Introducing The Art Detective

One area of the media in which women are doing quite well is history documentaries. I was very pleased, therefore, to discover a new podcast series hosted by Dr. Janina Ramirez. Titled The Art Detective, it will feature a different piece of art each week, and use that to illuminate issues from history. (Yes children, art has always been political, from ancient sculptures to Star Wars movies.)

The series caught my eye because episode #2, released this week, features one of my historical heroes, Empress Theodora of Byzantium. Guesting on the show, because she’s just finished writing a book on Byzantium, is another star of history documentaries, Bettany Hughes. If you know anything about Theodora you can guess how much fun listening to two women historians talking about her is.

Janina has promised may more guest appearances as the series develops. It seems likely that will involve the likes of Mary Beard, Amanda Vickery, Lucy Worsley, Alice Roberts, Amanda Foreman, Carenza Lewis and so on. And some men, and hopefully some non-binary people, as well.

Of course I have now added to my bucket list getting an appearance on the show. I know exactly which piece of art I want to talk about. It is Sumerian (obviously), and if you turn up to one of my LGBT History Month talks in February you’ll get to see me enthuse about it.

The Trans People from History Question

A week or so ago there was a lengthy Twitter conversation between myself, Kit Heyam, and Greg Jenner (who is the historical consultant for the BBC’s Horrible Histories show). It was occasioned by the publication of a new biography of James Barry, someone who is often held up as an example of a trans person from history. This post is not about Barry. I have bought the new biography, which appears to be making the case that Barry strongly identified as female despite living as a man, but I haven’t had a chance to read it yet. Rather the post is more generally about how we interpret evidence from history.

The first point I want to discuss I owe to Kit. It is that conversations such as the one around Barry do not happen in a vacuum. It is a long-held tenet of belief among certain self-styled Radical Feminists that trans people are a recent invention, and indeed a creation of the Patriarchy. Their view is that trans people cannot have existed in the past because the concept of being a trans did not exist then (and indeed do not exist now other than in our own perverted imaginations). As a consequence of this there is a determined effort to “reclaim” any possible evidence of trans men from history and to prove that these people saw themselves as women. The new Barry biography looks like it may be part of that effort. The musical which portrayed Billy Tipton as a flamboyant drag king rather than someone who lived as a man for most of his life certainly was.

The sort of argument being made comes over very clearly in the Guardian review of the Barry biography. Look at the word choices: “scandalous subterfuge”, “adopted a male persona”, “was, in fact, a woman”, “perfect female”, “masqueraded as a man”, “deception of breathtaking proportions”.

BINGO! And I have only got as far as the second paragraph.

The message is very clear. As far as the reviewer is concerned, Barry was “really a woman”, and that presenting as a man was an act of deceit. By extension, the reviewer is also making the case that all trans people are engaged in acts of deceit because, like Barry, we can only “really” be the gender we were assigned at birth. It is not surprising, therefore, that trans people tend to treat such claims with some skepticism, given the level of political bias involved.

In practice, of course, we can never be sure how people from the past thought about themselves. Absent a time machine, we can’t go back and ask them. All we can do is look at their behavior and make judgements based on that. What we see varies enormously. There are people from the past who cross-dress occasionally for festivals and similar occasions, much like people do today for Halloween. There are people from the past who cross-dress for entertainment, like modern drag performers. There are people from the past who cross-dress for economic advantage, but give it up as soon as the opportunity arises. There are people from the past who cross-dress to signal their sexual tastes. And there are people from the past who cross-dress for most of their adult lives.

Cis historians tend to present all of this as masquerade, and assume that all of these people identified with the gender they were assigned at birth. Certainly they talk about them in those terms. A point I make in opposition to this is that cis historians have never suffered from gender dysphoria and have no idea what it is like. Most trans people have strong personal experience of having to live in a gender that does not suit you. We know how hard that is. We find the idea that someone should successfully live most of their adult life in a different gender without having a strong affinity for that gender, to be quite bizarre. It would be incredibly stressful.

A study I would love to see done, but can’t do myself because it would require access to archives in US universities, is a comparative study of people assigned female at birth who fought in the American Civil War. There were a lot of them. Estimates range from 400 to 750. That’s a good sample size, though not all of them will have left much evidence. Why they did this is subject to a great deal of debate. My view is that there is no easy answer, because they will all have had their own reasons:

  • Some will have done it to stay with husbands, brothers or lovers;
  • Some will have done it because they were poor and the army offered employment, a home and food;
  • Some will have done it because they strongly believed in the cause of the side they fought for;
  • But some of them continued to live as men for the rest of their lives once the war was over, which suggests a rather greater affinity for masculinity.

