Some #VATMOSS Updates

First the good news. I have email from HMRC assuring me that I do not have to register for VAT provided that I sell exclusively through third party sites that collect VAT on my behalf. This means Amazon, Google Play, and probably a few others that I haven’t confirmed that yet.

What that also means is that I can’t sell direct, I can’t sell through non-compliant third party stores (such as Weightless), and I can’t use crowdfunding.

Us book publishers get off lightly. In other business areas the main sales platforms are non-compliant. I’m thinking in particular of Etsy (for crafters) and Bandcamp (for musicians).

And now the bad news. The petition has got past 10,000 signatures, which means that the government has had to make an official response. Sadly whichever policy wonk wrote this for Vince Cable is hopelessly out of the loop.

Essentially what the Cable response is doing is regurgitating the old HMRC line that we were getting a couple of weeks ago. As this blog post explains, that was based on consideration of what the government described as an SME (Small to Medium Enterprise). The official definition of this is, “the category of micro, small and medium-sized enterprises (SMEs) is made up of enterprises which employ fewer than 250 persons and which have an annual turnover not exceeding 50 million euro, and/or an annual balance sheet total not exceeding 43 million euro”.

As you can imagine, most of the businesses in trouble over VATMOSS don’t make anywhere near that. Typically they are sole traderships (1 employee) and have turnovers not exceeding 50 thousand euro.

There are apparently 4.6 million such businesses in the UK at the moment, and while not all of them will sell digital products that’s still a huge number of businesses affected. A lot more than the 34,000 that HMRC estimated.

Anyway, I have to go on a business trip shortly, so I am leaving all of this in the capable hands of Juliet, and now also of Talis Kimberley, whom many of you will know from her music (yes, she is affected), but who is also now the Green Party’s Prospective Parliamentary Candidate for South Swindon. With any luck, by the time I get back they will have knocked a few heads together.

A Brief #VATMOSS Update

Thanks to the fine folks at Enterprise Nation, Juliet McKenna was one of many concerned people who got to meet a bunch of HMRC and Treasury bods in Westminster yesterday. As you’ll see from this report, Wizard’s Tower got mentioned. That also led to our getting a mention in the Financial Times today. It is behind a pay wall and they got their facts wrong, but hey, my little publishing company got mentioned in the FT.

It is a little early yet to know exactly what will come of this, but from what Juliet has told me we have at least been listened to, rather than getting fobbed off with platitudes as has been the case before. Also the government now has a much better idea of the scale of the problem.

While the possibility of getting the UK government onside is encouraging, these regulations are EU-wide, and we won’t be able to fix the problem without taking the campaign to Brussels. I have spent part of today emailing friends in Europe trying to find out how other countries are tacking the issue. If you happen to know anything about the situation in other EU countries, please get in touch.

Crowdfunding and the #VATMOSS Mess

Some of you are doubtless sick of all this VAT stuff by now, but it is consuming my life at the moment so I have nothing much else to write about. Sorry.

The current view is that a small press will probably be OK, and an individual writer will definitely be OK, if they stick to selling through VAT-compliant marketplaces. We think Amazon will be deemed compliant. So far so good. We don’t have to register for VATMOSS, as long as we close any direct sales outlets and stop selling through non-compliant stores. But what if the press wishes to raise money in some other way, such as a project on Kickstarter, or via Patreon?

This is where things start to get very murky, because it isn’t clear that anyone at HMRC knew what crowdfunding and patronage were before we started telling them. They certainly don’t seem to have appreciated how important these things are becoming.

With regard to crowdfunding, there is a lot of hot air blown over the subject of whether rewards count as “sales” or not. People go through all sorts of verbal gymnastics trying to prove that rewards are an investment in the company, or a donation, or some other thing that is not taxable. None of the accounting advice I have seen has any truck with this sort of thing. (See here, for example, or Suw Charman-Anderson writing for Forbes). Kickstarter even explicitly warns users that some rewards will be subject to VAT.

