner has a collection of cards that are scattered around the entrance to the spider’s burrow. The whole assemblage is then covered over. The spider, thinking that her burrow has collapsed, comes out and thrashes around for a while trying to work out what has happened to the sun. Eventually the cover is removed, and the pattern of cards left by the spider is read to produce the divination.

There’s more on this, and other forms of animal divination, here. Land crabs can apparently be used in a very similar way. But in reading the article I came across this:

Androgyny seems to be a common goal among the African cultures where diviners engage in cross-gender dressing. Examples can be found among peoples from West, Central, and Southern Africa. I have long thought that this might reflect an understanding of spiritual entities as androgynous themselves (as opposed to mere humans of single sexes), and that such a posture would have value for the diviner when dealing with male and female clients.

Anyone who has done a bit of anthropology knows that in various tribal cultures around the world, non-binary people are viewed as being especially holy and often as having magical powers. Similar beliefs are found in ancient cultures such as the Scythians and the Inca.

It is generally agreed these days that the idea of a world that is gradually progressing from a belief in magic, to a belief in religion, to a belief in science, is much too simplistic. But we can occasionally see shamanistic beliefs re-purposed in organised religion. Which brings me to this article, published today in The Independent, which looks at the Graeco-Roman deity known as Hermaphroditus. Classicists now mostly accept that statues of Hermaphroditus were not pornographic jokes, as has been assumed by cis male historians for the past couple of hundred years, but rather were expressions of a mystical union of male and female.

So bascially God is non-binary (which Michelangelo understood when he painted the Sistine Chapel). They are doubtless deeply unimpressed with the current fashion for anti-trans extremism.

That Finnish “Non-Binary” Burial

Last week the newspapers were full of stories about a supposed “non-binary” burial discovered in Finland. I got a few inquiries regarding my thoughts. It has taken a while to find the time to do more than make a few scathing tweets about the poor quality of the journalism. Here’s something a little more in depth. (And if you want to check what I say against the original academic paper it is here.)

First up, the actual facts. The burial is located near Hattula in Finland, which is a town roughly half-way between Helsinki and Tampere. The grave has been dated to about 900 years ago, which means during the Viking era (at which point someone will yell at me for using the word “Viking”, but if Cat Jarman can use it I can too.). It was first excavated in 1968 and appeared to contain a single person, two swords, and clothing/jewellery that has been interpreted as female-coded. There has been much controversy over the findings, with some people claiming that this is a grave of a woman warrior, and others claiming that there must have been two bodies in the grave, one of whom was male. The current research has tried to solve that mystery by analysing the DNA of the skeleton, but has only resulted in an even bigger mystery.

I’ll pause here to note that I said “interpreted as female-coded” very deliberately. The gendering of grave goods is an imprecise art, of which I’ll have more to say later.

The result of the DNA analysis suggest that the person buried in the tomb exhibited what we now called Kleinfelter’s Syndrome, which means that they had an XXY chromosome pattern. I am going to assume that the DNA analysis is correct, because I don’t have the expetise to judge it. However, the paper produced by the archaeologists does say that the analysis was difficult, and I am entirely prepared for an expert in genetics to tell me that it was bunkum.

The DNA analysis has led both archaeologists an journalists to talk about the body buried in the grave being someone who is “intersex” and “non-binary”. What does this mean, and are these statements correct.

Let’s start with “intersex”. What this means is people who are, “born with sex characteristics that do not fit typical binary notions of male or female bodies”. XXY chromosomes very clearly do not fit the notion of a gender binary. You will see some people talk about strict definitions of “intersex”, which generaly refers to something to do with genitalia. These definitions tend to be produced by medical people. You may also see the term “DSD” used. It stands for “Disorders of Sexual Deveopment” and is deeply pathologising, partly by suggesting that all intersex people are “disordered”, and partly by suggesting that they can and should be “fixed” in some way. When talking about intersex people in training I try to be guided by the Organisation Internationale des Intersexués, and I defend the right of intersex people to be accepted as an ordinary part of human variability.