Again you can’t prove that these people identified as men, but it is possible that they did, and hard to see how they would have coped with life otherwise.

Another point I want to make is that saying that someone from the past was “really a woman” is just as anachronistic as saying that the person was a “trans man”. The idea that the human race is divided into men and women, and that never the twain shall meet, is a relatively new one. These ideas developed in the late 19th and early 20th Centuries as science began to give us tools to quantify this separation. Before we knew about chromosomes and sex hormones, the existence of other genders was a possibility and often taken for granted.

We should remember, for example, that many ancient societies made significant use of eunuchs in various roles. The Assyrians were the first to use eunuchs in court on a grand scale, but they existed in Sumer too. The Chinese also made extensive use of eunuchs. Cai Lun, the person credited with the invention of paper, was a eunuch. So too was China’s greatest naval hero, Zheng He.

Many eunuchs, of course, still identified as men, but others identified as a third gender, or even (so the Kama Sutra tells us) as women. Indeed there is a long written history of this behavior in India, and it continues to the present day.

It is also worth noting that, if someone was made a eunuch as a child, which was fairly common (and a necessity for making castrati singers) then it constitutes both surgery and hormone treatment (in that male puberty is prevented), which are the two pillars of modern gender medicine.

Interestingly many ancient sources (including the Bible) talk of people who are “natural eunuchs” or “born eunuchs”. What this means is not clear, beyond the fact that these are people who were believed to have been born with no sexual interest in women. They may have been intersex in some way, they may have been more like modern gay cis men, or they may have been more like modern heterosexual trans women. My guess is that they would have included all three, because ancient people didn’t have the tools or language to distinguish between these categories.

It is also true that many tribal cultures around the world show evidence of social structures designed to accommodate people who live outside of the gender binary. We have plenty of historical reports, and where those cultures haven’t been destroyed by colonialism those practices continue today. You can find examples in the Americas, in Polynesia and Australia, in parts of Africa, in fact pretty much everywhere that tribal cultures are still found. How these cultures make allowances for trans identities varies considerably: some may have a third gender; some may allow only male-to-female transition; or only female-to-male; and some have both. The fact that these traditions exist proves that a need existed, which must prove that people in those societies identified in some way as being outside of the gender binary.

One of the reasons why social structures accommodating trans people are so varied is that trans people themselves are very varied. The idea that there is only one sort of trans person — someone who wants and needs full medical transition from one binary gender to the other — is just as false a distinction as the binary itself, and one that has caused a great deal of harm to trans people down the years. This brings me to my final point, which is that anyone who says that “trans people” cannot have existed in the past because ideas of medical gender reassignment did not exist back then is using a very limited definition of what “trans” means that doesn’t begin to cover the diverse identities that we see in the trans community today.

The modern trans community includes people who identify as being members of a third gender for social purposes. It includes people whose gender is inextricably bound up with their spiritual beliefs. It includes people who want to transition socially but not medically. It includes people who are gender-fluid: comfortable presenting in more than one gender. It includes people who don’t understand the whole gender thing and wish it would go away. All of these people feel comfortable identifying as trans now that being trans does not require you to undertake full medical transition and adopt one of the binary genders thereafter.

So when I talk about looking for trans people in history, I’m not looking to prove that any of these people would opt for full medical transition where they born today. Some of them might, but others surely would not because if being trans is a natural part of the human condition then we should expect trans people from the past to be as diverse as trans people are today.

My starting point is to look for evidence of people living outside of the gender binary. Providing that they are doing so as part of their normal life, and not just cross-dressing for special occasions, all of those people are trans in some way or another. If I can’t pigeonhole them into a specific part of the modern trans community, well so what? Their identities have to be understood in the context of their local culture anyway. It may be that some of them did strongly identify as their birth gender, but in that case I would want to see proof of that being the case, not taking that as the natural assumption.

And you know, looking at it that way, the past is absolutely full of trans people.

Travel Planning

If you have asked me about my availability recently I have probably said something along the lines of, “not in February, please”. That’s LGBT History Month, and that tends to mean a lot of travel. Today I have been doing some booking. Here’s what it looks like.

Jan 31 – Feb 4 I shall be in Barcelona for a conference at the university on gender in the ancient near east. That will feed directly into my presentations as part of the official LGBT History Month events.

Feb 11-12 I am in Exeter where I am speaking both at the launch event on the Saturday and on the festival day on the Sunday.

Feb 15 I have marked in as the Ujima show devoted to LGBTHM.