However, crowdfunding platforms do not view themselves as marketplaces. Even the UK-based ones I have looked at explicitly state that they exist only as a means to help users run campaigns. They do not collect VAT for you.

Now HMRC says that it is the responsibility of the marketplace to undertake VAT collection, so what they are going to make of this remains to be seen. Until something happens, however, it seems pretty likely that anyone in the EU offering digital goods as rewards in a crowdfunding campaign will be selling services directly to the customer and must register for VATMOSS, with all of the vast burdens that entails.

Patreon is rather different, in that you are generally not explicitly paying for something. For example, I can listen to Galactic Suburbia whether I back them on Patreon or not. And the various rewards on offer, in the form of more and better podcasts, are also available to everyone, regardless of patronage. (Update: at the highest backer level there’s an actual gift, but it is a paper fanzine so that’s goods not services.) So, could I put the Salon Futura podcasts up on Patreon and get money that way?

Sadly, I don’t think so. You see, podcasts are digital services, and thus if I get money for them they are liable for VAT. There are some tax rules about being allowed to receive small gifts tax free (up to £2500 a year), but those appear to apply only to charities, not businesses. HMRC would class the money received as a benefit, and benefits are taxable. I would certainly pay income tax on Patreon money if I got any.

The annoying thing is that none of this would matter if ebooks were classed as goods, or if there were a VAT threshold for cross-border digital services sales the way there is for cross-border sales of goods. As I explained yesterday, I can’t see any way that HMRC and the EU will change the classification of digital products, because the large media companies want them classifies as services. But I have yet to hear any sort of rational explanation as to why the thresholds are zero. If all EU countries have high thresholds for cross-border goods trade, why can they not do so for digital services? Why is there this specific attack on the digital economy?

Why #VATMOSS is a #DRM Issue

Another day, another set of confusing and contradictory messages about what will and will not be allowed from January 1st. There is, for example, this article in the Telegraph, which claims a victory for campaigners but is actually nothing but HMRC spin, presumably fed to the Telegraph by them. Firstly, any solution that requires micro businesses to register for VAT is a disaster. Only having to do so for sales into the rest of the EU is no help. Also, when we had the Twitter seminar on Monday, HMRC insisted that, in order to split reporting in the way that the Telegraph article suggests, the two parts of the company would have to be legally separate entities. You can’t do that if you are a sole trader, so at least one part of the company would have to be separately registered as a company. Yet more expensive red tape that people won’t have the time to deal with before January 1st.

What I want to talk about here, however, is a fundamental question that lies at the heart of the whole debate: whether digital products are “goods” or “services”. It is important because the EU has very generous revenue thresholds for selling “goods”, below which registration for VAT is not necessary. In contrast the revenue thresholds for selling “services” are zero, so everyone who sells them has to register.

At first sight it would seem crazy to suggest that an ebook, and MP3 of a song, or a jpeg of a photo, is a “service”. The physical products are very clearly goods. How does digitizing the product transform something from a “good” to a “service”? HMRC is getting itself tied in knots trying to establish how an ebook becomes a “service”. If you put it on a CD and mail it then is definitely isn’t a “service”. If you manually attach it to an email and send it then it may or may not be (HMRC people seemingly can’t agree amongst themselves on that one). But if you download it from a website then it is definitely a “service”.

Then again, for some time now, large corporations have been intent on establishing that digital products are indeed “services”. That’s because they are desperate to move us from a world in which we are able to own products — books, record, and so on — to a world in which we only ever rent a license to use products. They have been moving us from buying “goods” to buying “services”.

The way in which publishing companies distinguish between a “good” and a “service” is party with DRM (and partly by the terms and conditions under which the product is sold). By applying DRM to a book a publisher is saying, “this is not something you own and can copy or give away, it is something we own, and are renting to you”.