By the way, the “Gender Critical” movement tends to dismiss intersex people as being “very rare”. There are over 100 intersex traits known to modern medicine, and between 1% and 2% of the population will have one, though many will be unaware of this. The NHS web page on the subject says that around 1 in 600 men exhibit the Kleinfelter trait, which means over 50,000 people in the UK alone. Of course many will be unaware of this, because who has their chromosomes tested?

Note that the NHS said “men” there. People with XXY chromosomes will normally be assigned male at birth because they have penises. The effect of having XXY chromosomes on the body can vary significantly, but as far as gendered appearance goes the only common effect is enlarged breasts. Some XXY people also exhibit soemthing the medical people call hypospadias, which means there is an opening on the underside of penis. This can result in the person being assigned female at birth.

Back when I transitioned, being diagnosed as XXY was the gold standard for trans women, because doctors would see that extra X chromosome and decide that you were half way to being female already. This idea was strengthed when Caroline Cossey revealed that she had XXXY chromosomes, and we all wanted to look like her. But it seems that the majority of XXY people identify as men and are happy as such.

Now on to the question of non-binary identity. I’d like to start by saying that the idea that being intersex implies that you are non-binary is on a par with saying trans women are men, because it assumes that biological factors are the sole determinant of your gender. In all probability the majority of intersex people are happy being cisgender. Remember, many have no idea that they are intersex. Some intersex people, such as Caroline Cossey, will identify as trans women. There are also intersex traits that result in a baby being assigned female at birth but being more likely to identify as male. And there are some intersex people who identify as non-binary because of their biology, or because they would have been non-binary regardless of their biology.

So the idea that the person buried in the Hattula grave is non-binary because they happen to have XXY chromosomes is nonsense. What are the actual possibilities?

The archaeologists have tried to get this right. Their paper has references to work by the likes of Anne Fausto-Sterling and Judith Butler. However, they are hampered by a legacy of assumptions being made about the gender burials which tell us more about the people making the assumptions than about the person buried. The idea that anyone buried with a sword must be a man is taking a very long time to die.

In recognising that the subject is complex, the paper’s authors look around for possibilities and occasionally end up down the wrong rabbit hole. For example, they say, “An interesting aspect of the graves containing osteologically determined females and swords is that they often lack jewellery and other feminine accessories (SimniÅ¡kytÄ—, 2007; Price et al., 2019). This is seemingly in line with the idea that the Scandinavian gender system accepted masculinity as the only normative gender and allowed only some females to obtain masculine gender in certain circumstances (Clover, 1993).” However, this grave does contain jewellery and the person buried there would probably have been assigned male at birth.

The point this does make is that trans and non-binary identities are culturally contextual. You can only say that someone is non-binary if they behave outside the cultutally accepted norms of male and female for the society in which they live. Do we know what these norms were for early-mediaeval Finnish culture? Possibly not.

It seems likely that the person in the grave would have been assigned male at birth. Very few cultures assign anyone as neither male nor female at birth, and those that do (for example the Navajo) tend to require ambiguous genitalia for make such a pronouncement. If the person in the grave did exhibit hypospadias, then they may have been assigned non-binary at birth, or been assigned female, but we have no way of knowing.

The identification of the person buried as female is dependent on the grave goods. The items of interest are a small number of brooches, and the probable presence of expensive fur-trimmed clothing. As the authors of the paper note, this could mean that the person buried in the grave was a very wealthy and powerful man who liked using excessive bling to emphasise his status.

If the person buried exhibited hypospadias then they may have been assigned female at birth, but masculine biological characteristics would have asserted themselves at puberty and this could have led to the person acquiring a liminal identity. In our culture such people are normally deterined to have been the victims of a mistaken gender assignment, and are re-assigned as men. There are several well known cases in the UK from the 1930s. We appear to be better at gendering babies now. Early mediaeval Finnish culture may well have been more accepting of non-binary identities.