Feb 18 I am in Bournemouth doing the same trans people in the ancient world talk that I gave in Exeter on the 12th.

There will probably be some stuff going on in Bristol. I know M-Shed will be busy on the 18th, and on the 22nd. I have the 25th reserved in my diary for a possible talk on trans people in art down the ages.

Mar 3-5 I am in Liverpool for the LGBTHM academic conference.

And that is why (Ceri, Adele) I will not be going to London on Mar 10-12 for the Women of the World conference. I will be asleep that weekend.

In Search of Arthur


This evening I attended a talk at the M-Shed Museum in Bristol on that great West Country mystery, King Arthur. It was given by Professor Ronald Hutton of Bristol University who is an expert on all sorts of things, including medieval paganism and witchcraft. He’s very much my sort of historian, in that he believes in presenting facts and finds it interesting what stories people see in them.

Many of you, I am sure will be familiar with the vast swathes of scholarship surrounding the existence or lack thereof of Arthur. You will have read Gildas, Bede and Nennius, not to mention John Morris and Geoffrey Ashe. I don’t want to hash over all of that. I’m just going to concentrate on what Hutton said that was new to me.

Firstly it is a commonly held belief that Arthur was just a Welsh legend until that memorable chancer, Geoffrey of Monmouth, made up a whole load of nonsense for his History of the Kings of Britain. I’m sure Geoffrey would be delighted to accept the credit for inventing the whole Arthurian mythos, and a near-contemporary historian, William of Newburgh, accused him of as much. William was writing in around 1190, some 50 years after Geoffrey published his History.

However, contrary to William’s view, I give you the illustration above. As you can see, it clearly shows a knight named as Artus De Bretani. Other knights in the illustration are named as Galvagin and Che. They are attacking a castle in which can be found a man called Mardoc and a woman called Winlogee. The carving is on the north gate of the cathedral at Modena in Italy. It is believed to date from the early 12th Century, possibly as early as 1120, some 20 years before Geoffrey published his History.

Now obviously there is a certain amount of leeway in historical dates, but it seems pretty clear that the whole Arthur legend, including Gawain, Kay and Guinevere, was well known in Italy at roughly the same time that Geoffrey was writing his book. That suggests that he didn’t make it up but instead, as he claimed, got it from an older work that is now lost.

Fast forward now to 2016, There have been two major archaeological discoveries in Britain this year that have bearing on the Arthur legend. The first was at Tintagel, and was covered in some detail by Alice Roberts in her new series of Digging for Britain that premiered last night on the BBC. The dig at Tintagel has uncovered a major “high status” complex of buildings dating from the 5th or 6th Century. Not only were there impressive stone buildings, but there was clear evidence of extensive trading with the Mediterranean.

If the people of Cornwall were trading with Greece, for which we have good evidence, they were almost certainly trading with Byzantium. I asked Hutton about this and he reminded me that the 6th Century was a period of significant expansion of westward links thanks to a smart Emperor called Justinian, so this all makes a lot of sense. Hutton added that Procopius makes no mention of Britain save to note that it is so far away it may be the place where the souls of the dead end up. But then Procopius didn’t like Theodora and was horribly two-faced when it came to Justinian so I’m not inclined to place much trust in him.

Anyway, if the dates we have for Arthur are correct then he and Justinian were contemporaries. Which means that Guinevere, Morgan and Theodora were contemporaries. I so much want to throw them together in a book and see what happens.

Hutton also noted that the site at Tintagel was abandoned around 700, and yet Geoffrey, writing over 400 years later, knew enough about Cornish history to claim it as the place of Arthur’s birth.

Finally we move to Glastonbury. Pretty much everyone agrees that the claims by the medieval monks to have found Arthur’s tomb are fanciful. The cross on which Arthur and Guinevere’s names were inscribed had a style of writing that was unknown in the 6th Century. And the graveyard in which the monks claimed to have dug has since been excavated and found to be Saxon. Furthermore, there was no clear evidence that there was any monastery at Glastonbury in Arthurian times. The Abbey was believed to have been founded by the Saxons.

Until this week. On Monday archaeologists working on a site at Beckery near Glastonbury announced the discovery of a monastery dating from the 5th or 6th Century. It is now the oldest known monastery in Britain, displacing Iona which is late 6th Century.

There is still no clear evidence for the existence of Arthur as an historical character. But his legend is clearly older, and much more widely spread around Europe, than is generally believed. And the post-Roman civilization in 5th and 6th Century Britain is clearly much richer and more powerful than anyone thought.

