LGBT History Month is now well underway. In Bristol we began with an event at Aerospace Bristol, a brand new museum built to house a Concorde, and a wealth of other relics of Bristol’s proud aerospace tradition.
Because of where we were, the event focused on LGBT people in engineering, and in aviation in particular. That made it a bit hard to find cis women to speak, but trans women were delightfully abundant. The main speakers were:
Caroline Paige (ex-RAF)
Finn Mckay (UWE)
Rob Hurley (Airbus)
Christina Riley (construction industry)
We also had a panel of young people from the Alphabets youth group, and Drag Queen Story Time.
I have seen Caz Paige perform a couple of times before. Despite the fact that I know her story pretty well by now, she manages to tell it differently each time. For us she put in extra aircraft. I’m in awe of how much driving she puts in during LGBTHM. She’s far more in demand than I am. I bet she misses having a helicopter instead of a car. The photo above is of Caz and myself with a well known celebrity aircraft.
The event was sponsored by The Diversity Trust and was staged with help from OutStories Bristol and South Gloucestershire Council. The OutStories Bristol exhibition is in the Concorde Hanger and will be available to museum visitors until the 24th. Most of the work was done by Claire & Amy from the museum’s outreach team. I’m pleased to say that it all went very well.
Of course it could not be a properly queer event without cake. Thanks to Ian Boulton for providing something very appropriate.
I was live on Ujima again today. It was a bit of a scramble getting the show together and huge thanks to those guests who came on board yesterday. Also huge thanks to my old pal Valentin who used to run the desk for Paulette back in the day when I was a trainee presenter. As Ben was on holiday this week, Valentin stepped in to help out. Ben messaged me to say he was listening to the show online, which is incredible devotion to duty, and probably means that we had a listener in Kenya this week.
The first hour of the show was devoted to LGBT History Month events in Bristol. First up I was joined by Claire from Aerospace Bristol. They, in conjunction with The Diversity Trust, OutStories Bristol, and South Gloucestershire Council are putting on an event specifically aimed at engineers, and the aerospace industry in particular. The headline speaker is the wonderful Caroline Paige, and I’m particularly looking forward to the panel with the young people from Alphabets who will be discussing what they want from employers in the future. That event is on Saturday. I will be there with both my DT and OSB hats on. Full details are available here.
Next I welcomed back Karen from M Shed, along with Zoltán from Freedom Youth. I’m not curating the M Shed event this year. We’ve turned the whole thing over to the young people, and they have done an amazing job of putting together a programme. You can find details of their event here. It is on Saturday 22nd, and sadly I will be in Salzburg that weekend, but I hope some of you will go along and let me know how it turned out.
We also mentioned two other great events coming up in Bristol this month. The leading civil rights lawyer, Johnathan Cooper, will be at Bristol University Law School on the evening of the 19th to talk about, “Policing Desire: LGBT+ Persecution in the UK, 1970 to 2000”. Tickets are available (for free) here. Also there is the Black Queerness event that we covered in last month’s show. That’s on at the RWA. It is officially sold out, but there’s a wait list that you can get onto here.
The second half of the show began with my being joined by Coral Manton from Bath Spa University. Coral describes herself as a “creative technologist”, which basically means that she gets to do fun things with computers all day and gets paid for it. One of her projects is Women Reclaiming AI, which looks to do something about the sexist bias in electronic personal assistants.
We all know that most of these things (Alexa, Siri, etc.) come with female-coded voices, and that’s because the companies who make them decided (probably after some market research) that customers wanted a subordinate and submissive identity for their personal assistant. (Interestingly SatNavs work the other way: male drivers won’t take instructions from a female-coded voice.) Because these software constructs are maninly created by men, the personalities that they have are not based on real women, but on what men want their female assistants to be like.
This leads us down all sorts of feminist rabbit holes. Most notably, before Coral and her colleagues could create a “real” female personality for an AI, they had to decide what it meant to be a “real” woman. Part of the process has been running workshops in which groups of women get to have input into the process of creating the AI personality.
