Free Is Popular

There appears to have been a small firestorm in the blogosphere today. Both John Scalzi and Justine Larbalestier have put out posts trying to head off a flame war directed at Robin Hobb for this rather amusing post.

Oh Noes! Someone has said that it is more important to write novels than spend all of your time blogging!

But you know, I’m not really surprised. Blogging is instant daily entertainment. Novels you have to wait months for. And blogging is free. Novels you have to pay for. Is it any wonder that fans would prefer to have writers spend their time blogging than writing books? Why does the phrase “sense of entitlement” come to mind? Maybe what Robin needs to do is employ a ghost writer to blog for her.

Literary Lies Unlimited

I have been thinking for a while that I ought to say something about the latest round of false memoir revelations that various people in publishing have been getting so exercised about. But really, what can you say? Everyone knows that “reality” TV is heavily scripted. What makes anything think that “true life memoirs” are going to be true just because they are in a book and not on TV?

Now, however, things have gone too far. Via Matt Cheney I learn of an article in today’s New York Times that exposes Franz Kafka as a fraud. Although Kafka claimed to have made up “The Metamorphosis”, the NYT has now revealed that Gregor Samsa was a real person who actually did turn into a giant cockroach. Is nothing sacred? Before we know where we are, someone will be claiming that Jeff Lint never existed.

A Happy Ending

It is always nice to hear that a small press publisher that was in trouble has managed to get back on its feet. Dedalus is a British small press that publishes a lot of work in translation and in particular has produced a series of fantasy anthologies from various countries. These include books edited by excellent people such as Brian Stableford and Johanna Sinisalo. Had I know that they were in trouble, I would have been encouraging you to go out and buy their books.

But, as I said, the story has a happy ending. Although the £25,000 annual grant that they were receiving from Arts Council England is to end, they will be receiving a similar sum in sponsorship from a subsidiary of the Routledge publishing group. More details via The Guardian.

A number of things interest me about this. Firstly I’m slightly boggled that £25,000 could make a difference between survival and bankruptcy for a small press. That shows you just how tight things are in publishing. Secondly, the money from Routledge is a sponsorship, not a buy in. Dedalus will be entirely free to carry on their business without interference. And finally, we have come to a pretty poor pass when someone who is no longer dependent on a government arts grant can say with relief:

It also means we don’t have to spend time on masses of paperwork and political games with an organisation that wants us to fail.

Then again, we are talking about the same government that is talking about closing Jodrell Bank. I guess they need more money to sustain all those military adventures abroad.

Redroom… Hmm

Via Galleycat I have discovered Redroom.com, which bills itself as a social networking site for authors and “the official home of the world’s greatest writers”. Of course it isn’t only for authors – readers are welcome too. So basically the idea seems to be that it is a bit like SFFnet – you want to be online, they do all the tech for you.

Given that it is a mainstream literary thing, I’m afraid I assumed the worst. But I went to have a look, and lo, there were sections on SF and fantasy writers. I didn’t recognize many of the names, but there weren’t many people there. A quick word of congratulations to Jason Erik Lundberg for being the first person to be listed as a writer of “speculative fiction”.

Anyway, these folks are based in San Francisco, and of course the web site is accessible from anywhere. I shall see what else I can find out.

How Not to Get Published

It hasn’t taken La Gringa long to find out that there is a downside to being a literary agent. Not that she’s complaining, but really, some of the things people get up to when trying to sell their book are not recommended. Underwear? Whatever were they thinking?

SuperAgent Arrives

Everyone else is posting about this, but that’s not going to stop me. If you are an SF or fantasy writer and you are looking for a literary agent, there is a very good one that has just come onto the market. Click here for details, and don’t forget to read those submission guidelines before dashing off your email.

(Note: bribing the furry Machiavellian persons with tuna is not guaranteed to help your cause, but it will earn you their undying gratitude for several seconds.)