Records and Rebels at the V&A

Thanks to meeting some lovely people at the Speaker’s House in Parliament on Wednesday night (more of that some other time) I got to spend yesterday afternoon as a guest at the Victoria & Albert Museum. I was there to see a new exhibition titled, “You Say You Want a Revolution: Records and Rebels 1966-1970”. It really was a remarkable period in Western history. It saw the flower power movement and anti-war activism, the start of the gay rights movement and the black power movement, the burgeoning of second wave feminism, the birth of the environmentalist movement and the first Moon landing. We got a lot wrong back then, primarily because we didn’t talk to each other, but there was much right too.

As the V&A recognizes, music was key to much of what went on. Pop music was a relatively new thing, and musicians were at the forefront of many of the political movements. If you take the headphones around the exhibition you get treated to some of the finest anthems of the era along the way. Cleverly the V&A is selling an album based on the exhibition. It has no Beatles, because they are still very protective of their output, but most of the other important songs are there.

Obviously the exhibition very much caters to people like me who were kids or teenagers at the time. Nevertheless I think it is hugely important right now. We need to recapture that spirit of revolution, and this time we need to do it right.

Talk Like An Egyptian

egyptianstories
I spent the afternoon in Bristol so that I could attend the Egyptian Stories event at Bristol Museum. While it was billed as being in the Egyptian gallery, that clearly wasn’t going to happen because there are too many display cases full of interesting artifacts. Instead it took place in the Assyrian gallery which contains little save a bunch of magnificent wall carvings from Nimrud, a city located just south of Mosul. They show King Ashurbanipal II (that’s him with the bow) and some attendant supernatural beings that the museum calls “demons” and I prefer to call “angels” because they are clearly protecting the king. Being an Assyrian king, Ashurbanipal was doubtless busy plotting how he could conquer the puny Egyptians, but he refrained from killing anyone so presumably he approved of the stories.

The four readers are (left to right) Piotr Åšwietlik, Amanda Huskisson, Jean Burnett and Justin Newland. Piotr and Jean read short stories, while Amanda and Justin read extracts from novels. Amanda tells me that she’ll be performing at BristolCon Fringe in November, so you’ll get to hear some of her work once I have that podcast.

The event was well attended, but could probably have done with an audio system. Reading and projecting at the same time takes practice. Having a microphone means people have one less thing to worry about (provided that they remember to use it).

Trevor Coombs, who is on the museum’s staff and also an historical fiction writer himself, hosted the event. He says that he’s hoping to do more events like that in future. I do hope so. I’m sure that Ishtar wants me to read about her in that room.

The OutStories Bristol AGM

Jana Funke
I spent Saturday in Bristol for the OutStories Bristol Annual General Meeting. The official business was done very quickly because I have been taught how to run a meeting by the brilliant Mr. Standlee. This allowed us to get on with the more interesting part of the day, which was a talk by Dr. Jana Funke of Exeter University on the subject of Radclyffe Hall. I have a very nice recording which you can listen to here.

The meeting, by the way, took place in the Wills Memorial Building at Bristol University. It is a faux medieval fake, presumably built with the proceeds of the tobacco trade, but it does make for a nice backdrop. Goodness only knows what the face on the lectern is about.

One of the things that interested me about the talk is how much of Hall’s writing has fantastical themes. She does a lot of time travel and body-swapping. Both she and Virginia Woolf used these techniques to write about sexuality and gender in a way that would attract less attention, in contrast to The Well of Loneliness which was explicit and banned. It rather reminds me of Russian writers using science fiction to write about politics.

The other thing I latched onto was discussion as to Hall’s gender identity. Jana used female pronouns throughout because Hall and her acquaintances do so. However, she notes that Hall has a very masculine gender presentation. I could add to that the doubly-masculine name of the female hero of The Well of Loneliness, Stephen Gordon.

During the later 19th and early 20th Centuries most people conflated ideas of sexuality, gender identity and gender presentation. If you were an “invert” (the term used for homosexual people at the time) then you were expected to adopt characteristics of the other end of the gender spectrum. Lesbian couples were expected to be a femme and a butch, and the femme partner was not seen as an invert in the same way that the butch was.

Some people will argue that we can’t identify Hall as trans because the term did not exist back then. Certainly she wasn’t able to able to adopt it for herself. Nevertheless, there were people of the time who clearly identified in a way we now recognize as trans. Dr. Alan Hart had his top surgery in 1917 and went on to take testosterone once it had been identified by science and pioneered by Michael Dillon. The important question for me (and my thanks to the young lady in the audience who made this point) is whether Hall herself identified as a man.