It turns out that one of the things that they asked for was that the AI would have the right to decline to help every so often. Real women can’t drop everything and help their families whenever they are asked to do so, so artificial women shouldn’t either. That sounded good to me, though I did have visions of Hal 9000 saying, “I’m sorry Dave, I can’t do that”; and possibly of Portia from Madeline Ashby’s vN saying, “NO, you will obey ME!”
I could have happily have talked to Coral about this stuff for the whole two hours. Hopefully you find the discussion as interesting as I did.
My final guests were Ali & Loo from some local mental health charities, and Shani, a poet who works with them. Tomorrow is Time to Talk Day, on which people are encouraged to talk about their mental health issues. There’s a whole lot going on in Bristol tomorrow, and you can find links to it all here. I particularly love Loo’s event making pom poms to support the Sunflower Suicide Prevention Project.
The other event that I had to mention is the one coming up at Foyles in Cabot Circus on the evening of the 25th. That will be Emma Newman, Emma Geen, Liz Williams and myself in conversation with Kate Macdonald on the subject of women in science fiction. I understand that it is sold out, but there is probably a wait list. Details here.
You can listen to today’s show via the Ujima Listen Again service here.
The playlist for today’s show was:
Faint of Heart – Tegan & Sara
So Strong – Labi Siffre
Two Old Maids – The Vinyl Closet
Cream – Prince
Come Alive – Janelle Monáe
Are Friends Electric – Tubeway Army
Dock of the Bay – Otis Reading
I Need Somebody to Love Tonight – Sylvester
And in case any of you haven’t seen it, here is the wonderful video for the Tegan & Sara song. Watch carefully and you will spot Jen Richards and Angelica Ross in there as well.
Talking of Angelica, I see that there are rumours that she’ll feature in the Loki TV series. There have also been hints that Sera, one of Marvel’s current openly trans characters, will be in Thor: Love & Thunder. It is tempting to tie the two together, but what I really want to see happen is for Angelica to play Loki alongside Tom Hiddleston, because it won’t be proper Loki without some gender-flipping and it would be awful if they put Tom in drag for that.
This time last year I was telling you about this fabulous book which I had the honour to make a small contribition to. Most of the work was done by the amazing Ardel Haefele-Thomas, but part of the plan for the book was to have a whole lot of “voices from the community” contribitions. One of those was me, talking about trans Romans.
Since then the book has been quietly on sale. Ardel and I did an event at Gay’s the Word in London late last year. Then I hadn’t thought to much more about it. But this morning I awoke to the amazing news that the American Libraries Association had voted it one of their top 10 queer books of 2019. They normally pick 5 works of fiction and 5 of non-fiction. And that means that Ardel’s little book (well, rather hefty book actually) is on the same list as books by Marlon James, Tamsyn Muir, Carmen Maria Machado and Samantha Shannon.
Which is awesome!
I’m absolutely delighted for Ardel. I’ll be seeing them in Canada in April at the trans history conference. I suspect that a few other contributors will be there. There might be a little celebrating.
My speaking schedule for February is starting to firm up, and a number of events are starting to post their programmes. I’ll do a full schedule later in the month, but I did want to share one thing with you. It is this.
Yes, that is me giving a talk at The Shakespeare Centre, Stratford-upon-Avon. How cool is that?
The description is a little weird. I’m sure that’s not what I submitted to Schools Out. But the talk is about a play. It is a play by Byron, not by Shakespeare. And the story involves Ashurbanipal and Romans and Byron’s alleged bisexuality. It should be fun.
By the way, if you are coming to the Historical Fiction Research Network conference in Salzburg later in the month then you will get the academic version of this talk which will be more about sources and translations, and probably a little less about Byron’s sex life.
I’m delighted to announce that my workshop, “Writing Queer Characters from History,” is now available from the Rambo Academy for Wayward Writers. Those of you who participated at FantasyCon, and at the Writing Historical Fiction conference at Bath Spa University, seemed to enjoy it. Bath Spa folks in particular should note that the online course will be 2 hours, not 20 minutes, so there will be a lot more time to explore the issue.
