Why I Get Broadband from Zen

So, here I am back at Marjorie’s place for a couple of hours to check email and try to sort out my Internet access problem. The good news is that despite the BT sales person assuring me that nothing could be done in less that 2 weeks, I now have email promising me a phone line by May 4th. That however, is only half the problem, because I need broadband access too.

Of course I could get broadband from BT, which would possibly be quicker, but it would be crap service. I get my broadband from Zen, because they do a great job, including having a “customer service” department that actually tries to help the customer rather than simply parroting excuses from a script. Case in point.

When I knew I would be moving, I asked Zen what I should do. They explained what I needed to tell BT in order to get both phone line and broadband set up simultaneously. I called BT and got some kid in call centre who insisted that there was no way that they would consider setting up broadband until the phone line was active. So I called Zen again and the guy there is sending me an email with the exact words I need to quote to the BT people in order to get them to do what I want. He also said they do about 40 of these simultaneous transfers a week, which kind of makes a nonsense of the BT guy saying it was impossible.

Of course I may well get stonewalled again by BT. That’s what big corporations teach their call centre staff to do. But with any luck I’ll actually have Internet access in just over a week, which is much better than the 3 weeks I was looking at yesterday. And it will be a good broadband service from a company that actually cares about its customers, which is a real rarity in Britain these days.

Girl Reporter Tweets Rock Stars

I am back from London. It has been a long, tiring and very fun day. Along the way I got to see a great gig, catch up with some good friends, and finally use AudioBoo for the purpose for which it is so well suited – on the spot micro interviews. For those of you who do not follow me on Twitter, we have:

Check back through the Twitter feed for the whole thing, complete with chickens, elephants and news of Amanda’s forthcoming album.

Amanda and Jason have managed to get the webcast to work from Bush Hall, and are live right now.

Check back with me on Wednesday night when I’ll be tweeting live from the Clarke Award ceremony (or at least around it – I gather the room we’ll be in is a wi-fi and cell dead spot).

Amanda Virtually Live

I have been watching an awesome, if somewhat chaotic, webcast of Amanda Palmer’s Dublin gig. Obviously it isn’t as good as sitting in the audience with Neil, but the girl rocks and the tech was pretty darn impressive. Jason Webley and the rest of the EvelynEvelyn crew are stuck in the US because of the volcano, so Amanda had a big screen up on stage with Jason on videophone via Skype. Playing together was hard because there’s a 2 second time delay between Dublin and New York, but they managed a creditable show all the same.

And the whole thing was webcast live on UStream. The video quality wasn’t great, but it was far better than anything I’ve seen from conventions. The feed went down when Amanda started playing the new Volcano Song, which is all about how she and Neil look like missing out on a vacation together due to the current travel chaos. That could easily have been NeilWebFail. But otherwise it was an impressive show.

Neil dear – if you happen to be reading this, I’d love to talk to Amanda’s tech guy about the resources necessary for all that.

Also I want the lyrics for the Volcano Song. I am totally filking it, and replacing the volcano with the #@$%*&^#! CBP.

Virtual Conventions – Some Reflection

I’ve let my experience with the virtual conventions panel at Eastercon, and related events, percolate around in my mind for a couple of weeks. Here are some brief thoughts.

You can get an audience. There were 33 people online for the Virtual Conventions panel. That’s a lot more than were actually in the room. And that doesn’t count the people who attended only via Second Life, or the 18 people who watched the replay, or however many people listened to Jim Mowatt’s podcast of the panel. If, say, Iain Banks had been on the panel I think the online audience would have been much bigger.

Having decent free wi-fi in the convention venue makes a huge difference. I did a lot of tweeting from panels. Others did too. According to Danie Ware the #eastercon hashtag was actually trending worldwide for a short period on Sunday. A lot of people would have been able to follow panels just because of that. In a few cases I was able to use incoming tweets as input to discussions.

On the other hand, if you need to do anything serious, such as webcasting a Hugo Award Nominees announcement, you desperately need dedicated Internet access that you can guarantee won’t be dragged down by the tweeting of the attendees.

Video is possible, but limited. UStream works, but the video quality is awful unless you have really good connection. What it actually does is provide decent quality streaming audio. However, the unmoderated backchannel isn’t very useful.

Indeed, even if you are only watching Twitter, the backchannel can quickly become overwhelming (and if popular enough will be spammed by bots). Any popular event will need to be moderated.

I remain convinced that Cover It Live is an excellent tool for virtual panels, especially because of the moderation facilities, but fandom at large appears wedded to awful solutions like UStream, LiveJournal and chat rooms. I may actually have to run a virtual convention to prove the point.