You can do interesting comparisons of biographies to throw light on this. Michael Dillon (whose shortly to be published autobiography I have just been reading) clearly identified as male from a very early age. Alice Sheldon, on the other hand, was much more ambiguous. Her lesbian feelings seem to have so horrified her that she never acted upon them, and while she occasionally wrote of wanting to “be a man” it isn’t clear whether this is a gender issue or a yearning for the freedom and social status that masculinity would have given her, or a combination of both.

One thing that I learned from Jana is that Hall was known as “John” to her close friends, so she had in fact adopted a masculine persona. That definitely suggests more of a trans personality. Jana also pointed out a photograph in which Hall is dressed as a native American warrior (her mother was American and she fancifully assumed native descent).

What most gave me the sense of a trans person, however, is what Jana said about The Well of Loneliness, specifically its ending, which is not a happy one. At the end of the book Stephen Gordon fakes an affair with another woman so that her beloved Mary will succumb to the advances of a man and get married. As Jana noted, many modern lesbians dislike the ending. It is hardly a good advert for lesbianism.

Because I had been reading Dillon’s biography, his relationship with Roberta Cowell was in my mind as I was hearing this. We will never know for sure why she refused his offer of marriage. He appears to have been something of a misogynist, which would not have appealed to the independent-minded Cowell so fresh from a life of male privilege. There is some suggestion that she strung him along to get his help in obtaining surgery. But years later in her autobiography Cowell states that her marrying Dillon would be like two women getting married, suggesting that she rather literally thought he wasn’t man enough for her. That’s a very cruel thing for one trans person to do to another, but trans people are no more free of cruelty than anyone else.

Listening to Jana talk about The Well of Loneliness, I wondered about Stephen’s reasons for abandoning Mary. Did Stephen think that she wasn’t “man enough” for her lover, and that it was therefore her duty to step aside in favor of a “real man”? And does this mean that Stephen identified as a man, but was ignorant of other trans folks and so didn’t know that something could be done? If that’s the case, did that reflect Hall’s own feelings about gender?

Ultimately we can’t know. Because of the conflation of sexuality, gender identity and gender performance it is possible that Hall felt she could only be a proper lesbian by being a man, even though she identified as a woman. Certainly enough trans people down the years have been accused of being gays and lesbians who are ashamed of their sexuality, so the idea is very much in the public consciousness. But I agree with Jana that it is possible to read both Stephen Gordon and Radclyffe Hall as trans men rather than butch lesbians, and I think that the end of The Well of Loneliness makes much more sense if you do.

Wikipedia tells me that the novel ends with Stephen pleading with God to, “Give us also the right to our existence!” Chin up, old chap, we’ve done it for ourselves.

Bristol Festival of Literature Events

The full publicity for my two events at the Bristol Festival of Literature is now out.

The “Stories of Strong Women” panel only exists as a Facebook event. You can find that here. Apparently we have 85 people going already, which is awesome.

I have created an EventBrite event for “Ageing in the LGBT Community”, which you can find here. I’m hoping we’ll get good attendance from people who work with the elderly, both via the NHS and the voluntary sector. I certainly got interest when I mentioned it at some of the trans awareness courses I have been doing.

While I’m here I would also like to highlight the Annual General Meeting of OutStories Bristol (of which I am co-chair). This year Bristol University has kindly provided us with a beautiful venue, and we are lucky enough to have the brilliant Dr. Jana Funke of Exeter University to come and talk to us about her research into the archives of Radclyffe Hall. Jana is a great speaker. She did a short version of this for me in February as part of the LGBT History Festival. She’s got twice as long this time. I’m looking forward to it.

YA and Gender Conference, Italy 2017

Hello academic pals. Here is a conference that you may be interested in. It is called Literature, Translation, and Mediation by and for Children: Gender, Diversity, and Stereotype, and it will take place at the University of Bologna at Forlì in October 2017. That’s a fair way off, but abstracts have to be in by January 31st so you don’t as much time as it seems.

You may be asking why I am recommending this. Well, obviously the subject matter is of interest. But in addition one of the organizers of the conference is Dr. Raffaella Baccolini who was the scholar Guest of Honor at Finncon this year. She’s very smart, and a lovely person. I’m sure she’ll put on a great conference.

Also, there’s the location. Forlì is not actually in Bologna. It is a little way south-east thereof. It is actually closer to Ravenna than Bologna, and if I am going to be in the area there’s no way I am not going to see those mosaics and to pay my respects to Theodora. About half way between Bologna and Forlì there’s a little town called Imola, which is home to the Autodromo Internazionale Enzo e Dino Ferrari, one time home of the San Marino Grand Prix. And of course San Marino itself is just a little further along the main road from Forlì.