The first course will be on Saturday, January 4, 2020, 9:30-11:30 AM Pacific time. Further details about the course and how to sign up are available here.
My colleagues at The Diversity Trust have put together another newletter highlighting our work over the past few months. you can read or download it here (PDF).
The contents include a report from one of our happy training clients. (I was so pleased to be able to deliver trans awareness training in Taunton.) There’s also a great little article on pronouns by my colleague, Aaron. And my 15 minutes of fame being featured in BBC Online has been turned into an article too. Any excuse to re-use one of those fabulous Lou Abercrombie photos, eh?
Last week saw the 4th anniversary of Trans Pride South West (TPSW), our local celebration of trans pride which sprang from Sarah Savage’s visit to our LGBT History Month event in 2016. I’m not involved in the running of it, but I do get involved in various parts of it.
This year, for the first time, we had a march. That began with a gathering on College Green in front of City Hall, and that meant speeches. We had some political representation. Carla Denyer, the Green Party candidate for Bristol West, was there. She was accompanied by a bunch of young party members, and by Baroness Bennett, so the Greens really put some effort behind us. The Liberal Democrats sent along James Cox who had kindly stood down in Bristol West in order to give Carla a better chance of getting elected. Sadly there was no official representation from Bristol Labour, though Kaz Self from the TPSW committee did make a speech on their behalf. There was also a representative from the Women’s Equality Party, which was of course me. So yes, I did make a speech. No one laughed, except when I wanted them to, which I am taking as a win.
From there we marched up Baldwin Street towards the city centre. We had space in The Station, a former fire station on Silver Street for a Community Day. There were just under 200 people (and three dogs) on the march, which was very good for a cold and wet November morning. I was very pleased to count at least 16 people of colour among us.
The Community Day had a lot of stalls. I was representing OutStories Bristol. The photo above shows me at my stall along with Spencer from TPSW and Alex from the hate crime charity, SARI. The Diversity Trust also had a stall. The event was very well attended. Indeed, around 13:00 you could barely move in the room. I think the committee might need to look for a bigger venue next year.
I was somewhat worried that there might be some attempt by right-wing groups to disrupt the march, but everything went off very smoothly. Clearly the anti-trans fauxminists are easily put off by a little rain.
I had to rush off immediately after the event ended as I was giving a talk in Brighton on the Sunday, so I didn’t get to chat to people at thing were winding down, but I’m very happy with how things went and I’m looking forward to TPSW being bigger and better next year.
Here’s something I am doing this weekend, which I didn’t tell you about earlier because by the time I got the details it had sold out. Which is very pleasing.
Anyway, immediately I finish at Trans Pride in Bristol on Saturday I will be on a train to Brighton. It is a mad schedule, but Sunday morning trains are crap and I need to go on Saturday to make sure I get there in time.
On the Sunday afternoon I will be at Brighton Museum for their monthly Queen in Brighton LGBTQ+ History Club. I will be talking about being trans and intersex in Ancient Rome. There will be gender reassignment surgery; there will be gossip about the Imperial Family; there will be stand up philosopher contests; and being the Romans it will all be a bit gruesome.
What have the Romans done for us? They invented the dick pic.
If you want to know more, and be sad that you can’t get a ticket, the booking page is here.
I spent yesterday at Bath Spa University (the beautiful Newton Park campus) at a conference on writing historical fiction. This is a brief report on the event.
First up I should note that this conference differs from the Historical Fiction Research Network conferences in that it is primarily for students of creative writing, and for working writers. I think I was the only speaker presenting as an historian as opposed to a writer, literary critic or publishing industry expert. Both conferences have value in their own way.
I knew that it was going to be an interesting day right from the start when the opening speaker, Alan Bilton from Swansea University, started talking about postmodernism and whether we can ever know what really happened in the past. We largely managed to avoid going down any Alt-Right rabbit holes, but it did lead to someone asking about authenticity, own voices and so on. And straight down another rabbit hole we went.