Moderating a panel online and in meat-space at the same time is hellishly difficult (and thanks to my co-panelists for handling much of the meat-space stuff themselves).

I’m not convinced that all convention events are suitable for being both live and online. The Hugo event worked because it was of huge international interest and had almost no live interaction. The Virtual Conventions panel worked, at least in part, because there were so few people in the room. I think the best things to webcast are things like the Hugo event. For discussion panels I suspect it may be better to be all online, or to be live plus Twitter.

I wasn’t able to see what went on in Second Life, but the possibilities are intriguing. Once I have a home of my own I shall look into getting a computer with a decent graphics card so that I can go there myself and check things out. In the meantime, here’s a quick taster (thanks Bill!).

The Panel in Second Life

Catchup Linkage

Here’s a bunch of things that came in over the past few days:

– Margaret Atwood likens Twitter to Fairyland.

– Cherie Priest explains what aspects of publishing authors can and cannot control.

– The Science Fiction World saga rumbles on. News here (via Neil so you have probably read it). Analysis at World SF News.

The Independent wonders whether the ancient inhabitants of Scotland were literate. Little do they know that when Pictish writing is deciphered it will turn out to be largely early drafts of Culture novels.

Discovering Bandcamp

I have been wondering what I should do about buying music now I’m trying not to use Amazon. Well, thanks to Amanda Palmer, I have discovered Bandcamp. According to Amanda, artists selling through this store get a bigger cut than anywhere else. It also allows you to choose the format, and they allow you to add a tip to your purchase, should you feel so inclined.

Most of the artists there are people I have never heard of, because the big labels don’t use the site. However, I have a sneaking suspicion that quite a few of them will fall into the category of “really awesome bands that Marc Gascoigne hasn’t told me about yet” and I will come to love them in due course. There are familiar names though. I saw several albums by SJ Tucker, and also the soundtrack album for Jeff VanderMeer’s Finch.

Doubtless I have many hours of fun exploring the site ahead of me. But before that I’m going to sit back and listen to my shiny (well, shiny for a set of MP3s) copy of Evelyn Evelyn.

Eastercon Update

For the benefit of Gary Farber and anyone else wishing to follow along from afar, Danie Ware has published details of the live panel she is running from Eastercon. It doesn’t appear to include a URL for the UStream coverage yet, but you could ask here there.

Late Night Linkage

Because I have booked 10 hours on the Day Jobbe today and have had #ALD10 to worry about.

– The music industry is considering a Trustmark scheme to indicate download sites that are not piracy. Worth checking out if you are an author worried about similar issues.

– MORAL PANIC! MORAL PANIC!!! The Telegraph says that Facebook causes syphilis. Mashable is more cautious, and I gather that Ben Goldacre is on the case, so expect something amusing on Saturday.

Mega sale of old mimeo fanzines on eBay (mostly comics-related). Thanks to Forbidden Planet for the tip-off.

– Justine Larbalestier ponders one of the age old questions of the Internet (the one I tend to call, “Why do you see the fact that I don’t like the same books as you as a threat?”) She also considers forcing John Scalzi to wear a ballgown.

The Economist does a daily blog post linking to interesting writing about economics. Today’s links included one to this post by Charlie Stross on the economics of book length.

– One of the more interesting presentations at the recent DEMO conference was about the use of quantum dots in camera phones. Mashable has a nice summary. I like seeing technology I first read about in SF novels finding its way into everyday life.

– Mind control: wear this simple helmet and you can control a computer just by thinking.

Virtual Eastercon

Interesting things should be happening at Eastercon this year, especially for those of you who can’t attend.

On Saturday afternoon there will be a panel in social media. I believe it is going out on UStream, and it is apparently using the hashtag #Livecon. Danie Ware is in charge of the festivities, and Paul Cornell is one of the panelists.

Early on Sunday evening there is a panel on virtual conventions. I’ve been asked to moderate this (yes, I know the draft program (PDF) says Maura, long story) and I’m planning to run it as a CoverItLive event. I will be taking questions from the online audience as well as from people in the room.

If I’m slightly breathless on that it will be because it follows directly on from the BSFA Awards ceremony, which I’m also intending to cover using CoverItLive.

More generally, I’m sure that a lot of people will be blogging, tweeting and so on. And, of course, it is a very busy weekend for conventions. Kevin will be at Norwescon. Minicon, Wondercon and Swancon are also taking place. I’ve put out a request for reporters for ConReporter.com. If you are interested, let me know. And if anyone knows of official hashtags for any of these cons, again please let me know.

And there may be one other live event on the Sunday. Watch this space.