Actually, to be frank, if I’m going to Italy then I have to go to Rome too because there are things in the Capitoline Museum that I need to see. I would love to go to Pompeii as well, but I don’t know how far the budget will stretch.

Anyway, it sounds like an amazing opportunity, and I shall certainly be submitting a paper. Hopefully some of you folks will be interested in going too. I don’t want to have to consume all of that great Italian food and wine by myself.

You can find the Call for Papers here.

On the LGBT Trail in the British Museum

Last Friday I had a day in London which I spent mainly doing research in the British Museum. Part of that involved following up items in R.B. Parkinson’s fine book, A Little Gay History. However, I found that several of the items in it are not currently on display, and I found quite a few more than might have been featured.

This post is photo-heavy and quite long so I am putting the rest of it behind a cut.
Continue reading

Real Gods of Egypt

Serapis
The Pharaonic period of Egypt lasted for about 3000 years. During that time, much can change. It is therefore impossible to propose a definitive form for Egyptian religion. To do so would make as much sense as to say that there was a definitive form of Christianity that applied to both the early Byzantine church and the Jehovah’s Witnesses. Egyptian religious belief and practice changed radically through time as one temple or another, one city or another, gained power. There were attempted revolutions such as that of Akhenaten. In the last few hundred years of the Pharaohs, however, the changes were much more radical.

In 525 BCE the Persians conquered Egypt. I’m not a great expert on their rule, but they were adept at absorbing many different cultures into their empire. My guess is that they will have left Egyptian religion mostly alone, though it will not have escaped unscathed. However, in 332 BCE Egypt was conquered by Alexander the Great. One of his generals, Ptolemy, was put in charge of Egypt and became Pharaoh in 305 BCE. His descendants ruled Egypt until the death of Cleopatra VII in 30 BCE which resulted in the absorption of Egypt into the Roman Empire.

Rule by a Greek dynasty caused major changes in Egyptian religious life. The Ptolemies were keen to show their commitment to local culture, but at the same time they wanted to bring in a lot of Greek ideas. Let’s start with the chap pictured above. You might think that he doesn’t look much like an Egyptian god, and you’d be dead right, but he is one. His name is Serapis. It is not clear whether he existed before the Ptolemaic period, but it is clear that his worship was either invented, or massively promoted, by the Ptolemies. He continued to be popular through the Roman era.

That’s a very imperialist approach to merging cultures, but there is another option. Syncretism is the process of finding links between two different religions and building on that basis. You could take the view that two cultures worship the same god, but each has their own prophet whom they deem the sole arbiter of that god’s word, in which case they must fight for all eternity to see whose prophet is right. But you could say, look, your god Khonsu is a bit like our god Herakles. Both of them are mighty young warriors who defend their people. Perhaps they are the same god seen through a different cultural lens. Let’s build a friendship based on that. This sort of thing happened a lot, both in Ptolemaic and Roman Egypt.

I came home from London yesterday with a new goddess for my home. This one.

Isis-HorusThis is Isis and her son, Horus. Images of Isis nursing Horus were common in ancient Egypt (though Horus does seen a little big for breastfeeding — perhaps he grew very quickly).

The image of the nursing Isis is important for a number of reasons. Firstly, of course, it is very similar to the image of Mary and Jesus that is so well known in Christianity. Secondly, those of you who know a bit about Egypt will have spotted that Isis is wearing the horned crown of Hathor. By the time this statue was made the cult of Isis has absorbed that of the older mother goddess, Hathor the Cow.

What attracted me about this statue, however, is that it has a significant difference from most Isis and Horus images. In fact it doesn’t appear to have been taken from either of the Isis & Horus statues found in Thonis/Heraclieon and Canopus. Rather it is based on this one, which is in the Knust Museum in Vienna.

The difference in the statue is the throne on which Isis is seated. It is flanked by lions, and that’s something more often seen elsewhere. Here, for example.

Cybele_Bithynia_Nicaea
That’s Cybele, an Anatolian goddess with strong links to Ishtar who ended up in Rome as their Great Mother. Cybele was the patron goddess of trans women in Rome.

I know very little about gender in Egyptian society, but I am starting to turn up some very interesting stories about Isis. Some sources I have seen mention that the Phoenicians connected Isis to Astarte, their local version of Ishtar. Others mention a connection between Isis and Cybele in Rome.

There is no temple to Cybele in Pompeii. There is one in Herculaneum, and there is a lot of evidence of Cybele worship in Pompeii, including a number of paintings in people’s homes. What Pompeii does have, is a big temple to Isis. A while back I came across this master’s thesis suggesting a syncretic relationship between Isis and Cybele in the Roman Empire. Images Isis seated on Cybele’s lion throne would seem to confirm this.