When these discussions start (and particularly when they start on social media) they tend to devolve into an argument with people on one side saying that writers should be allowed to write whatever characters they want, and people on the other saying that only people with lived experience of certain types of characters should be allowed to write those characters.
Repeat after me, please: All binaries are false.
As it happens, I’m a big fan of own voices work. If I’m going to read a book set in, say, Mexico City, I would much rather read one written by someone who has lived there (e.g. Silvia Moreno Garcia) than by someone whose knowledge of the city comes entirely from Wikipedia. (And yes, that is another false binary.) But this isn’t the entirety of the disucssion. When it was my turn to get up to speak I made the point that if only trans people were allowed to write trans characters then only around 1% of fiction would contain trans characters, and this would be a bad thing because we desperately need positive portrayals of trans people in fiction right now.
One of the ways around this is to employ a sensitivity reader. Of course that term is a red rag to the more conservative end of the industry, but it shouldn’t be. There was a good example to hand, because Alan had been talking about his forthcoming novel which happens to be set in Russia. He mentioned that he’d relied heavily on a Russian-born colleague for advice. That’s using a sensitivity reader. Most science fiction readers would applaud an author who had worked with actual astronauts, or actual astrophysicists, to get scientific details right. That too is using a sensitivity reader. It is no different from asking for help to make sure that you get Polynesian culture, or non-binary identity, right in your book. Except that if you are asking for help from someone from a marginalised group for help you should probably be paying them, rather than offering a few beers or a favour in return.
My talk, by the way, was a slightly rushed and less interactive version of my workshop on writing queer characters from history. A few folks on Twitter expressed interest in it. I’d be very happy to run it at other events in the future.
The final session of the conference was an industry panel featuring literary agent, Kate Horden; novelist and publisher Lorna Gray; and the historical fiction reviewer for The Times, Antonia Senior. It turned out that Antonia is related by marriage to Amal El-Mohtar and can therefore talk knowledgeably about the difference between the SF&F and historical fiction communities. I found myself nodding along to pretty much everything she said because every book critic has the same issues with too many books and the foolishness of the publishing industry. She had also read and reviewed Shadows of Athens, which made me very happy.
Because the attendees of the conference were almost all women, there was some interest in questions of author identity, use of initials and so on. If anyone wants to follow up on that, I warmly recommend Juliet McKenna’s essay, “The Myth of Meritocracy”, in Gender Identity and Sexuality in Fantasy and Science Fiction, the British Fantasy Award Winning book from Luna Press. Juliet goes through the entire pipeline of the publishing and bookselling industry and shows, with data and references, how it is stacked in favour of straight, white men at every turn.
If it were up to me I’d make that essay required reading on all creative writing syllabi.
There were other great sessions as well. I enjoyed discussing theoretical approaches to writing historical fiction with Melissa Addy (I hope you enjoy Guy Gavriel Kay, Melissa). I was delighted to meet British-based Serbian writer, Senja Andrejevic-Bullock, who had really interesting things to say regarding writing about recent wars when you are from a people who are regarded as the bad guys. I learned a lot about women at sea from Sarah Tanburn, and about the hidden meanings in Pieter Bruegel’s paintings from Lisa Koning. I even met someone who has written feminist science fiction. Hello Lania Knight!
Huge thanks to Celia Brayfield and Bea Hitchman for organising the event. I understand that there are plans to run the conference again next year, and it will be at the University of Gloucester. I’ll let you know when I have more details.
My first guest on today’s radio show was Kate MacDonald of Handheld Press, a wonderful local publisher based in Bath. Kate will be familiar to people on the UK SF&F circuit as she was at FantasyCon and BristolCon. She doesn’t just publish SF&F, but when she does it is pretty spectacular. You will have heard me enthusing about her Vonda McIntyre reissue, and she has had great success with a Nicola Griffith book. On the show we talked about a book by Rose Maculey which inspired Brave New World. John Clute gets a starring role in the story of how Kate got to publish that one. And if we’d had more time we’d have talked about the new Sylvia Townsend Warner book, Of Cats and Elfins, which has a Greer Gilman introduction and a Neil Gaiman front cover blurb.