Journalism At Work

Just in case you are not suspicious enough about the news that you read, here’s a potential cautionary tale about reporting of news from foreign countries. Most of you will doubtless be aware of the case earlier this week in which some Google executives were found guilty by an Italian court in a case involving an uploaded video of a boy being bullied. But how much of the reporting was done by people who neither speak Italian nor understand the Italian legal system? Indeed, how much of the reporting was based on Google’s own press release? Here’s an Italian view of the case from Marco Cantu.

The first thing to note is that Google was found not guilty of the charge of “defamation”. That means, as I understand it, that they were not held responsible for the content of the video.

Secondly, the Google press release states that they removed the video, “within hours of being notified by the Italian police”. That’s true. But TechCrunch says, “Google removed the video within hours of being notified of its existence”; and the BBC says, “Google’s lawyers said that the video was removed as soon as it was brought to its attention.” According to Marco, these statements are not true. He says that it took several weeks of complaints by users of the site and charities before anything was done, and Google only acted when the police became involved.

Finally there is the question as to what Google’s staff have been found guilty of. The charge with a guilty verdict is a “privacy violation”. What this means is apparently not clear. According to Marco the judge has thus far only issued a verdict. He has given no reasoning behind it, but it could simply turn on a technicality such as whether the Google site warned users that uploading pictures of minors without permission is a crime in Italy. If that is the case then the sentence does seem draconian, and will probably get reduced on appeal.

The whole case does seem to be very messy, and Italy’s Internet laws appear to be rather odd (see Crooked Timber), but we should maybe suspend our outrage until the judge has explained his decision, and always be very careful about what we read in the media.

I Get Interviewed

I have been talking to Tony Smith of Star Ship Sofa about helping him get live coverage of conventions, specifically Worldcon. Given that he needs a decent audio feed, we needed to test the technology, so we did a little test run of using Skype on my iPhone (using my home wi-fi, not over 3G which I think Skype still doesn’t support, though it is coming). Ever keen to get material, Tony asked if he could podcast the conversation, and you can find the results here.

The Skype-Skype conversation worked really well, but when Tony tried calling my mobile from his Skype account the sound quality dropped off significantly. That suggests this will work best when the phone has a good wi-fi signal to work with. But the 3G is OK as long as people understand they are listening to a live report from the field, not a studio conversation.

In the interview you will find out why my accent sounds so funny, why I think non-fiction writers often get a raw deal, and why, later this year, I may be calling Tony while I am naked.

Social Media Updates

I’m pleased to see from Mashable that Google has moved quickly to address some of the privacy concerns about Buzz. However, I still don’t have the time for yet another social network, and it seems that lots of other people are also demanding integration with other services.

You know, if Google wanted to make Buzz a tool that could keep control of Twitter and Facebook as well as itself…

But of course if they tried that both Facebook and Twitter would be forced to try to deny Buzz access to their systems.

Meanwhile the BBC has been thinking about the trade in information.

Social Networks Are Not Your Friends

With a new Facebook home page layout being released, and the launch of Google Buzz, teh intrawebs have once again been full of talk about social networks. Lots of people are jumping up and down demanding this and that, but they seem to me to have a rather naive view of their relationship to social networking platforms.

To understand why let’s take a trip back into the dim and distant days of the 20th Century. Does anyone remember the concept of the “portal site”? The basic idea of the portal is that it would act as a filter, helping users navigate the dangerous world of the Internet and providing a guide to the best content. Portals were a failure because it turned out that people were smart enough (and brave enough) to browse the web for themselves. But the idea of becoming the site though which people interact with the web has not gone away.

Social networks work better than portals because they offer their own content as well as providing links to other people’s. Crucially the content they provide is created for them for free by their members. And it works. For example, I am on LiveJournal solely because there are lots of people in SF fandom who only interact with the blogosphere through LiveJournal. They use it as a feed reader. Nowadays a similarly large group interacts with blogs only through Facebook. So if I want people to read my blog, or the blogs of conventions I’m promoting, I have to be on LiveJournal and Facebook.

Gaining a monopoly on people’s interaction with the web, however, is only part of the problem for social networks. They have to make money too. LiveJournal does it through selling advertising, and by charging for premium accounts. Facebook does it through selling advertising and by charging companies who want to provide entertainment to Facebook members via games and the like. And, of course, the networks need more and more information about their members to be available widely, because their members are their content.

It comes as no surprise to me, therefore, that Facebook is continually changing its privacy policy in an effort to trick members into making more of their information public. It also helps game manufacturers trick members into signing up for games, and makes it hard to get rid of them once you have signed up. (Their most recent re-write has even hidden the logout button.)