But probably the person buried was identified as male at birth. They may have developed pronounced breasts during puberty or, like Caroline Cossey, they may have had a strong female gender identity, or both. We don’t know how the local culture would have reacted to this. They may have seen the person as liminal in some way and required/allowed a non-binary identity. Or they may have allowed gender transition. Again, we can’t know.

So in conclusion, the person buried at Hattula may have been a cisgender man with a liking for bling, or someone assigned female at birth who “magically” acquired male characteristics in life, or someone assigned female at birth who “magically” acquired female characteristics later in life, or someone who was assigned female at birth who transitioned socially to live as a woman. All of these explanations could possibly have been seen as “non-binary” in some way by the local culture. One of them has the buried person strongly identifiying as a man, and one has them strongly identifying as female. How the person identified themself could be rather different from how the rest of their society viewed them.

Gendering burials is hard, folks. But the act of trying to do so can teach us a lot about the complexity of human biology and identity.

HFRN 2022 – Call for Papers

The Historical Fictions Research Network (of which I am a Trustee) has elected to hold their 2022 conference entirely online. The situation with the pandemic is too confused for us to be able to make any other plans.

Of course the great thing about being online is that we can get papers from all over the world. As with this year, we are aiming to schedule timeslots that will allow everyone from New Zealand to California to particpate.

The dates of the conference will be February 19-20.

Our keynote speakers will be:

  • The George Padmore Institute: An archive, educational resource and research centre housing materials relating to the black community of Caribbean, African and Asian descent in Britain and continental Europe.
  • Amy Tooth Murphy: A Trustee of the Oral History Society and a Co-Founder and Managing Editor of the blog Notches: (re)marks on the history of sexuality. Dr. Murphy will be talking about her project on the oral history of the Butch Community.

The Conference Registration Fee for this year is £75 for regulars and £40 for concessions (PhD students, low-income). Tickets are available here.

Paper proposals are due 1st September 2021: they should consist of a title, and up to 250 words abstract. The decisions on acceptance would be communicated by 1st November 2021. All papers will be delivered live and we will schedule across time-zones.

The theme of the 7th annual conference of the Historical Fictions Research Network is “Communities” and spans a wide array of topics across the disciplines of Archaeology, Architecture, Literature, Art History, Cartography, Geography, History, Memory Studies, Musicology, Reception Studies, Linguistics, Cultural Studies, Museum Studies, Media Studies, Politics, Re-enactment, Larping, Gaming, Transformative Works, Gender, Race, Queer studies.

For the 2022 conference, HFRN seeks to engage in scholarly discussions and deliberations on how communities construct their own pasts; how different versions of the past are used to create – or question – a national memory and identity; how communities challenge the narratives that have been foisted upon them or are used to oppress and discriminate; how communities challenge their own consensual understandings of their past; or how a re-evaluation of the past and past events may change a communities’ self-image. We welcome paper proposals across historical periods, with ambitious, high-quality, interdisciplinary approaches and new methodologies that will support research into larger trends, and which will lead to more theoretically informed understandings of the mode across historical periods, cultures, and languages.

The conference will prioritize (but will not be necessarily limited to) the following thematic strands:

  • Past, Present and the community writing
  • Literature, Language, and community building
  • Historical Fiction, Gaming and Community
  • Gender Writings, Health and Community
  • Textual retellings, revisions, and Community construction
  • COVID, Community and resilience
  • Queer Space and community development
  • Social Media and digital communities
  • Web series, Film adaptation and community
  • Memory, community, and identity
  • Ecological writings and community
  • Community, worldbuilding and historical imagination
  • Cultural histories of communities
  • War, Migration, and community restoration
  • National memories and identities

Each presentation will be of 20 minutes followed by an interaction session.

To register your interest in presenting a paper, please fill in this form.

Visit our website for more details and regular updates. You can also email us.