That was hard to top, but for the second section of the show I welcomed Nick Young from Creative Youth Network and two wonderful young actors who will be performing in The Edge, a play about the dangers of reality TV. The play is written by my friend Edson Burton, and will be staged at Colston Hall later this month. As the advertising says, it will be an immersive live performance. You’ll have to listen to the interview to find out just how clever they have been.
In part three I welcome Lowie Trevena, the new LGBT+ Affairs correspondent of Bristol 24/7 to talk about the upcoming Trans Pride South West. Lowie did a preview of the event for the paper yesterday, and we went a lot more into detail on that. We also talked about what it means to be a non-binary person, and how non-binary does not mean androgynous.
Finally I re-ran parts of my 2014 interview with Tobias Buckell to celebrate his win (along with Paulo Bacigalupi) in the World Fantasy Awards last weekend. Their book, The Tangled Lands, won the Best Collection catageory. In the 2014 piece Tobias and I talk about hurricanes in the Caribbean, climate change, and some interesting regional politics that allowed Tobias to create a unified Caribbean state for some of his work.
I was back in the Ujima studio today, and my first guest was friend and colleague, Dr. Jamie Lawson of the University of Bristol. Jamie has written a children’s book on LGBT+ history called Rainbow Revolutions. It is published tomorrow, and I’m very impressed with it. We had a great conversation about the use of the word “queer”, Section 28 and why people are worried it might come back, Ball Culture and the success of Pose, and so on.
Next up I dragged in Harriet Aston who roomed with me at Worldcon. It was her first big convention and understandably she was a bit overwhelmed, which makes her an ideal person to represent that first Worldcon experience. I was impressed that Harriet felt that she was swimming rather than drowning by day 4.
The rest of the show was devoted to women’s cricket and the triumph of Western Storm in the final year of the Kia Super League. I played my interview with Raf Nicholson, and passed on the latest news about the women’s part in the stupid new “The Hundred” series. It is possible that a new Western Storm might rise from the ashes of the KSL after all.
You can catch up on the show via the Listen Again service here.
The playlist for today’s show was as follows:
Gil Scott Heron – The Revolution Will Not Be Televised
Grace Jones – This Is
Thin Lizzy – The Boys Are Back In Town
Earth, Wind & Fire – September
Bob Dylan – Shelter from the Storm
Billie Holiday – Stormy Weather
The Impressions – We’re A Winner
Jim Steinman – The Storm
My next show will be on October 2nd and will feature an interview with Ellen Datlow that I recorded while we were in Ireland.
This is very much advance notice. I’ll be pushing it much more once I am back from Ireland. But in November (assuming that the UK has not descended into full scale civil war) I am going to be giving a workshop on “Writing Queer Characters from the Past” at a symposium on writing historical fiction at Bath Spa University. The date is Saturday, November 16th. The fee including lunch is £85, though there are concessions available for students. Full details here.
As you might have guessed, that is the title of an academic conference. It is a bit of a mouthful, but basically it was a feminist conference about trans issues. It look place at the University of Roehampton in London last week, and I was one of the speakers.
You can find the full schedule for the day here. Sadly UIrika Dahl was unable to attend due to illness, but the rest of the conference went ahead as planned.
Because the conference was advertised online it came to the attention of the transphobe mob on Mumsnet, who unsurprisingly lost their collective shit about it. If you want to see the nonsense that they come up with, just Google the conference title. This had two main consequences. Firstly the trans student group that was going to be involved had to withdraw because they were concerned about their safety. (One of the haters’ favorite games is to take unflattering photos of trans people and post them online accompanied by a sea of insults and, if they can get it, doxing data.) The other was that for the first time in my life I attended an academic conference that had a security guard on duty at all times. Thanks Pavel, you were great.
Interestingly, of the 8 speakers, 6 were cisgender women. The claim that the haters speak for all women is really utter nonsense.
The really bizarre thing about right-wing Hungarian “feminists” is that they describe their views as being in opposition to that awful neo-liberal capitalist form of feminism known as “intersectional feminism”. The capacity of the far right to re-define words to mean what they want never ceases to amaze me.