Well That Went Well

The nice LGBT police people seemed to enjoy my talk. It was great to catch up with Surat Shaan Knan and see the new pop-up version of the Twilight People exhibition. There were at least two trans people (serving police officers) in the audience.

The conference was in the Guildhall in the City of London. It is a very impressive space. I haven’t had time to process my photos yet, but hopefully I’ll have some for you later.

We also had a lovely party last night. One of the advantages of hanging out with gay people is that they have no qualms about playing Wham. Whatever else you might think about George & Andy, “Wake Me Up Before You Go Go” is a great dance track. (And no, I can’t hit that high, I don’t have that vocal range.)

Today I took myself off to the British Museum to see the Sunken Cities exhibition. This is material from the Egyptian cities of Thonis (called Heracleion by the Greeks) and Canopus. It is amazing, if you like that sort of thing, which I do. The quality of the artifacts is superb, because they have been preserved under the sea rather than out in the open getting weathered, smashed and stolen.

The exhibition traces the history of Egypt’s incorporation into the Mediterranean world from the first use of Greek soldiers by the pharaohs through the conquest by Alexander to incorporation into the Roman Empire. The religious history over this period is fascinating, with Egyptian gods first being mapped onto Greek religion and then incorporated into the religious use of the Empire. I’ll have more to say about this in a separate post.

And finally I paid a brief visit to Forbidden Planet and came away with a pile of books. Chief among this was Seanan McGuire’s novella, Every Heart a Doorway, which is utterly delightful and thoroughly recommended.

Talking to the Police

Sorry about another apparent clickbait headline, but that’s exactly what I will be doing.

This morning I RT’d the tweet below. Yes, there is such a thing as a police LGBT conference. The 2016 event is taking place in London tomorrow. I’m going to be one of the guest speakers. I’ll be telling them all about trans people in antiquity. Should be fun.

https://twitter.com/ASPoliceLGBT/status/753507085652992000

Remembering Wendy Carlos

As I have probably mentioned before, one of my TV addictions is music documentaries. Recently I have been watching a few about electronic music. Now when you think of the history of electronica you probably think of people like Kraftwerk and Gary Numan, but synthesizers had been about in popular music since the 1960s. Historically, of course, it can be dated back at least as far as 1928 when Léon Theremin patented his truly bizarre musical instrument. Two early pioneers of the use of synthesizers in rock and pop were Pete Townshend and Stevie Wonder. But the synth-only album was quite another thing.

My favorite synth composer from when I was a teenager was Isao Tomita (and I’m playing Snowflakes are Dancing while I write this). But he wasn’t the first on the scene. Back in 1968 Wendy Carlos had an unlikely commercial hit. She had realized that the metronomic precision of the music of Johann Sebastian Bach was perfect for synthesizers, and created an album called Switched on Bach which reached #10 on the Billboard album chart and has sold over 1 million copies.

Although she produced several other classical-themed albums, Carlos’s career quickly moved sideways into films when she was hired by Stanley Kubrick to write the score for A Clockwork Orange. She re-united with Kubrick to score The Shining, and was later hired by Disney to produce a soundtrack for Tron. That’s not a bad career for a woman composer you have probably never heard of.

If you find an early copy of Switched on Bach you may see it credited to someone else. That’s because, back in the 1960s, in addition to becoming a pioneer of electronic music and a pop sensation, Wendy was also undergoing gender transition. Trans women are awesome.

Oh, and Wendy is still with us. There’s someone I would love to meet.

Finland Update

Iisalmi Church Outside
My apologies for the lack of blogging over the past few days. That’s partly due to being on the road, partly due to lack of wifi access (I get free roaming in Finland on my phone, but that doesn’t include tethering), and partly due to my being so boggled by the goings on back home that I have no idea what to say. Here, in lieu of anything more intelligent, is a little bit of Finnish history.

Well, sort of history anyway. The basic facts are true, but I have embellished them somewhat. Also I have translated the mythic context from Finnish to Scandinavian. That’s partly because you folks will be far more familiar with Scandinavian folklore, and partly because the Finns don’t have an equivalent of frost giants. Irma tells me that, like the forest, snow is something that Finns are not afraid of. They see both things as something that keeps them safe from invaders rather than a threat.

Iisalmi Church Inside 1
Once upon a time the people of Iisalmi decided that they would like to have a church of their own. They had been Christian for many generations, but there had never been a church in their town, so they decided to build one. They built the church out of wood, but this proved to be a mistake because Thor was angry with them for deserting him. He threw a bolt of lightning at the church and it burned to the ground.