That’s not the way I publish my books. When I sell you a book I am still selling you a product. When you buy that file from me, you own it (though you don’t own the creative content as that’s covered by copyright). I am by no means the only publisher to operate in this way.

Logically, DRM free books ought to be goods. But can you imagine the chaos it would cause if a book with DRM was subject to VAT, but a DRM-free book was not? Not only would the DRM-free book be better value, but it would be cheaper too. It would be political dynamite for any country to make that distinction. So instead they have settled for the simple option of classing all ebooks as “services”. And now that they want to apply Place of Supply rules to VAT charged for those “services” they have got themselves into this ridiculous mess.

It is possible that this is a way out for me, in that I can argue a case whereby my books don’t become “services” until they are sold to the consumer. Therefore, if I only sell through VAT-compliant marketplaces such as Amazon, I don’t have to register for VAT. But I have no idea whether HMRC will accept such an argument, nor do I have any faith in their willingness to even consider the question. And without any assurance that I’m operating legally, I’ll need to take steps to move the business outside of that law.

Furthermore, there are all sorts of good reasons why digital microbusinesses might not want to sell solely through Amazon and its ilk. They might have products that such platforms aren’t set up to sell. They might not want huge corporations to have control over what they sell and how they sell it. In practice what HMRC is doing is the equivalent of saying to a small farmer that she can’t sell her crops at a market stall, she has to sell them through Tesco or a similar supermarket. What we need is a revenue threshold below which microbusinesses don’t have to register for VAT, regardless of what they are selling. Anything less (Telegraph please note) is a defeat.

Join the #VATMOSS Fightback

I have updated yesterday’s post to explain the Byzantine reasoning why digital products are apparently not eligible for the VAT thresholds. In the meantime, Juliet has set up a protest group to try to force HMRC to take notice of the very many businesses that it will destroy. If you are affected in any way by VATMOSS, please sign up here.

There are also some guidelines as to how to best go about writing to your MP or MEP about this. This will affect all of you in the UK, because one of the effects of this will be that Amazon has to charge 20% VAT on ebooks rather than 3%. They’ll try to do that by squeezing authors and publishers, which will hurt your favorite writers, but inevitably prices will rise too. If small presses were allowed to claim VAT exemption we’d be allowed to sell you ebooks VAT-free. Having no exemption threshold means that we can’t do that.

The #VATMOSS Mess Enters Looking Glass Land

The biggest problem that all of us struggling with this issue have is that we simply can’t rely on information we are given. I’ve mostly given up researching it and am instead looking at the issues involved in selling Wizard’s Tower to someone outside of the EU. Juliet McKenna, however, has been beavering away. And the more she finds out the more like Looking Glass Land the whole thing becomes. Take this, for example:

https://twitter.com/JulietEMcKenna/status/538993571740020736

Yes, that’s right. On the one had we are being told that we should prevent people in other EU countries from buying our products if we can’t charge the correct VAT rate, and on the other hand we are being told that such discrimination may be illegal.

Meanwhile folks in other countries are getting worried about having to register. Here’s Howard Tayler:

So, no Shlock Mercenary for you, EU readers. And HMRC is quite adamant that non-EU suppliers MUST register, no matter how small their business.

Does that seem crazy to you? Well actually it is. No sane European government would do that. It just isn’t practical for a government to worry about collecting VAT on the sale of 40 knitting patterns a year, let alone take legal action in Canada to enforce it. So I don’t think that Howard, or anyone else outside the EU, has anything to worry about unless they have an EU-based subsidiary, or they sell huge amounts of product. The obvious proof of this is that non-EU countries have been liable to charge VAT under the Place of Supply rules since 2003. To my knowledge, no non-EU small business owner has been arrested over this.