It all comes back to the idea that consumers these days expect so much for free that corporations are increasingly resorting to trickery to make money. And because companies like Facebook want to make money from you, they are going to keep trying to find new ways to exploit you.

All of which brings us to Google Buzz, launched with great fanfare yesterday. It was no great surprise to me to wake up this morning to find Bill Gibson tweeting about a way in which Buzz surreptitiously makes information about users available to a wider audience. The worrying thing about Buzz is that people with Google accounts already use many different services through them. If Google follows Facebook’s tactic of continually changing its privacy policy to encourage buzz users to share more information, a lot of people could get caught out.

For now I have turned Buzz off until I can get a handle on what it does, and what it is likely to do. As it happens, I don’t see any great use in it. I’m already on Twitter, and as I don’t use my gmail account for any serious email I don’t keep it open. Also I spend far to much time on social media as it is. With LiveJournal I am able to block comments and direct people to comment on my blog. With Facebook I get email notification of comments, though I’m much less likely to respond there. I could export my Twitter feed to Buzz, but I don’t want to have to keep it open in case anyone @replys to me. Until such time as Buzz can export those @replys to Twitter, or someone provides a client that manages both systems for you, I don’t want the additional distraction of a Buzz presence.

As for the security side, my advice, as always, is that if you don’t want something made public, don’t put it online. It really is the only way to be safe.

Code Magic Continues

I have now edited the PHP code on the Emerald City web site, so issue #120 and above are free on Amazon links. Unfortunately up until issue #119 all of the links were hard-coded into the HTML. They will take a little longer to root out. I’ll have to fire up Dreamweaver for the first time in years. And that may have to wait because I have many other things clamoring for my attention. Still, progress.

As If By Magic

A few lines of PHP code altered and suddenly all Amazon links are gone from this site. Ah, the power! There are currently links to The Book Depository instead. I may add links to IndieBound as an option if US folks tell me that TBD isn’t working for them.

Now I have to do SFAW and Emerald City

Further Amazon Thoughts

Five days in and the war is still going strong. People are starting digging trenches and laying in supplies for a long siege. Meanwhile the chattering classes (which of course includes me) are offering punditry, and the blogosphere is outraged as only the blogosphere can be.

Economics bloggers have started to take an interest in the issue. Lynne Kiesling has a useful round-up of links. I’m pleased to see that other people agree with my intuition that this dispute is largely a problem of perceived value. Explaining the economics of the publishing industry isn’t going to get you very far with people who just look at the finished product.

We monkeys are funny creatures. At times of celebration we buy food in hampers and presentation boxes. The food inside tastes the same, and the fancy wrapping doesn’t cost very much. It generally has little value and gets thrown away after we have eaten. But we are willing pay a lot more for that fancily wrapped food because it looks special.

Heck, we’ll sometimes pay a lot more for a book because it is signed by the author, even though the making of it so was the work of mere seconds.

Like it or not, an ebook appears to many people to be of intrinsically less value than a nice, solid hardcover. In their eyes, the former should cost much less than the latter.

Having said that, there have been some great posts out there, and real attempts to communicate on the part of authors. I guess this is coming as something of a shock to some of them. Obviously authors have fans tell them that their latest book is crap on a fairly regular basis, because no book pleases everyone. But unless they are poor George RR Martin they don’t normally get a whole pile of people telling them that they are greedy, selfish bastards who ought to be getting on with the important job of providing customers with what they want for as low a price as possible (preferably free). I really feel for Jay Lake, who has more reason than most to worry about his finances, and is brave enough to actually try to engage people. Here’s the sort of stuff he gets back from some folks.

Mind you, I have seen this sort of behavior before, and while getting called greedy when your livelihood is at stake must be painful, it is particularly galling when you have given your time and effort for free and people just assume you are making a fortune. Thankfully most fans, and most professionals, are well aware of how much volunteer labor goes into running a convention, but members of the World Fantasy Board and their hangers-on were still accusing us of ripping off members and stuffing our own pockets over the San José convention at-con when most of the attendees were going round saying what a wonderful time they were having, and even though they knew the money was all going through a non-profit that could only spend any surplus on other conventions and good causes like Clarion. (For the record, our surplus looks like being very low compared to past World Fantasy Cons, and even lower as a percentage of revenue due to the large size of the event.)