The other country I learned a lot about at the conference was India. My thanks are due to Sarah Newport (I’ve found your thesis, Sarah, and look forward to reading it), and also to Antonia Navarro Tejero who introduced me to a work of Indian feminist science fiction.
Manjula Padmanabhan is an Indian SF writer who is working on a trilogy of novels about a young person called Meiji. The first book, Escape, is set in a country in which all women have been exterminated. As the title suggests, Meiji, who was assigned female at birth, manages to escape, and book 2 is set on The Island of Lost Girls. This, of course, is the place where women survivors have fled to. But, as all Suzy McKee Charnas fans will know, that doesn’t mean it is a utopia.
Listening to Antonia talk about the books, it is clear that Padmanabhan is in conversation with Joanna Russ and Charnas. My guess is that she has read both The Female Man and The Holdfast Chronicles. What is interesting and different about her books is that there are a whole lot of trans people in them.
Book 3 isn’t out yet, but I have bought the first two books to see what they are like. That wasn’t easy. Amazon appears to be deliberately hiding them. If you search for “The Island of Lost Girls” you won’t find Padmanabhan’s book even though that’s a full and almost-unique title. I had to search for “The Island of Lost Girls Manjula” to find it. And the two books aren’t linked either.
Anyway, I will read the books and report back. In the meantime, does anyone know anything about Manjula Padmanabhan? Mimi, Tasha, Aisha, Samit?
Earlier this year the Dublin Worldcon asked members to sumbit suggestions of good LGBT+ representation in SF&F as part of a project with Dublin Pride. That list has now been published and you can find it here (Google Docs spreadsheet). There’s a lot I could add (no Cat Valente!), but that’s my fault for being too busy to contribute. On the other hand there are books there I hadn’t heard of, which is an excellent indicator of the state of the field because years ago I could have named pretty much all of them very quickly.
Bristol Pride isn’t just a party in the park these days. Daryn Carter and his team have a bunch of events planned over the next couple of weeks, and LGBT+ organisations around Bristol have chipped in with their own events.
Although Pride Fortnight is officially July 1-14, the schedule has leaked into the surrounding days. We kick off with a flag raising at City Hall on Friday at 5:00pm. I have to be at the Diversity Trust AGM that day and can’t into Bristol in time. Hopefully the weather won’t be too miserable.
On Saturday there will be a memorial service marking the 50th anniversary of the Stonewall Riot. It will be held in the Lord Mayor’s Chapel at 13:00. There will be a number of speakers, including myself and Dr. Edson Burton, as well as the Lord Mayor and Bristol’s first ever LGBT+ Poet Laureate, Tom Denbigh. Full details including a link for (free) booking can be found here.
I will be on way way to Finland as soo as that’s over, but I will be back in time for Pride Day on the 13th. I should be on the radio quite a bit.
The nice people at Oxford University Press sent me a review copy of their new edtion of The Poetic Edda, as translated by Professor Carolyne Larrington. There’s not a huge amount I can say about the text, partly because the stories are so familiar, and partly because I’m in no position to comment on the quality of the translation, save to say that Prof. Larrington is an acknowledged expert in the field.
So instead I have chosen to focus in on a few small bits of the text where we have evidence for queer identities in Norse society. Naturally this involves Loki rather a lot. Again I’m not really in a position to talk authoritatively about translations, but I do have views on what we can and cannot say about ancient societies.
All of which means that the end result is less of a review and more of a short essay on queer Vikings. If you have been wondering about all this gender fluid stuff about Loki in comics, or in Rick Riordan’s books, I can point you at some of the evidence for that intepretation. If that is your cup of tea, you can find the review here.
The second part of my interview with veteran trans activist, Christine Burns MBE, for The Diversity Trust is now available. There are only two parts, so you can all relax. You can find the audio here:
Some of you may remember that back in 2017 I gave a paper at an academic conference at the University of Bologna. The proceedings of the conference have now been published, and I’m delighted to report that my paper is among them. That’s an actual, genuine academic publication credit.