What’s different now is that the same rules are being applied to EU-based businesses, and that HMRC insists that every business has to register, no matter how small. Their rationale for this is that they cannot control laws in other EU countries. While the UK might have a threshold of £81k turnover, below which a business need not register for VAT, other countries might not be so friendly to small business. I quote from their recent FAQ on the subject:

B2 Why can’t there be a minimum VAT threshold like in UK? #VATMOSS

Within limits, each Member State decides on its own VAT threshold, and we cannot impose our threshold on them. #VATMOSS

And they are right. Hang your heads in shame, Spain and Sweden, both of whom have zero thresholds.

But wait, did you click through on that link? Did you read what it said at the top of the page? OK, for those of you who didn’t, here are the important words:

Generally, non-resident businesses that must register for VAT in another EU state face a nil registration threshold. A major exception to this rule is e-commerce to consumers, where foreign EU retailers have special EU distance selling VAT thresholds.

I’ll repeat that. Special EU distance selling VAT thresholds, which apply solely to digital transactions. Here they are. And guess what? None of them are anywhere close to zero. All of them would easily allow a micro-business such as Wizard’s Tower to keep trading.

Now that site I have been linking to is not an official government site. It is, however, very comprehensive and seemingly well informed. For example, just last week they reported that Google would be changing their terms of business to be properly VAT-compliant under the new rules. That’s a big relief.

So what exactly is going on here? It is, of course, entirely possible that HMRC is far better informed than most, and they know that the distance-selling VAT thresholds will be lowered as of January 1st. On the other hand, we could be dealing with a dishonest government seeking to put the squeeze on small businesses and sow distrust of the EU by pretending that EU regulations are much more draconian than they really are.

Update: I see that the page linked to above now notes that thresholds are zero for “electronic services”. Believe it or not, that means all digital sales. As Juliet notes here, that makes a certain amount of sense for a book or movie that has DRM, because you are buying a license to view it, not the object itself. It makes no sense whatsoever if you are simply selling a file. And indeed HMRC says that such things are not “services” if they are manually emailed to the customer rather than directly downloaded. Honestly, it makes quantum physics seem easy.

Just to re-iterate what I said at the beginning of this post, the main issue here is that it is impossible to tell what it is safe to do and what it isn’t safe to do. HMRC will not issue guidance, but they will prosecute if you get it wrong. No one has any idea how governments will cope with tens of thousands of very small companies trying to register to charge VAT, and HMRC seems perfectly happy with the idea that all of those companies will be forced out of business.

The #VATMOSS Mess That Keeps On Growing

Yesterday HMRC hosted a Twitter chat to answer questions about the new VAT rules that I blogged about the other day. A little clarity has been obtained, but far more confusion has been sown. Juliet has a blow-by-blow summary of some of the answers. I’m going to try to give a more high level view.

First up, as I suspected, the petition that is being passed around is largely a waste of time. HMRC cannot unilaterally decide to have a VAT liability threshold for the whole of Europe. We are bound by the laws of the countries that we sell into, and that’s that.

HMRC also confirmed that companies outside of the EU are liable and must also charge VAT on all sales into the EU. (Yes, this does mean you, Alisa). However, the chances of them actually enforcing this are pretty low, especially as most of the sales will come via third party platforms and so will be covered.

The good news for many people is that if you sell only via third party platforms such as Amazon then you should be OK, because they will charge the correct VAT rate for you, and you don’t have to worry. Except that by no means all of these platforms do this, and if they do they may not do it correctly. HMRC avoids questions about having an approved list of platforms, and instead says it is our responsibility to read the Terms & Conditions to make sure that the platform complies. Many of these platforms are US-based and may not care too much about getting it right. Google Play is apparently not compliant, and if they don’t play ball, what chance is there that others will?

There is another wrinkle too. In theory VAT applies at all stages in the supply chain. If there are business-to-business transactions, the selling business charges VAT, and the buying business claims that VAT back from the VAT their charge their customers. It isn’t clear to me why someone selling through Amazon doesn’t have to charge them VAT, but presumably some sort of ruling exists. My guess is that any such ruling will be dependent on the person selling through Amazon being the originator of the product. That is, Amazon is not buying an ebook from you, it is buying the right to publish your words. But that isn’t the case for me. I’m publishing house, not an author.