The people of Iisalmi determined not to be cowed by pagan gods. Swiftly they erected a new church. But they did so in such a hurry that the first time a frost giant stomped past that winter it fell down.

Iisalmi Church Inside 2
Still the people of Iisalmi refused to be beaten. They decided to build a church out of stone that no one could burn or knock down. Stone churches are expensive, so they collected a great of money and silver to pay for it. They put all of this wealth in a great wooden chest with seven locks. But Loki saw all of this treasure are determined to have it for himself. He sent thieves to steal it, giving them magic with which to open the seven locks and get away unseen.

With their money stolen, the people of Iisalmi had no choice but to build in wood once more. They were, of course, afraid that their church would be demolished again, so they got together to decide how to proceed. After much discussion the people decided to build a church so beautiful that no one, not even pagan gods, would dare to destroy it. That is what they did, and the church is still standing today.

Iisalmi Church Inside 3
I should note that the church has been renovated several times since it was built, but they have tried to stick to an 18th Century look for it.

I note also that the altarpiece was painted by a woman, Alexandra SÃ¥ltin. Apparently her work was well known and she did paintings for several other churches in the area.

Introducing Adela Breton

Yesterday’s history conference was held in the Bath Royal Literary and Scientific Institution (yes, of course Bath has such a thing). On the ground floor of the building there was a remarkable exhibition celebrating the life and work of a 19th Century Bath archaeologist and artist, Adela Breton. Ms. Breton spent much of her life in Mexico painting Aztec and Maya cities. As with most other pioneering women scientists, her work has been largely forgotten.

Breton’s faithful recording of the ancient cities have proved invaluable to archaeologists, but the most amazing thing she did was produce recreations of the decorative friezes on the buildings, in full color. Note that this is not a case of an artist fancifully colorizing an ancient artifact, this is an archaeologist painstakingly examining a site for evidence of pigments, and recreating the art as it would have looked when the site was inhabited.

Here’s a frieze from the Temple of the Jaguars at Chichén Itzá as it looks now.

JaguarsOriginal

And here is Breton’s recreation.

JaguarsColored

My favorite piece from the exhibition is this amazing image of a bat demon. The Maya apparently associated bats with the underworld, because they live in caves.

BatDemon

The exhibition in Bath will continue to October 1st, so do pop in if you happen to be in town. Bristol Museum will be doing something soon too.

Pauline Boty and Feminism’s Sex Problem

I spent yesterday in Bath at the annual conference of the The West of England & South Wales Women’s History Network. There were many interesting papers. I was rather sad that the one about women in the Mabinogion didn’t happen, but I very much enjoyed the one about women in Pop Art.

You may recall that a couple of years ago I wrote about a BBC documentary on the women of Pop Art. One of the women whose work starred in that show was Pauline Boty. Yesterday I was privileged to hear a talk about Boty by Sue Tate who is probably the world expert on her, or at the very least has written the book.

Boty rose to fame in the 1960s. She was young, blonde, very pretty, intelligent, feminist, and apparently very fond of men. Therein lies a problem, because she worked in Pop Art, a field that is pretty much synonymous with sexual objectification of women. How is an artist like Boty, who thinks that women should be allowed to enjoy sex, to situate herself within a field that is all about men’s sexual exploitation of women? That was basically the subject of Sue’s talk.

Of course in the 1970s feminism tried to solve the problem by retreating from sex. Women were supposed to become sexless, wearing shapeless clothes that disguised bodily shape, cutting their hair short, not wearing make-up or bras, and becoming “political lesbians”. Boty, who sadly died very young of cancer, would have hated that. Lots of other women must have too, because it didn’t last.

After the talk I stuck my hand up and asked Sue for her opinion on Beyoncé. I was pleased to see that I had nailed the topic. The debate around Bey’s work is much the same as that around Boty’s: how is an attractive, sexy woman supposed to be a feminist, if she uses her sexiness in her art?

And of course it isn’t limited to them. Madonna was mentioned briefly, and from my own field I would single out Justina Robson as someone who centers female sexuality in her work and is looked down upon because of it.

I don’t think that it is a debate that is going to go away, if only because which side feminists take tends to depend on how fond they are of sex, and in particular sex with men. I am, of course, obliged to stick my hand up and declare a preference there. However, I don’t think that women can be truly emancipated until they are allowed to have pride in and control over their sexuality.

Oh, and BBC, next time you want to do a documentary about women in Pop Art, get Sue to front it.