Where Do They Get Their Ideas From

One of the interesting things about staying with Bruce Holland Rogers is that he is a fairly prolific short story writer. I was only there for two and a half days, and in that time he started two new stories. Consequently, next time someone at a reading or convention asks that favorite question of fans, “where do you get your ideas from?” I will actually know one answer.
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Rick Bowes’ World Fantasy

You know, there is a difference between professional and amateur writers. I’ve written a lot of convention reviews. Some of them people have been kind enough to say that they enjoyed. Well, Rick Bowes has written what certainly classes as a review of last year’s World Fantasy Convention, and I know that I will never, ever, be able to write anything half as good as this.

Foreigners

Over at Fantasy Magazine, Tempest Bradford talks to Justine Larbalestier and Ekateria Sedia about being foreign writers in America. It is good stuff, and there’s a lot I can relate to there.

Of course we must get some things straight, Justine. Let’s be clear about this. Melbourne and Sydney are totally different places. Why, they are as different as… well, Glasgow and Edinburgh.

Well Meaning But…

Via Ellen Kushner I discovered this fine post on the daft things that people say to you when they discover that you are a writer.

It reminds me rather of the journalists who emailed me after my Hugo win asking of they could interview me and ask me really important questions such as “which TV characters do you most like to dress up as?” Because, as we all know, that’s what science fiction fans do.

I should also add that while immigration into the Summer Country is still relatively benign, if you are entering the USA one of the things you must never, ever say is “I am a writer.”

Slow, Slow, Gloriously Slow

In the Cities of Coin and Spice - Catherynne M. Valente It is taking me quite a while to work my way through the new Cat Valente book. This is not because I’m busy doing Christmas things. It is very quiet here, and actually I’m working right now (and writing this while the software does test runs). But I still have a lot of time to read, and I’m making slow progress.

There are good reasons for taking time over this book. To stat with, like the previous Orphan’s Tales book, In the Cities of Coin and Spice is an interleaved collection of short fables. That means that, just like with an anthology or collection, there are many convenient put-the-book-down spots. But equally important is the denseness and richness of Valente’s prose. You feel the need to read slowly so that you don’t miss anything.

I can see that these books will not be to everyone’s taste, but personally I’m in awe of them. Even if no all of the stories grab the attention, it is always worth reading them because you may come across moments like this:

Consider this: if a unicorn is innocent, if she is the core and pivot of all possible purity, why should she seek it out? Why should she care if some other creature is innocent, if she herself runneth over with virtue? Why should she, time and time again, though she knows better – she must know! – be lured from the deep and shadowy greenwood by the simple presence of a girl in a white dress? Ridiculous. We want it because we have no idea what it is, except that we know its smell, its weight, its outline against a gray sky. We want it because it is new. We go toward it hoping that we can touch it, that we can understand it, that we may become innocent ourselves.

Or then again there is the story of the kappas who go to live in the high mountains so that the water in their head bowls will freeze and they can continue to be polite and bow without the risk of losing the precious liquid.

One of the stock stories about author readings is that there will always be someone in the audience who asks the question, “where do you get your ideas from”? I guess these people must be wannabe authors who just can’t come up with any ideas for fiction. I know that’s one of the reasons I don’t write much fiction. And yet here is Valente so overflowing with story ideas, many of them really good ones, that she can throw them all away in a handful of pages each. Awesome. (Yes Cat, it is a great word.)

You Know You’ve Got Old When…

You wake up in the morning with a bunch of aches and pains for no apparent reason. I’m not sick; I didn’t do a lot of strenuous exercise yesterday; I haven’t even been lying in a cold draft. I just ache. Ah well, maybe a hot shower will help.

Still, in writing this post I have learned that while in British English “draft” and “draught” mean very different things, in American English the same spelling is used for both. And I can’t be that old if I can still learn things.

Writing the Other

My usual trawl for interesting science stories turned up this announcement about a couple of academics trying to find out whether authors can actually write characters of the opposite sex. As this is the sort of topic that is liable to generate a flame war on LiveJournal I’ll just note that it is a shame the work is focusing on Italian literature because it might be useful for the researchers to take a look at a gentleman called James Tiptree Jr.