I am pretty sure that once HMRC gets their heads around that concept they will decide that I have to charge Amazon VAT on the books I sell them. Amazon, however, persists in assuming that everyone who uses their online publishing service is a sole author. That’s the way they want the world to be: just them and authors. So I’ll have to charge them VAT on the books they sell, but they won’t acknowledge that they have paid it and they’ll add yet more VAT onto the price before selling it. Which means customers will be taxed twice.

There are problems with registering for VAT too. I could be a good girl and sign up to do this. Except that if I want to carry on doing direct sales I have to provide two independent sources of proof of the location of each customer (and keep this information on file for 10 years). One such item should be the IP address from which the product was purchased. PayPal does not provide this information, so I’d have to work out how to get it myself, or pay for a more sophisticated ecommerce system that will do it. Of course I closed the original bookstore because I wasn’t doing enough business to afford the fees from Shopify.

HMRC hasn’t begun to think about the Data Protection Act implications of this.

So yes, direct sales are definitely a non-starter from January 1st. Amazon will be laughing all the way to the bank.

HMRC did try to be helpful. There are ways around the regulations. It is OK if you just take orders on your website, and then send the product to the customer via an email that you type yourself. Quite apart from the dragging us back into the 20th Century involved, there’s the small matter that the convenience of direct downloads is one of the main reasons why people shop at Amazon. An online bookstore that doesn’t offer direct downloads is dead in the water.

It gets worse. I tried to ask HMRC about crowdfunding and Patreon. They didn’t reply, probably because they had no idea what I was talking about.

Again, once they get their heads around all of this, they will almost certainly decide that such sites do have to charge VAT on all sales into the EU. They are not going to be impressed by claims that these are “donations” with free gifts attached. Currently Kickstarter is the only platform I know of that tries to do VAT correctly. I have been nervous about using them in the past because they insist on charging VAT on sales into Europe even if the seller is not VAT-registered. I can see now why they do that, and from Jan 1st it will be mandatory. But there are other complications with using Kickstarter from the UK that mean I really don’t want to use it.

Obviously I’ll be discussing this with all of the authors whose work I publish, but it certainly seems like something will have to give. The more I think about it, the more I come to the conclusion that the only viable option is to sell Wizard’s Tower to someone outside of the EU.

The VATman Cometh, Destroying Businesses

I’m a bit behind on this due to having been focusing on other things for the past few months, but I have just caught up on a change to VAT legislation that looks like being an absolute nightmare for anyone running a small press (and indeed anyone who sells digital products).

As you may know, the whole situation with VAT on ebooks is crazy. Although the rate for paper books is zero in the UK, the rate for ebooks is 20%. The avoid this, Amazon Europe has incorporated in Luxembourg, where the rate is only 3%. This gives them a significant advantage over UK-based rivals. Other large ebook platforms do the same thing.

The powers that be in Europe have, for some time, been trying to find a way to close this loophole. The obvious thing to do would be to have a common VAT rate across the EU, but of course there’s no way that individual countries will ever agree on what it should be. So instead they have created a bureaucratic nightmare.

From January 1st, the way that VAT is levied in Europe will change. Instead of companies having to charge VAT at their local rate, they have to charge VAT at the customer’s local rate. This is called the Place of Supply rule. This means that anyone selling digital products in Europe has to register for VAT in every country, charge VAT on each sale according to the local rate, and account for all of this on a quarterly basis.

Normally this would not matter too much, because it would only affect big companies. The UK has a healthy and very sensible turnover threshold below which you do not have to register for VAT. I have never bothered for my consultancy business. I’d probably save money doing it, as I’d be able to claim VAT back on purchases, but the time involved in filing VAT returns, and the near certainty of being investigated by VAT officers who won’t believe that my clients are primarily in the USA, make it not worth my while.