Anyway, back with Amazonfail, many people are starting to wonder where these sorts of attitudes came from. Jeff VanderMeer has some thoughts here. Some of what he says is undoubtedly right, but it is all too easy to point the finger at things like freebies. I don’t think this is the fault of people like Cory Doctorow, and I don’t think Jeff does either. The notion that consumers should only have to pay what they think a product is worth, not the economic cost of production (plus a reasonable profit margin if you are a Capitalist) has been around a long time. The current UK government regularly uses it as a stick to beat companies like utilities and grocery chains. Mandy is currently using a very similar tactic on universities. The idea that economics is some sort of dishonest voodoo, wheeled out like evolution to try to kid people into believing something other than what common sense tells them, gets used all the time. And the media always takes the side of the consumer, because it is mostly the consumers who buy their newspapers.

As an economist I am rather heartened to see so many people espousing the idea that discriminatory pricing is useful, and can be of benefit to all concerned in the long run, even though it might seem predatory in the short run. But I hope that all of the people currently so happy with the idea remember what they have said next time they are tempted to complain about similar practices employed by hotels, airlines, railways and so on.

Oh, and people, do stop calling it “discriminatory pricing”. Everyone knows that “discrimination” is a bad thing. Find some other term for it (“demand-based pricing,” perhaps), or you’ll keep losing the PR battle.

Meanwhile some people are trumpeting Apple, and possibly the rumored Google Tablet, as potential saviors. Anyone who thinks that Apple (and Google) are not in this game for a profit should read this.

And finally, if the whole thing has got too confusing, I recommend checking out the latest BSC Review column from everyone’s favorite Sodomite, Hal Duncan. Using brilliant historical research, and some linguistic skills he must have picked up at Ã…con, Hal reveals that the whole sorry dispute is actually about kitten hair rugs.

For A Change, Some FacebookFail

Amongst the many things clamoring for my attention this morning was the news from Finland that Facebook has closed down the fan page for Iron Sky, the sci-fi comedy film about Nazis on the moon. Apparently someone, either at Facebook or making a complaint, has got it into their heads that the film is pro-Nazi propaganda. That’s right up there with the crazy conspiracy theorists who mistook Iron Sky’s clever spoof newspaper, The Truth Today, for actual proof that a Nazi base had been discovered on the moon.

Of course, this being Facebook, punishment was meted out without any attempt to contact the accused or explain why they had been published, and thus far Facebook as not responded to requests for dialog. There’s a protest group on Facebook here, and bizarrely a couple of fan groups about the film are still up. It is only the film’s official fan page that has been taken down.

Update: Success! The Iron Sky fan page is back. See here for a rather inadequate apology from Facebook.

An Alternative to Amazon?

Given that a lot of us are thoroughly fed up with Amazon (and even if you agree with their plans for ebook pricing you have to admit that their behavior over the last few days has been petulant and childish), what do we do about selling books online? In time-honored Internet fashion I asked my readers for suggestions. The one that sounded most promising, as it provided worldwide coverage and an excellent selection of books, was The Book Depository.

Why do I like these people? To start with take a look at the responses to this post. They clearly have a lot of happy customers out there. Also one of the responses came from a chap called Kieron Smith who just happens to be the Managing Director (that’s British for CEO) of the company. That shows that they are on the ball. Having signed up for their affiliate program I was very impressed with the range of options available. It is going to take me a while to digest it all.

Of course I had reservations. One of those was how they would deal with small presses. Bearing in mind what people like Gavin Grant and Ben Jeapes have been saying about Amazon over the past few days, I didn’t want to get yelled at by publishers. As far as I can make out, TBD work mainly through major distributors such as IPG, Ingram and Baker & Taylor. As you’ll see from the comments to that previous post, Steven H Silver has been making inquiries about getting ISFiC books stocked and is happy so far. This bodes well.

I have also been looking around the TBD web site. They have an impressive list of awards, and staff with a solid background in the book trade. And personally I’m extremely happy to have found a UK company that really knows how to do a web site. Our train companies could learn something from these guys.

Of course there may be problems down the road, but from my first day’s contact with these folks I have been impressed enough with these folks to give them a try. It will take a while to convert everything over, if only because their links use the full 13-character ISBN and I’ve been using the 10-character one ever since Emerald City days, so I have a lot of data entry to do. However, if you want to take a look at their store you can do so though this link (UK and hopefully European users should see a link from there through to the UK site.) And if you want to check out their affiliate scheme you can do so here (noting that I’ll get a referral commission if you use that link).

Update: I see that Matt Cheney and Ken Neth are also recommending TBD.

Hello, Hive Mind…

It has been suggested to me that a good alternative to Amazon might be The Book Depository. The appear to have an excellent selection of books, and they deliver worldwide (whereas IndieBound is US-only). They say they deliver free, but of course their prices for individual books are slightly higher than Amazon’s because the delivery cost is built in.

Tero, who suggested them, is very happy with their service, so they can obviously cope with shipping to Finland. Does anyone else, particularly small publishers, have any experience of them?