The paper is titled, “Escaping the Cis Gaze in Trans-Themed Young Adult Fiction”, and it is published in Literature, Gender and Education for Children and Young Adults, Bononia University Press, 2019 pp 137-148.
Huge thanks to Raffaella Baccolini and everyone else involved in the conference for making me so welcome.
I spent the past three days in Germany (and traveling too and from). The main reason I was there was to give a lecture at the Academy of Media Arts in Köln. However, I did pay for an extra hotel night so that I could do a bit of sightseeing. Hopefully there will be photos up here soon. I did take a lot, but I need to find time to process them (and I know I haven’t done the Ghent photos yet).
What I can say is that Köln is a lovely city. Obviously it is most famous for the giant cathedral which, when you are up close, really does look as if it reaches all the way to heaven. However, there are lots of Roman remains (the city was a legionary base and later capital of the Province of Germania) and twelve Romanesque churches. Sadly the two main museums of Roman materials were closed for rennovations, but I saw enough to want to go back when they are open.
I can recommend the Rautenstrauch-Joest Museum which does a good job of being an anti-colonial ethnographic collection. It is also a themed collection. Anyone involved with the Pitt-Rivers Museum in Oxford should take a look.
My talk seemed to go down very well. It was filmed and will be available on the Academy website in due course. We also had a reporter from a local radio station in attendance. If you can understand German you can tell me what he thought of it as his report is already online.
Today’s Women’s Outlook show was one of those where it seemed mostly calm on the surface, but it was all frantic paddling underneath. Yesterday I had one of my guests drop out, so I had a half hour to fill. Thankfully the pre-recorded interview I had would stretch to three segments, and I had enough to talk about to fill the final one I needed. Also Ben, my usual engineer, was unavailable, and the replacement we had arranged was unable to come in, so I ended up with an emergency holographic engineer. Huge thanks to Mikey who did a great job for me.
We began the show with Aled and Acomo from Brigstowe, a local charity that specialises in HIV/AIDS issues. They are one of two charities in England who are running pilots with PrEP, the drug which can protect you from HIV if you take it before having sex. PrEP is already widely available in Scotland and Wales, but as Aled explains the English authorities have fought tooth and nail to prevent it being made available. Now that the courts have forced the NHS to do some trials, Brigstowe needs help getting them done.
They are looking in particular for women from marginalized communities who are willing to get trained on the use of PrEP and can then go out into their communities to srpread the word. They’ll be working closely with my pals at One25 to make sure the drug gets to sex workers, who are some of the people who need it most. They are also very interested in recruiting trans women.
The pre-recorded interview with was Amal El-Mohtar and was made while we were at Ã…con. We talked about a range of issues, but obviously there was particular focus on the forthcoming book, This is How You Lose the Time War. I loved this book. There will be a review coming soon.
As I had a bit of time to fill I played a couple of songs with Nordic connections. I have probably enthused about the Swedish electrojazz duo, Koop, before, but I should mention that the particular song I played had guest vocals from Ane Brun who is Norwegian and Sami. She has also worked with Peter Gabriel, taking Kate Bush’s part on “Don’t Give Up” when he was touring.
I also played the Miike Snow song that Amal mentions during the interview. The core of that band is Swedish too. If you are intersted in the very gay video for the song, you can find it here.
Finally on the show I was joined by Cai and Amie from Paper Arts who are a wonderful organisation that helps young people start a career in the arts.
You can listen to today’s show via the Listen Again function on the Ujima website.
This time last year I was telling you about this fabulous book which I had the honour to make a small contribition to. Most of the work was done by the amazing Ardel Haefele-Thomas, but part of the plan for the book was to have a whole lot of “voices from the community” contribitions. One of those was me, talking about trans Romans.
The nice people at Oxford University Press sent me a review copy of their new edtion of The Poetic Edda, as translated by Professor Carolyne Larrington. There’s not a huge amount I can say about the text, partly because the stories are so familiar, and partly because I’m in no position to comment on the quality of the translation, save to say that Prof. Larrington is an acknowledged expert in the field.