Except that the new rules coming in next year have a turnover threshold of zero for digital products. Yes, that’s right. If all you do is sell one ebook, or a few knitting patterns on Etsy, or a little app you made for fun, you are required to register for VAT and file VAT returns once a quarter. Even if the tax involved is only pennies.

Because I am coming to this rather late, I don’t have a good handle on all of the implications. For example, if you sell through Amazon, it may be that what you have is a Business-to-Business relationship with a Luxembourg company rather than a Business-to-Customer relationship with each person who buys your book. My little bookstore, however, would have to start charging VAT and accounting for where customers lived. I’m also pretty sure that a crowd-funding campaign would count as Business-to-Customer.

The implications for any small company selling digital products are so horrendous that the Head of Tax at the Institute of Chartered Accountants (England & Wales) has apparently suggested that small businesses stop selling in Europe to avoid all of this mess. Except, how can you? The digital world is global by nature. The better-written platforms, such as Amazon, will at least allow you to block sales via their EU-based sites. However, there’s nothing to stop someone in, say, Finland, buying one of my books via Amazon US, or Amazon UK. If they did, I may be legally obliged to account for that, and Amazon’s systems don’t give me enough information to do that.

Right now I am desperately trying to get some tax advice as to what I can and cannot do. However, because the vast majority of people affected by this are so small that they have never registered for VAT, and probably don’t make enough to afford an accountant, finding someone able to give good advice may be quite hard.

There is a petition on change.org asking the Secretary of State for Business to provide some sort of threshold below which registration will not be required. Please sign. However, from what I have read I’m not convinced that he can do that without withdrawing from the system altogether.

There is also a plan for a Twitter campaign tomorrow morning (UK time) to try to make the government aware just how many small businesses are going to be wrecked by this legislation. Details are here. All support will be gratefully received. If you don’t have time to follow the link, please at least look out for anything containing the hashtags #VATMOSS and #VATMESS, and retweet like crazy.

Somehow I will find a way for Wizard’s Tower to stay in business in some form next year. But right now I have no idea how.

Halloween Sale – Monster Hunters

Monster HuntersIt is Halloween, and the world is full of Ghoulies, Ghosties, Long-legged Beasties and Things that Go Bump in the Night. What better time, therefore, to engage the services of Challoner, Murray & Balfour: Monster Hunters at Law?

And because we are a generous lot here at Wizard’s Tower (and don’t want to see you eaten by supernatural horrors), we are making this fine book by Juliet E. McKenna available at half price: just £1.49.

This offer is only available for the next 24 hours, and only through the Wizard’s Tower bookstore. Go grab it now.

Resurrection Code Resurrected

Resurrection Code - Lyda MorehouseBristolCon starts tomorrow, and it seems only appropriate that I should have a new book out for the local convention. Of course it’s not paper, but hey, it is a great book.

Resurrection Code is a prequel of sorts to Lyda Morehouse’s AngeLink series, in that it tells the story of how Christian El-Aref, a street kid from Cairo, grew up to become Mouse, the world’s most wanted cyber-criminal. However, the book also has scenes that fall after the end of Apocalypse Array in which older and wiser Mouse and Deirdre visit Cairo in search of Mouse’s past, and in an attempt to right a terrible wrong that Mouse committed as a teenager.

Lyda wrote about the book, and how important issues of gender are to the entire series, for the Big Idea series on John Scalzi’s Whatever blog. Lyda didn’t know much about Trans people when she started writing the series. Of course then she met me, and many others. Inevitably ideas evolved. Resurrection Code was part of that process.

But in Trans politics things move very quickly. When proofing the book it became clear to me that there were a few things that could have been done better, and a few where the terminology used was outdated. So Lyda and I worked together to make some small but significant changes to the text. Doubtless in 10 years time it will all be out of date again, but we tried.