Much more appropriate, however, would be for them to read this interview with Kelley Eskridge in which she talks about writing her character, Mars, who in the space of several stories has yet to confess to a gender, one way or another. Writing a character of the opposite gender is one thing; managing to write a character who never gives a clue as to its gender is quite another.

One of the things that rather depresses me about gender politics is that most of the time you escape one stereotype only to be oppressed by another. It isn’t just conservatives wanting us to adopt “traditional” gender roles. Feminists look down on women who do present “traditionally”. Gays and lesbians look down on bisexuals, and argue amongst themselves as to whether it is more politically correct to pass for straight or to be out and proud. And everyone has it in for transsexuals. What Eskridge has to say seems much more sane to me:

I do what I want. I do what feels good to me and what I think best expresses me. So I don’t have a problem with people having a gender or expressing gender along expectation lines. I think people should do what they want and be who they are.

(I hasten to note that this is taken out of context and that Eskridge is talking about gender expression, not saying that anyone should be allowed to do anything they want.)

Measuring Language Evolution

Most of us (Disgusted of Tunbridge Wells and his friends aside) understand that language evolves, but now that evolution can be measured. A group of mathematicians at Harvard have been looking at the speed at which irregular verbs become regularized. English, being a very messy language, is a good subject for study. It also has a large corpus of literature stretching all the way back to The Canterbury Tales and Beowulf. And the conclusion that these math guys have come up with is that verbs evolve faster if they are less commonly used. If a verb has, say, an unusual ending in the past tense, people will forget that, and start to use the then incorrect but more regular ending; but if the verb is in regular use then the unusual conjugation will be remembered for much longer. The results are apparently so good that they are saying with confidence that verbs regularize at a rate that is inversely proportional to the square root of their usage frequency.

So there’s an SF idea for you. If you story is set 1000 years in the future, maybe your characters should be saying “I taked the shuttle, geted to Mars, and doed what I had to do.”

Or maybe not. Maybe you should write a story about how modern communication and storage technology, not to mention 300-year life spans, have fossilized language development.

Careful with those Characters

Today’s Guardian has a worrying story about the risks of character naming. Author Jake Arnott faced a very expensive libel suit when a character in his latest book turned out to have the same name and a very similar background to a real person. I guess this is a good reason for writing SF. It is much harder for someone to claim that a star fighter pilot or xeno-biology expert is based on them.

By the way, the Guardian article also includes a quote from Shakespeare that I had forgotten but resonates rather a lot with me these days:

“He who steals my purse, steals trash. But he who steals my good name, steals all that I have.”

Yep, that’s the way it is.

Meme Creation

Matt Cheney has posted a very helpful list of rules for aspiring writers. If you want to become famous on the blogosphere as someone who knows everything there is to know about how to become a successful writer, and become a regular feature of convention panels about how to break into the writing business, but don’t actually want to be published yourself, I suggest that you pay very close attention to this.

Update: I understand that Wikipedia has asked Matt for permission to re-publish his post as their definitive guide to How to Write.

Geek Heaven

This week Oxford University Press is publishing a book called They Never Said That. It is a dictionary of quotations that weren’t. You know, things like “Beam me up, Scotty” and “Elementary, My Dear Watson.” I can’t think of a better present for your favorite geek. Armed with this book, every time someone makes a quotation from a science fiction movie or TV series, he’ll be able to say, “ah, well, that’s not quite right, you see, what he actually said was…”

Clute and I were discussing the book yesterday morning. We agree with its editor that one of the best things about it is that the “wrong” quotations are often much more apposite than the originals. Language evolves, and so do quotes.

Purity of Language

Deanna Hoak offers this magnificent quote from James Nicoll:

“The problem with defending the purity of the English language is that English is about as pure as a cribhouse whore. We don’t just borrow words; on occasion, English has pursued other languages down alleyways to beat them unconscious and rifle their pockets for new vocabulary.”

Yea, verily (she says, trying to keep her English pure, although of course that was post-Norman Conquest and therefore already hideously corrupt).