Anyway, the entire series is now available, so why not check out this stunning review from Alyx Dellamonica at Tor.com. My feelings about the series are pretty much the same as Alyx’s, which is why I was so delighted to get to publish it.

The book is available in the Wizard’s Tower store. It will appear in other stores in due course as their schedules (and the Piranhas’ obsession with publication rights) allows.

Eurocon – Day 3

Yesterday was rather more busy than I had hoped, though much of that was my fault for a) buying a Jim Fitzpatrick print (which then needed careful packing) and b) watching the Grand Prix.

Anyway, I got through my final two panels OK, and attended the Polish Fiction panel. All of those I managed to blog a bit about in yesterday’s posts, though I am expecting more on the Polish writers at some point. I don’t trust myself to spell their names correctly, or even well enough to look them up.

I also made my flight on time, despite leaving almost two hours later than planned. Actually this probably didn’t matter because there had been a major Gaelic Football game on at Croke Park and my cab driver said that traffic had been impossible while the ground emptied.

I am now in Bristol. We have the first of the VanderMeer events tonight. There are a few tickets available due to last-minute cancellations.

I am so glad that I hadn’t planned to attend any of the cricket today, and feel very sorry for all the people in India shirts who are in the hotel.

I should actually get home tonight. I will miss comfortable hotel beds.

Fighting Airship Wins Battle

Bristol-based blogger, Joanna Papageorgiou, is running a “battle of the books” type event to find the best fiction set in Bristol. You may remember that Colinthology lost out to the excellent Heartman a few weeks back. In today’s post Joanna pitted Airship Shape & Bristol Fashion against Eye Contact, a thriller by Fergus McNeill that is published by Hodder & Stoughton. We won! I am very pleased.

You can read Joanna’s opinions of the two books here. And if you haven’t got a copy of Airship Shape & Bristol Fashion yet, you can buy the ebooks here. I will have paperback copies at Shamrokon. I’m not bringing many because I’m flying RyanAir, so if you want one let me know. I don’t want anyone to be disappointed.

Kontakt – #WITMonth

I’ve been slacking a bit on the Women in Translation Month this week because I’ve been rushing around too much. I’m making up for it now with my first post on this week’s topic: Central & Eastern Europe. Not only do I have women writers to recommend, I have a book you can buy. Kontakt is an anthology of stories by Croatian writers that was published for the 2012 Eurocon in Zagreb. I was honored to be allowed to produce an ebook edition. It contains some wonderful stories, all of them translated into English. There are four women authors in the book: Milena Benini, Tatjana JambriÅ¡ak, Ivana Delač & Katarina Brbora. You can buy the book here.

A Monster Hunters Review

On Twitter today Juliet McKenna posted a link to this review of her latest book, Challoner, Murray & Balfour: Monster Hunters at Law. Here are a few choice extracts:

I haven’t read any of her other books and am very excited to have been introduced to her in this way. Each story held my attention, and I even read a couple of them twice, just for the fun of it.

And:

These are four very enjoyable stories from author Juliet E McKenna: Invisible men, beasts, secrets, and misconceptions. All of them are engrossing and suspenseful, and, with the addition of very good illustrations by Nancy Farmer, this is definitely a read you’ll want to pick up. I recommend it to readers of Victorian Era horror. Each story is enchanting and memorable.

If that sounds interesting to you, you can buy the book direct from Wizard’s Tower.

Accessing the Future

Those of you who were on social media over the weekend may have seen the launch of a new crowdfunded anthology. It will be called Accessing the Future, and it is being published by The Future Fire, the same fine people who brought you Outlaw Bodies and We See a Different Frontier. It aims to publish, “speculative fiction stories that interrogate issues of disability—along with the intersecting nodes of race, nationality, gender, sexuality, and class—in both the imagined physical and virtual spaces of the future.” The book will be edited by TFF’s Djibril al-Ayad, and by Kathryn Allan, a Canadian academic who, rather spectacularly, has been inaugural recipient of the Le Guin Feminist Science Fiction Fellowship.

Djibril should need no introduction, having the fine track record of the previous anthologies behind him. Kathryn has also produced two works. Her PhD thesis was Bleeding Chrome: Technology and the Vulnerable Body in Feminist Post-Cyberpunk SF, and she is also the editor of Disability in Science Fiction: Representations of Technology as Cure, which pretty clearly indicates her interest in science fiction about disability issues.

Kathryn’s thesis is particularly dear to me as one of the four books it focuses on is Tricia Sullivan’s Maul, the only book ever to have a quote from Emerald City on the front cover.

More importantly for you folks, one of the higher level rewards (at $75) is an ebook bundle described as follows:

All three Futurefire.net anthologies (Outlaw Bodies, We See a Different Frontier, Accessing the Future), and the five volumes of Lyda Morehouse’s multiple award-winning AngeLINK series from Wizards Tower Press, *plus* a revised version of her short story “The Case of the Missing Devil Child”, set in the same universe (which is not available elsewhere), all in DRM-free e-books, in the format of your choice.

Further up the list at $250 you can find:

Lyda Morehouse (author of the multiple award-winning AngeLINK series) will name a character after you (or a person of your choice) in a forthcoming work set in the AngeLINK universe. You will also receive the Accessing the Future anthology in trade paperback and DRM-free e-book.

So yeah, this is a project that Wizard’s Tower — specifically Lyda and myself — have a vested interest in. It also means that I need to get Resurrection Code and “The Case of the Missing Devil Child” ready for publication. Fortunately that is well in hand.

Also I will be doing a Skype interview with Kathryn on Thursday, which will appear on the Salon Futura feed in due course. So if there are any questions about the anthology that you’d like asked…

Let’s see if we can get this one up to the $7000 stretch goal so that they’ll be able to offer SFWA rates and therefore get top quality professional writers submitting.

Airships Over Utah

For the benefit of contributors to Airship Shape & Bristol Fashion, here is a photo of the book on sale at the Cargo Cult table at this year’s Westercon, which has been taking place in Salt Lake City this weekend. As you can see, the book is in excellent company.

Airships on sale

Many thanks to Dave Clark for stocking the book, and Kevin for taking the picture.

Did Someone Say “Monsters”?

Monster Hunters - Juliet E. McKennaThat would have been me, last night. And lo, here are monsters, in the shape of a fine little collection from Juliet: Challoner, Murray & Balfour: Monster Hunters at Law.

They are terribly nice Victorian monsters, of course, but thoroughly villainous all the same. Sort of steampunk, sort of dark fantasy, very genre-blurry. Do enjoy, won’t you? Perhaps with a nice cup of tea.

This splendid new ebook can be purchased for the decidedly un-monstrous sum of £2.99. You can buy it direct from us, or find it in all of the usual outlets.

Let me know if you are interested in getting a review copy.

Busy Week

This week is going to be a bit mad.

To start with I have two days in Bristol. I have the radio show as usual on Wednesday, but I will also be in the studio tomorrow. That’s because of this book. Yes, someone has written a crime novel set in the Afro-Caribbean community of Bristol. The book is being launched at Bristol Foyles tomorrow night, and the author, Mark Wright, has a busy day of interviews before then. He’ll be on BBC Radio Bristol tomorrow afternoon, and at lunch time he’s popping into the Ujima studios to record something with me.

It is also the end of the month, so I have a whole lot of business housekeeping to do, most importantly sending out the accounts for Wizard’s Tower. That’s otherwise known as the Make Authors Happy process.

And finally, because I’ll be heading off to Finland next week, I need to get as much day job work done as possible before I go.

So blogging will be a bit limited, but there is some audio in process. Also I have a little surprise for you coming up tomorrow. It may involve monsters.